Families Of All Kinds Will Appreciate This Simple Tale Of Love And Longing, Motherhood And Magic. In A Small Village In West Africa, A Young Girl Explains The Special Way She Was Born. Her Mother Had Difficulty Getting Pregnant, So She Seeks Help In The Form Of A Doll Which She Treats Like A Human Baby, Carrying It On Her Back And Covering It With Kisses. Months Go By And Finally The Woman’s Belly Begins To Grow! This Beautiful Story Explores The Akua-ba Fertility Figures Of The Akan People Of Ghana, While Also Depicting The Deep Love A Mother Has For Her Children. Élodie Nouhen’s Subtle, Gorgeous Illustrations Combine Collage And Prints That Are Reminiscent Of Traditional African Art, While Remaining Uniquely Contemporary. Each Spread Communicates The Look And Feel Of West Africa–the Blazing Yellow Of The Sun, The Deep Blue Of The Sky, The Richly Patterned Textiles, And Vibrant Flora And Fauna. Adrienne Yabouza’s Text Echoes The Rhythms Of Life In Her Homeland–the Central African Republic. The Book Closes With A Short Introduction To African Art And The Importance Of Fertility Statues In African Cultures.
A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.
Ebo is alone. His brother, Kwame, has disappeared, and Ebo knows it can only be to attempt the hazardous journey to Europe, and a better life―the same journey their sister set out on months ago. But Ebo refuses to be left behind in Ghana. He sets out after Kwame and joins him on the quest to reach Europe. Ebo’s epic journey takes him across the Sahara Desert to the dangerous streets of Tripoli, and finally out to the merciless sea. But with every step he holds on to his hope for a new life, and a reunion with his family.
Blade never asked for a life of the rich and famous. In fact, he’d give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy, including the loss of his mother. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming Blade will become just like his father.
For eighteen-year-old Charlotte, university life is better than she’d ever dreamed a sophisticated and generous roommate, the camaraderie of dorm living, parties, clubs and boyfriends. Most of all, Charlotte is exposed to new ideas, and in 1981 Ghana, this may be the most exciting and most dangerous adventure of all.
Rendered a foreigner among her own people when her mother sends her to school in their native Ghana, a young woman learns about the painful economic circumstances affecting the region, which sharply contrasts with her divorced parents’ homes in England and America.
See the review at WOW Review, Volume 8, Issue 2
Born in Ghana, West Africa, with one deformed leg, he was dismissed by most people—but not by his mother, who taught him to reach for his dreams. As a boy, Emmanuel hopped to school more than two miles each way, learned to play soccer, left home at age thirteen to provide for his family, and, eventually, became a cyclist. He rode an astonishing four hundred miles across Ghana in 2001, spreading his powerful message: disability is not inability.
Twelve-year-old Astrid has come to Ghana with her family in 1979 so that her father can help oversee Ghana’s first democratic election. Astrid and her brother, Gordo, were told it would be a great family adventure, but they soon find out that everything about Ghana is difficult—the heat, the food, the threat of disease, the soldiers on the roads, the schools. Gordo fits in more easily than Astrid, who is often left to look after her baby sister, Piper, as their mother begins to fall apart under the strain of living in Ghana. When the government is overthrown, Gordo comes down with malaria and a soldier threatens her family.
Featured in Volume VII, Issue 1 of WOW Review.
Told from the perspective of a giant Wawa tree, Meshack Asare describe the peacefulness of the forest before the arrival of man.
See the review at WOW Review, Volume 5, Issue 2
Ama is a slave. She is old and dying and has an incredible story to tell. It is about violence and heartaches, but it is also a story of courage, hope, determination and ultimately, love. Since Ama is blind, she cannot write down her story for future generations. Instead, she summons the son from whom she has been long separated. at first he thinks she’s old and tiresome. But as Ama’s astonishing journey unfolds in her own words, his world changes forever, until he can never see it with the same eyes again. Nor will those who read Ama’s story.