By Yoo Kyung Sung, University of New Mexico, Albuquerque NM
This month, I invite the WOW Currents audience to partake in global intercultural and language celebration events that unite young and adult readers with languages and cultures from contemporary nations across diverse countries. This edition of WOW Currents invites readers to take a closer look at select award-winning books from recent translation competitions, including Korean to Spanish, Spanish to Korean, Korean to Arabic, and Arabic to Korean languages. The award ceremonies for these competitions were held at the Korean Embassy in Mexico City and the Seoul International Book Exhibition, marking significant intercultural solidarity programs in the field of translation and cultural exchange. Continue reading
In recent years, increasing numbers of translated and non-translated Korean children’s literature are available to Japanese readers. Yes, Japanese readers read and consume Hangul (written Korean) directly beyond literature experiences (e.g., language learning). We’ve found several major Japanese publishing companies, JBBY (Japanese Board on Books for Young People), bookstores, and public and school libraries feature books by Korean authors and illustrators through social media and physical spaces. Three beloved Korean authors who also illustrate their work influenced Korean picturebooks’ reputations in Japan positively beyond what Japanese audiences are familiar with over the years (i.e., postcolonial texts). In this post, we share three Korean authors, Heena Baek, Suzy Lee and Heeyoung Ko who are among those gaining great popularity in Japan. 
This month, Junko and I explore Korean picturebooks translated and published in Japan to analyze colonization patterns in Korea. In 1910, Korea was annexed by the Empire of Japan after years of war, intimidation and political machinations; 
Our field lost a scholar of children’s literature, and we lost a treasured friend and colleague when Vivian Yenika-Agbaw passed away on September 20, 2021. Vivian was a professor of children’s and adolescent literature at Penn State University where she taught in both the residential and World campus programs. She grew up in Cameroon and remained connected both professionally and personally to these roots as she gathered supplies and resources for teachers in that country and wrote about West African and African Diaspora literature for young people through the critical lens of postcolonialism. She was concerned about issues of power and colonialism, not only in books from and about countries in Africa, but in other regions around the world whose literatures are seldom the focus of scholarship. Her research on representations of Africa in children’s books provided both historical and current critical analyses of trends and issues. 
