Susan Corapi, Trinity International University, Deerfield, IL
One of my challenges is to fit inside the boxes that different groups in society create for me to live in. For example, I am a professor, so I live with the box of student expectation and preference for numerical grades instead of narrative feedback (my preference). Another box I live with relates to the frequent moves I have made between countries, states or provinces. Each place has their own way of operating, so I spend the first few months in a new environment learning the rules of that community. There are many rules that are fine and help me get along with the neighbors (e.g., “Mow your lawn once a week”). Others puzzle and constrain (e.g.,”Normal families eat dinner at 6 p.m.”) and end up making me feel odd, unwelcome and definitely not at peace.
Writing in free verse and illustrating in stark black-and-white watercolors for Mary’s Monster, Lita Judge tells the story of Mary Shelley, the pregnant teen runaway who authored the first Gothic horror story, Frankenstein. Lord Byron’s challenge to write a horror story may be the often-cited reason Shelley wrote her book, but Mary’s Monster demonstrates the way the author drew on elements of her own difficult life to create the story of an experiment gone awry. Judge tells the story through Mary’s voice. Her sparse verse weaves the story of Mary’s own rejection with her creation of a monster rejected by society. 
