Many African stories, whether or not they are about Kwaku Ananse the “spider man,” are called, “Spider Stories.” This book is about how that came to be. The African storyteller begins: “We do not really mean, we do not really mean that what we are about to say is true. A Story, a story; let it come, let it go.” And it tells that long, long ago there were no stories on earth for children to hear. All stories belonged to Nyame, the Sky God. Ananse, the Spider man, wanted to buy some of these stories, so he spun a web up to the sky and went up to bargain with the Sky God. The price the Sky God asked was Osebo, the leopard of-the-terrible-teeth, Mmboro the hornet who-stings-like-fire, and Mmoatia the fairy whom-men-never-see. How Ananse paid the price is told in a graceful and clever text, with forceful, lovely woodcut illustrations.
Short Stories – Anthologies – Collections
The Dark-Thirty: Southern Tales Of The Supernatural: (Newbery Honor Book, Coretta Scott King Author Award, Ala Notable Children’s Book) (Coretta Scott King Author Award Winner)
A collection of ghost stories with African American themes, designed to be told during the Dark Thirty–the half hour before sunset–when ghosts seem all too believable. With an extraordinary gift for suspense, McKissack brings us ten original spine-tingling tales inspired by African-American history and the mystery of that eerie half-hour before nightfall–the dark thirty. “The atmosphere of each selection is skillfully developed and sustained to the very end. Pinkney’s stark scratchboard illustrations evoke an eerie mood, which heightens the suspense of each tale. This is a stellar collection for both public and school libraries looking for absorbing books to hook young readers. Storytellers will also find it a goldmine.”
Baseball In April And Other Stories
In this unique collection of short stories, the small events of daily life reveal big themes—love and friendship, youth and growing up, success and failure. Calling on his own experiences of growing up in California’s Central Valley, poet Gary Soto brings to life the joys and pains of young people everywhere. The smart, tough, vulnerable kids in these stories are Latino, but their dreams and desires belong to all of us.
Finding Our Way
THESE STORIES TAKE the reader to meet mochos; cholos; Mr. and Mrs. Special; Manny with his mysterious phone calls; Melly, who dreams of being the first girl to take the Dive; Andy and Ruthie, who find that being “boyfriend-girlfriend” takes on new meaning the night of the prom; and Chuy, who seems determined to get kicked out of school. Each distinct voice shares secret thoughts that draw the reader into daily dramas of love, danger, loyalty, and pride. In the final story, a shocking tragedy reverberates through the barrio.“With this collection, Saldaña makes a significant contribution to the field of Latino short stories for young readers.”—VOYA, Starred“These powerfully written, provocative selections have universal appeal and subtle, thoughtful themes.”—School Library Journal“While much is revealed, just as much is implied, making the stories layered and rich while still rendering them accessible.”—The BulletinFrom the Hardcover edition.
Voices In First Person: Reflections On Latino Identity
This eclectic, gritty, and groundbreaking collection of short monologues features 21 of the most respected Latino authors writing today, including Sandra Cisneros, Oscar Hijuelos, Esmeralda Santiago, and Gary Soto. Their fictional narratives give voice to what it’s like to be a Latinx teen in America. These voices are yearning. These voices are angry. These voices are, above all else, hopeful. These voices are America.
In Nueva York
Stories of New York’s Puerto Rican barrio.
Fitting In
Written with deep understanding and compassion, these are the bittersweet tales of young Cuban immgrants adjusting to life in the United States as they cross the threshold into young womanhood.
Conversations with Contemporary Chicana and Chicano Writers
Hector A. Torres conducted these interviews with today’s popular Chicano/a writers, asking each about language and life between languages, about the creative drive that has guided them in their craft and commits them to their art. In sharing their responses, Torres reveals a brief biography of each author and a concise examination of their writings. Taking their stories and essays individually and collectively, Torres explains how each author reiterates issues that have concerned Mexican Americans since at least 1848. Chicano/a authors know that an abundance of politics can spoil a story, as can too little. The writers included here span historical terrain, first, under the shadow of Manifest Destiny and, then, under the America’s imperial sovereignty stance. Interviewees include Rolando Hinojosa (“I Reflect the Way Valleyites Act and React”), Arturo Islas (“I Don’t Like Labels and Categories”), Erlinda Gonzales-Berry (“On the New Mexican Borderlands”), Gloria Anzaldúa (“The Author Never Existed”), Ana Castillo (two separate interviews), Sandra Cisneros (two separate interviews), Pat Mora (“I Was Always at Home in Language”), Richard Rodriguez (“I Don’t Think I Exist”), Demetria Martinez (“To Speak as Global Citizens”), and Kathleen Alcalá (“To Tell the Counternarratives”).
Rituals of Survival: A Woman’s Portfolio
My Land Sings: Stories from the Rio Grande
A collection of ten original and traditional stories set in New Mexico, including “Lupe and la Llorona,” “The Shepherd Who Knew the Language of Animals,” and “Coyote and Raven.”
See the review at WOW Review, Volume 3, Issue 2
