When he asks for a typical pet–a dog, a cat–his parents say no, so Sam wonders, “How about a Snagglegrollop?” A what?! The next day Sam comes home from school with a strange-looking creature indeed! The Snagglegrollop eats an awful lot of food–and entire tubes of toothpaste, too. But it tells silly jokes and takes the family for wonderful weekend romps. They become very fond of it. Some nights, though, the Snagglegrollop just sits on the roof, staring at the stars. “It seems quite sad,” Sam thinks. Could it be that all it needs is the companionship of his classmate Emily’s Quibblesnuff?
growing up
Guttersnipe
Early in the twentieth century, ten-year-old Ben and his family live in the poorest part of their city with other Jewish immigrants. There is never enough money to make ends meet, so Ben, determined to do his part, lands a job delivering hat linings to a hat factory after school. He sets out on his boss’s bicycle feeling strong and free, and has a grand time until, on his way up Hill Street, he gets a harsh comeuppance, one that hurts his body and threatens to destroy his dreams as well. Based on the experiences of the author’s father and illustrated in Emily Arnold McCully’s signature style, this book celebrates a boy who nearly loses hope, but then learns that the future shines bright and full of second chances.
Old Bird
One day Papa buys Bird, an old horse that can carry Archie and his brother to school every day. And the two boys are delighted with the gentle mare, which follows them around as they do their chores on the farm. It isn’t long, however, before Bird reveals another side to her personality. Despite Papa’s efforts to keep her out of the barn, Bird manages to open the latch and let herself in every time. And when she doesn’t get her own way, Bird develops a habit of bucking off the boys along the trail to and from school. A despairing Papa finally decides that Bird has to be returned. There’s no place on a farm for an animal that doesn’t earn its keep. But Bird isn’t ready to leave. The stubborn old mare does have a place on the farm despite her age. All she has to do is seize the opportunity and show everyone what she’s been capable of all along. Based on a true story, Irene Morck’s new picture book is a delightful tale that children will love. But it is the subtle, deeper message – old does not mean useless – which will have a lasting impact on readers of all ages. Artist Muriel Wood accompanies the text with exquisite paintings that are deeply coloured and full of character, leaving their own heartfelt signature on this moving story.
Dog Biscuit
Hungry Bridget ate a biscuit . . . a dog biscuit! It tasted good – salty and sweet at the same time – but dog biscuits are meant for dogs, not people. Bridget starts to worry. Are her ears getting bigger? Is she growing a tail? Could she be turning into a dog? In the middle of the night, Bridget is swept off on a joyous romp with a wild dog pack. She has so much fun – until she thinks about leaving her family behind, which makes her so sad that she wakes up immediately, safe and sound in her mother’s arms, and human once again. Bursting with wild doggy energy, Helen Cooper’s vibrant illustrations make this one of the most original picture books she has created yet. A recipe for Human-Being Treats is included!
Kira (Shadow Of The Dragon)
Under no circumstances are girls EVER to be allowed anywhere near dragons. THE PENALTY FOR ANY GIRL CAUGHT BREAKING THE FIRST LAW IS DEATH. Kira is twelve, and strong willed. The daughter of a retired dragon knight, she yearns for adventure and dreams of following in her father’s footsteps astride her own magnificent mount. But this can never happen. According to the ‘stupid laws’ of the kingdom, she must be married by thirteen. Kira hates it, but being a girl she has no choice. Then Lord Dorcon arrives, in a whirl of destruction and fire and Kira knows the real fight is just beginning. To stand a chance of seeing her family again, and to protect the life of her younger sister, she will need every bit of willpower she can find. Let the battle commence.
Little (Grrl) Lost
When fourteen-year-old TJ and her family are forced to move from their farm to the suburbs, she has to give up her beloved horse, Red—but she makes a surprising new friend. Elizabeth is a “Little,” a six-inch-high punked-out teen with an attitude, who has run away from home to make her way in the world. TJ and Elizabeth—the Big and the Little—soon become friends, but each quickly finds herself in a truly life-threatening situation, and they are unable to help each other. Little (Grrl) Lost is a delightful combination of realism, magic, humor, and hope, and is sure to win Charles de Lint many new teen and adult fans.
Guardian Circle, The
Caddy Ever After
Love is in the air for the Casson family! Four hilarious, endearing tales unfold as Rose, Indigo, Saffy, and Caddy each tell their intertwining stories. Rose begins by showing how she does special with her Valentine\’s card for Tom in New York. Not to be outdone, Indigo has his own surprise in store for the Valentine,s Day disco at school. For her part, Saffy has an unusual date in a very, very dark graveyard, and is haunted by a balloon that almost costs her her best friend.But it is Caddy who dares everything — as she tells all about love at first sight when you have found the Real Thing. Unfortunately the Real Thing is not darling Michael. What is Rose going to do?
I Miss You, I Miss You!
Thirteen-year-old Tina Dubois and her identical twin sister, Cilla, are extremely close and yet different personalities, and when Cilla is suddenly killed, Tina and her family struggle to come to terms with the loss.
I Need You More Than I Love You And I Love You To Bits
When Morris meets Betty, love is unavoidable. In short prose
passages, we follow the course of their passionate first love. A
confident debut written in a surprising form, which gives the story intelligence and depth.
Morris feels like Betty can see everything he’s thinking. Betty
believes Morris understands her like no one ever before. She tells him everything, even about the dried-up worm that she saw on the sidewalk on the way to school. But sometimes the darkness closes in on Morris. His father is manic-depressive and his mother is always talking about dreams and poetry and her new boyfriend. Morris begins to wonder if crazy people are drawn to each other. Betty points out that he is like his father. As their love grows, it almost consumes them. Soon it’s as if they are always trying to escape
themselves until they ask, “How do you know when it’s over?”