Material appropriate for young adults
Annith has watched her gifted sisters at the convent come and go, patiently waiting her own turn to serve Death. But her worst fears are realized when she discovers she is being groomed by the abbess as a seeress, to be forever sequestered in the rock and stone womb of the convent. Feeling sorely betrayed, Annith decides to strike out on her own.
After their home in Syria is bombed, Tareq, his father, and his younger sister seek refuge, first with extended family in Raqqa, a stronghold for the militant group, Daesh, and then abroad.
Featured in WOW Review Volume X, Issue 4.
Sybella’s duty as Death’s assassin in 15th-century France forces her return home to the personal hell that she had finally escaped. Love and romance, history and magic, vengeance and salvation converge in this thrilling sequel to Grave Mercy. Sybella arrives at the convent’s doorstep half mad with grief and despair. Those that serve Death are only too happy to offer her refuge—but at a price. The convent views Sybella, naturally skilled in the arts of both death and seduction, as one of their most dangerous weapons. But those assassin’s skills are little comfort when the convent returns her to a life that nearly drove her mad. And while Sybella is a weapon of justice wrought by the god of Death himself, He must give her a reason to live. When she discovers an unexpected ally imprisoned in the dungeons, will a daughter of Death find something other than vengeance to live for?
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others. Ismae’s most important assignment takes her straight into the high court of Brittany—where she finds herself woefully under prepared—not only for the deadly games of intrigue and treason, but for the impossible choices she must make. For how can she deliver Death’s vengeance upon a target who, against her will, has stolen her heart?
Forced to leave her mother, who has early-onset Alzheimer’s, in a nursing home in England and move to Australia to live with the father she has never met, seventeen-year-old Hazel Clarke struggles to build a new life for herself until she is befriended by Red and his quiet, grieving twin brother Luca, who help her learn to love her new home and realize the importance of honesty and family.
In 1980 life is hard on the Tuscarora Reservation in upstate New York, and some of the teenagers feel they have fewer options than they’d like: Carson Mastick dreams of forming a rock band, and Maggi Bokoni longs to create her own conceptual artwork instead of the traditional beadwork that her family sells to tourists–but tensions are rising between the reservation and the surrounding communities, and somehow in the confusion of politics and growing up Carson and Maggi have to make a place for themselves.
The tenth installment in Velásquez s acclaimed Roosevelt High School Series that focuses on social issues relevant to teens, Forgiving Moses addresses the painful issue of children, particularly brown and black youth, whose fathers are not present in their lives. Touching on the disproportionately high number of men of color in prison and its effects on society, this short novel for teens will generate conversations about the possible consequences of making bad choices, responsibility to family and the impact of incarceration.
Ranging from Puerto Rico to Cuba and the United States, this engaging novel for teens follows historical figures that were instrumental in the fight for self-determination in Puerto Rico. Addressing issues that remain relevant today racism, women’s rights and Puerto Rico’s status. The Season of Rebels and Roses also sheds light on women’s involvement in their nation’s liberation and their own.
Best mates Karl and Abu are both 17 and live near King’s Cross. It’s 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local “wannabe” thugs just for being different. When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he’s never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home. The narratorial spirit of this multi-layered novel is Esu, the Yoruba trickster figure, who haunts the crossroads of communication and misunderstanding. When We Speak of Nothing launches a powerful new voice onto the literary stage. The fluid prose, peppered with contemporary slang, captures what it means to be young, black and queer in London. If grime music were a novel, it would be this.
These are just a few of the stories told in Eat the Sky, Drink the Ocean, a feminist speculative fiction collection, born of a collaboration between Australian and Indian writers. Finding themselves inspired to action after crimes against women dominated national conversations, the editors of this collection paired writers and illustrators from India and Australia together to write stories, graphic novels, and even a play that reimagine what girls can be and see themselves as.