Material appropriate for young adults
As a Latina educator, poet, mother, lecturer and native of El Paso, Texas, Pat Mora is a denizen of nepantla—a Nahuatl word meaning “the land in the middle.” In her first collection of essays, Mora negotiates the middle land’s many terrains exploring the personal issues and political responsibilities she faces as a woman of color in the United States. She explores both the preservation of her own Mexican American culture and her encounters with other cultures.
A collection of five short stories and a novella which offers valuable portraits of New York City women and the rituals of survival that shape their lives.
Fifteen-year-old RD is repeating the eighth grade, planning to have an easy year, but after his grandmother walks out her boyfriend is no longer able to care for him, which leaves RD to fend for himself while avoiding being caught.
“Pops stormed his way down the hall in a pissed-off march–trouble on the move. A quick glance at his florid, contorted face told me he was smashed. I looked down at meat, spoon, dough–anything to avoid his bleary red eyes. The stench of booze sickened me. So did my father.” In the title story of this gritty collection for teens, a young girl remembers the night her father almost killed her mother. The peace that comes when her father is put in jail is short lived though, because in order to keep him behind bars she will have to testify against him in court. Can she be strong enough to overcome her fear? What if he leaps out of his chair and attacks her too? Can she do what needs to be done in order to keep her mother and grandmother safe? In Theresa Saldana’s first collection of stories for young adults, her characters confront issues relevant to all teens, from friendship to dreams for the future. Many, though, must overcome suffering–whether physical or emotional–that impacts their sense of security and well being. A teenager survives an auto accident that has left her with multiple disfiguring scars. Will she ever be able to really live again? A young high school student prepares to leave the safety of her neighborhood where her friends have accepted her the way she is–overweight. Will her new classmates at Hunter College be able to see who she really is inside her big body? Sure to intrigue young adult readers who will identify with numerous contemporary cultural references–from reality TV shows to computers and the Internet–the engrossing stories in this collection give voice to young Latinas who, like their counterparts everywhere, yearn to be “normal.”
Susan Beth Pfeffer’s Life as We Knew It enthralled and devastated readers with its brutal but hopeful look at an apocalyptic event–an asteroid hitting the moon, setting off a tailspin of horrific climate changes. Now this harrowing companion novel examines the same events as they unfold in New York City, revealed through the eyes of seventeen-year-old Puerto Rican Alex Morales. When Alex’s parents disappear in the aftermath of tidal waves, he must care for his two younger sisters, even as Manhattan becomes a deadly wasteland, and food and aid dwindle.>With haunting themes of family, faith, personal change, and courage, this powerful new novel explores how a young man takes on unimaginable responsibilities.
He didn’t say good-bye. He didn’t leave a phone number. And he didn’t plan on coming back – ever.
In Wisconsin, Rico could blend in. His light hair and lighter skin wouldn’t make him the “dark dude” or the punching bag for the whole neighborhood. The Midwest is the land of milk and honey, but for Rico Fuentes, it’s really a last resort. Trading Harlem for Wisconsin, though, means giving up on a big part of his identity. And when Rico no longer has to prove that he’s Latino, he almost stops being one. Except he can never have an ordinary white kid’s life, because there are some things that can’t be left behind, that can’t be cut loose or forgotten. These are the things that will be with you forever…. These are the things that will follow you a thousand miles away.
For anyone who loved The Outsiders — and for anyone who’s ever felt like one — Pulitzer Prize-winning novelist Oscar Hijuelos brings to life a haunting choice and an unforgettable journey about identity, misidentity, and all that we take with us when we run away.
What does it take to be the queen?Margarita \”Madge\” Diaz is fat, foxy, and fabulous. She loves herself, and is adored by almost everyone else…except queen bee/student-body president Bridget Benson. These two girls have a history that\’s uglier than a drag queen after last call. During a heated argument, they decide there\’s only one way to end their rivalry: be named prom queen and the other backs off — for good.Of course, everything looks different in the sober light of morning, but pride is at stake and the race is on. Madge is committed to doing whatever it takes to secure the title, but so is Bridget. And everyone\’s got something to hide. Welcome to Winter Park High School, where the dirt\’s not just gonna fly…it\’s gonna go into freakin\’ orbit.
Photographs and text follow a Mexican-American girl through a coming-of-age ritual that helps to preserve a rich heritage in today’s Latino community in the United States.
Annabel first sees him playing soccer near her house. His name is Esteban—she sees it on the back of his team shirt. He notices her, smiles, then looks back over his shoulder at her again.
It is the beginning of summer in the resort town of Seaview. It is also the start of a romance between a young Colombian who came to town to work and the daughter of a local contractor whose crews are entirely Latino—new immigrants who are changing the face of Seaview.
This is the summer of war in Iraq, and of Hurricane Katrina. But in Seaview there are other concerns. In Annabel’s house her new boyfriend is at the top of the list. And Esteban’s sister has harsh words for his choice of a girlfriend.
M. E. Kerr weaves a compelling story of star-crossed love and a small-town problem of nationwide significance.
In this second ChupaCabra mystery, Professor Rosa Medina has just arrived in Santa Fe where she meets Nadine, a mysterious sixteen-year-old who insists that the two of them travel to Roswell, New Mexico. Nadine is convinced that C-Force, a secret government agency, has decoded the DNA of ChupaCabra and an extraterrestrial. If the two genomes are combined, a new and horrific life form will be created.In this fast-paced mystery, Anaya expands the ChupaCabra folklore into a metaphor that deals with the new powers inherent in science. Is ChupaCabra a beast in Latino folktales, used to frighten children, or a lost species being manipulated by C-Force? Rosa\’s life hangs in the balance as she and her young accomplice try to find a way to stop C-Force before its mad scientists create a monster.