As a young refugee girl takes shelter for the night, the world appears bleak. But as she starts thinking about her happy memories, she finds the courage to hope for a better future.
Seventeen-year-old Xochi’s life changed when she became governess to precocious twelve-year-old Pallas, but the duo unintentionally summons a pair of ancient creatures determined to right the wrongs of Xochi’s adolescence.
For Anna, the family farm has always been home… But now, things are changing. Anna’s mother has died, and her older siblings have emigrated, leaving Anna and her father to care for a young sister with special needs. And though their family has worked this land for years, they’re in danger of losing it as poor crop yields leave them without money to pay their rent. When a violent encounter with the Lord’s rent collector results in Anna and her father’s arrest, all seems lost. But Anna sees her chance and bolts from the jailhouse. On the run, Anna must rely on her own inner strength to protect her sister–and try to find a way to save her family. Written in verse, A Slip of a Girl is a poignant story of adversity, resilience, and self-determination by a master of historical fiction, painting a haunting history of the tensions in the Irish countryside of the early 1890s, and the aftermath of the Great Famine.
When Zezé grows up, he wants to be a poet in a bow tie. For now the precocious young boy entertains himself by playing clever pranks on the residents of his Rio de Janeiro neighborhood, stunts for which his parents and siblings punish him severely. Lately, with his father out of work, the beatings have become harsher. Zezé’s only solace comes from his time at school, his hours secretly spent singing with a street musician, and the refuge he finds with his precious magical orange tree. When Zezé finally makes a real friend, his life begins to change, opening him up to human tenderness but also wrenching sorrow. Never out of print in Brazil since it was first published in 1968, My Sweet Orange Tree, inspired by the author’s own childhood, has been translated into many languages and has won the hearts of millions of young readers across the globe.
From the time she was a little girl, Nia has dreamed up adventures about the Javanese mythical princess, Dewi Kadita. Now fourteen, Nia would love nothing more than to continue her education and become a writer. But high school costs too much. Her father sells banana fritters at the train station, but too much of his earnings go toward his drinking habit. Too often Nia is left alone to take over the food cart as well as care for her brother and their home in the Jakarta slums.
In Pakistan, Amal holds onto her dream of being a teacher even after becoming an indentured servant to pay off her family’s debt to the wealthy and corrupt Khan family.
Life wasn’t always this hard for 14-year-old Mvelo. There were good times living with her mother and her mother’s boyfriend. Now her mother is dying of AIDS and what happened to Mvelo is the elephant in the room, despite its growing presence in their small shack. In this Shakespeare-style comedy, the things that seem to be are only a façade and the things that are revealed hand Mvelo a golden opportunity to change her fate. We Kiss Them With Rain explores both humor and tragedy in this modern-day fairy tale set in a squatter camp outside of Durban, South Africa.
On the outskirts of Juarez, Arturo scrapes together a living working odd jobs and staying out of sight. But his friend Faustino is in trouble: he’s stolen money from the narcos to smuggle his girlfriend and her baby into the US, and needs Arturo’s help to get it back. To help his friend, Arturo must face the remorseless world of drug and human traffickers that surrounds him, and contend with a murky past. Hovering over his story is the unsparing divinity Santa Muerte, Saint Death―and the relentless economic and social inequalities that haunt the border between Mexico and its rich northern neighbor.
Modern history unearthed as a boy becomes an innocent victim of corruption in Bolivia’s crime world, where the power of family is both a prison and a means of survival.
Caleb has spent his life roaming southern England with his Pa, little to their names but his father’s signet ring and a puppet theater for popular, raunchy Punch and Judy shows — until the day Pa is convicted of a theft he didn’t commit and sentenced to transportation to the colonies in America. From prison, Caleb’s father sends him to the coast to find an aunt Caleb never knew he had. His aunt welcomes him into her home, but her neighbors see only Caleb’s dark skin. Still, Caleb slowly falls into a strange rhythm in his new life . . . until one morning he finds a body washed up on the shore. The face is unrecognizable after its time at sea, but the signet ring is unmistakable: it can only be Caleb’s father. Mystery piles on mystery as both church and state deny what Caleb knows.