Sent with her mother to the safety of a relative’s home in Cincinnati when her Syrian hometown is overshadowed by violence, Jude worries for the family members who were left behind as she adjusts to a new life with unexpected surprises.
When Maria, Juan, and their mother go to the border between California and Mexico to visit their grandmother at Christmas, Maria must devise a way to get Juan’s gift over the fence.
When seventeen-year-old Jay Reguero learns his Filipino cousin and former best friend, Jun, was murdered as part of President Duterte’s war on drugs, he flies to the Philippines to learn more.
Sixteen-year-old Indy struggles to conceal that she is pregnant by rape and then, turned out by relatives, must find a way to survive on her own in Nassau.
Brothers Teodoro and Manny Avila take a road trip to address Manny’s PTSD following his tour in Iraq, and to help T. change his life and win the heart of Wendy Martinez. Includes information and resources about PTSD.
A talented young runner, Santino lives in Palermo, Sicily—a beautiful region of Italy that’s dominated by the Mafia. With Santino’s first communion approaching, his father and grandfather carry out a theft to pay for the party—but they steal from the wrong people. A young, cocky Mafioso summons them to a meeting, and they bring the boy. As Santino wanders off into the old abandoned neighborhood, he hears shots and runs back to see two armed men and his father and grandfather slumped over in the car. The boy barely escapes with his life. Now, he’s left with a choice: cooperate with police and be a “rat,” or maintain Omertà: the code of silence. Twelve-year-old Lucio lives in the northern Italian city of Livorno and dreams of sailing when not taking care of his his young sister, Ilaria, and his sick mother, who is convinced that a witch has cursed her. One day, Lucio’s mother goes missing and he receives a mysterious text: “Come to Palermo. Mamma is dying.” Panicked, Lucio grabs Ilaria and rushes to Sicily, where Lucio’s and Santino’s stories converge with explosive results.
Shy twelve-year-old Nisha, forced to flee her home with her Hindu family during the 1947 partition of India, tries to find her voice and make sense of the world falling apart around her by writing to her deceased Muslim mother in the pages of her diary.
Imogen St Pierre is a musical prodigy, a classical pianist touring the international concert halls in a trio with her father and grandfather. Though clearly accomplished, she is also painfully awkward socially, getting lost in the music even after it’s over. Imogen’s in the final year in a private boarding school where she meets a boy of the same age, Nathan McCormick, who turns out to be the “Next Great Hockey Player.” Nathan, however, has recently been penalized for a vicious fight in an international tournament. Imogen and Nathan don’t exactly become an item, but there’s an elusive special quality to their connection. Jean Mills has given us a thoughtful, moving, powerful story about what it’s like to be gifted and exceptional — and still young.
Anya could really use a friend. But her new BFF isn’t kidding about the “Forever” part . . . Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend who’s been dead for a century. Falling down a well is bad enough, but Anya’s normal life might actually be worse. She’s embarrassed by her family, self-conscious about her body, and she’s pretty much given up on fitting in at school. A new friend—even a ghost—is just what she needs. Or so she thinks. Spooky, sardonic, and secretly sincere, Anya’s Ghost is a wonderfully entertaining debut from author/artist Vera Brosgol.
“This is a novel about what it means to inhabit a land both yours and stolen from you, to simultaneously contend with the weight of belonging and unbelonging. There is an organic power to this book—a revelatory, controlled chaos. Tommy Orange writes the way a storm makes landfall.” —Omar El Akkad, author of American War Tommy Orange’s “groundbreaking, extraordinary” (The New York Times) There There is the “brilliant, propulsive” (People Magazine) story of twelve unforgettable characters, Urban Indians living in Oakland, California, who converge and collide on one fateful day. It’s “the year’s most galvanizing debut novel” (Entertainment Weekly). As we learn the reasons that each person is attending the Big Oakland Powwow—some generous, some fearful, some joyful, some violent—momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss. There There is a wondrous and shattering portrait of an America few of us have ever seen. It’s “masterful . . . white-hot . . . devastating” (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it’s destined to be a classic.