Realistic Fiction genre
In the Chinese opera, men traditionally sing both male and female parts. Wei Lim’s father, Ba, however, usually plays masculine characters and sings in a deep bass voice. But Wei’s grandfather played female roles, and has secretly taught Wei to sing these difficult parts. When the New World’s entertainments begin to cause a shrinking audience for the opera company, Ba is forced to play female characters.
Babies are very good at being babies, and when they grow up, they’re very good at being big kids, too.
Mini Mia loves her Uncle Tommy. They hang out in coffee bars, go for walks, swim and do other fun stuff. But one day Fergus appears in her uncle’s kitchen. Mini Mia does not want to share Tommy with his new boyfriend. She thinks Fergus should go back to where he came from in Scotland. But Fergus doesn’t disappear that easily.
Paul Faustino, known as the best soccer journalist in the business, reluctantly investigates the disappearance of 18-year-old Ricardo, a soccer prodigy known as “El Brujito,” while in alternate chapters a slave in old San Juan becomes a powerful voodoo priest.
When she finally joins her father and brothers in their new home in Switzerland, a twelve-year-old Turkish girl encounters the tremendous difficulty of living in a foreign country without knowing the language and customs.
Persephone Hadley is six months pregnant with a mixed-race baby.In their society this fact alone will threaten the child’s life every day. To make matters worse, the baby’s father, Callum, is dead. He was hanged for terrorism months ago, but his presence still torments Sephy. And she’s not alone. Callum’s brother, Jude, blames Sephy for the death, and thirsts for revenge in the form of her life. Obviously, Sephy is not fond of Jude, but when his actions take him to the brink of disaster, his life poised on a knife edge.
Sophie is a big girl now, with a nice, new big-girl bed. But Bunny, Bear, and Scarlett are worried that if the bed is too big, they may get lost under all those sheets and blankets.
Satchel O’Rye, devoted son of an impoverished couple in a dying rural town, must weigh in balance the life of his most cherished dog and the freedom of a mysterious rare animal.
Seventeen-year-old Gem loves movies, her feminist mom, and Dodgy, her coworker in a video store (at least she thinks she loves Dodgy). When a school trip inspires Gem to make an underground film, her best friends Lo and Mira are quick to join the project, taking on the roles of producer and star. The film is intended to cement the girls’ friendship as well as their superiority over their sucker high school peers. But when the fragile balance of their friendship begins to falter, and intentions lead to betrayals big and small, it will take great movies, bad haiku, and a pantheon of great voices—from Dostoyevsky to Emerson to The Beatles—to help Gem find the meaning of love, friendship, and being true to herself.
Smart and independent, 11-year-old Khyber lives with her mom, Tammy, a former stripper, and her autistic twin brothers in a poor Toronto neighborhood. Though she doesn’t have a lot in common with her classmates, Khyber does have wonderfully eccentric friends: Valerie, Toronto’s meanest waitress, and X, a homeless woman in hiding from “the secret police.” Despite having to deal with pompous social workers who make her mother cry and ignorant kids who make remarks about her brothers, Khyber manages to enjoy herself, poring over atlases, planning exotic journeys, and taking peanut butter sandwiches to X. But when Tammy decides to move her sons to a group home for proper care, Khyber’s world starts to crumble. She fights with her mom and then gets expelled from school. To make matters worse, X suddenly disappears. Khyber sets out to find her in a wild all-night odyssey of self-discovery.