With the help of his two best friends, and surreal appearances by Oscar Wilde himself, teenager Ken Z. navigates his first foray into love.
In the aftermath of a successful quest, Apprentice Kalanthe and Olsa-the-thief-of-the-realm must cope with their newfound fame and find a way to overcome the forces that would drive them apart.
Sixteen-year-old Biz sees her father every day, though he died when she was seven. When he suddenly disappears, she tumbles into a disaster-land of grief and depression from which she must find her way back.
While riding the subway home from the pool with his abuela one day, Julián notices three women spectacularly dressed up. Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he’s seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a butter-yellow curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes — and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love’s author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.
Best mates Karl and Abu are both 17 and live near King’s Cross. It’s 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local “wannabe” thugs just for being different. When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he’s never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home. The narratorial spirit of this multi-layered novel is Esu, the Yoruba trickster figure, who haunts the crossroads of communication and misunderstanding. When We Speak of Nothing launches a powerful new voice onto the literary stage. The fluid prose, peppered with contemporary slang, captures what it means to be young, black and queer in London. If grime music were a novel, it would be this.
When otherworldly beings start falling from the sky, it seems like the end of days are near but for one girl, it’s just the beginning of an adventure that will change her life.
Caroline Murphy is a Hurricane Child. Being born during a hurricane is unlucky, and twelve-year-old Caroline has had her share of bad luck lately. She’s hated and bullied by everyone in her small school on St. Thomas of the US Virgin Islands, a spirit only she can see won’t stop following her, and — worst of all — Caroline’s mother left home one day and never came back. But when a new student named Kalinda arrives, Caroline’s luck begins to turn around. Kalinda, a solemn girl from Barbados with a special smile for everyone, becomes Caroline’s first and only friend — and the person for whom Caroline has begun to develop a crush. Now, Caroline must find the strength to confront her feelings for Kalinda, brave the spirit stalking her through the islands, and face the reason her mother abandoned her. Together, Caroline and Kalinda must set out in a hurricane to find Caroline’s missing mother before Caroline loses her forever.
Love Beyond Body, Space, and Time is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman undergoing an experimental medication that enables her to live the lives of her maternal ancestors to young lovers separated through decades and meeting in the future. These are stories of machines and magic, love and self-love.
Elena, the first scientifically confirmed virgin birth, acquires the ability to heal by touch at age 16, the same year that people start disappearing in beams of light, causing her to wonder if she is bringing about the Apocalypse.
In a near-future Toronto where the British Empire never fell, Helena, August and Margaret are caught off-guard by the discovery of a love so intense they are willing to change the course of the monarchy to keep it.