United States

Materials from United States of America

Beaver Steals Fire: A Salish Coyote Story

A long time ago, fire belonged only to the animals in the land above, not to those on the earth below. Curlew, keeper of the sky world, guarded fire and kept it from the earth. Coyote, however, devised a clever plan to steal fire, aided by Grizzly Bear, Wren, Snake, Frog, Eagle, and Beaver. These brave and resourceful animal beings raided the land above and risked all to steal fire from Curlew. Beaver Steals Fire is an ancient and powerful tale springing from the hearts and experiences of the Salish people of Montana. Steeped in the rich and culturally vital storytelling tradition of the tribe, this tale teaches both respect for fire and awareness of its significance, themes particularly relevant today. This unforgettable version of the story is told by Salish elder Johnny Arlee and beautifully illustrated by tribal artist Sam Sandoval.

Nanabosho and the Cranberries

Sometimes we can be fooled by what we want to see. That happens to a famished Nanabosho when he sees a bush of plump cranberries seemingly floating on the surface of the lake.

Tundra Mouse: A Storyknife Book

Using a traditional technique called storyknifing, two Yupik Eskimo sisters share a story about the mice that made a nest out of tinsel from the Christmas tree.

People of the Noatak

During five long visits to Alaska’s remote northwest coast to sketch and paint, the late Claire Fejes became guest and friend to the Native inhabitants there, learning their ways and customs. A personal narrative in text, drawings, and paintings, People of the Notatak concerns the people of two villages–Noatak, the summer settlement of a nomadic tribe that lives mainly in the wilderness interior, and Point Hope, whose economy centers around the hunting of the great bowhead whale.

Claire captures the life of the Native Inupiat in Northwest Alaska, before outside influences changed their lives. In a few simple strokes, her drawings evoke the heart and life of the Inupiat. Thanks in part to her habit of journal-keeping, Claire was able to record what she had witnessed in her years of travel and painting up the Yukon River into the Arctic Refuge.

A native New Yorker, Claire received her art training at the Newark Art Museum and taught art until moving to Alaska. She wrote with rare insight and understanding about the intimate daily lives of mothers and fathers and their children, of husbands and wives and in-laws in the villages in which she lived, an aspect of Eskimo life rarely treated in books.

Originally published in 1966, People of the Noatak is an excellent portrayal of the Inupiat people before modern changes, a glimpse into the Inupiat world when traditional values and roots were strong.

Welcome The Caribou Man

Abenaki artists Gerard Tsonakwa and his wife Yolaikia Wapitaska, working in stone, bone and wood, bring the ancient legends of the Abenaki people into the industrial age through juxtaposition of the stories with their masks and sculptures. This volume, illustrated with many of the works that have toured more than thirty museums since 1992, evokes ancient connections embodied in the legends and lore of traditional peoples.

Two Old Women

Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River area in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these two women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship,community, and forgiveness will carve out a permanent place in readers’ imaginations.

A Distant Enemy

Joseph just wants to continue the traditions of the Yup’ik people. So when outside officials restrict fishing in his Alaskan village, he commits an anonymous act of vandalism in protest. But his new teacher finds out his secret. To make things worse, Joseph’s father, who left years ago, wants to see him again. Joseph isn’t sure who he can trust, but if he doesn’t trust someone, he’s headed for disaster. “Vanasse creates a vivid portrait of modern Eskimo lifestyles, conflicts and fears while rendering a sensitive account of one teenager’s coming of age.” — Publishers Weekly