Materials from Asia
As North Korea undergoes a devastating famine, Yeong-dae loses both his parents and is forced to beg on the streets. Soon, this young boy sets off on a desperate journey to China to find his sister—his last living family member. Captured by the authorities, he is sent back to the North, where he is thrown in jail and tortured.
See the review at WOW Review, Volume VII, Issue 3
It is late 1903, and Rachel and her family are leaving Russia to escape the murderous riots against Jews. They travel cross country on the Trans-Siberian Railway to the coast and board a ship for Shanghai. China offers refuge, but life for them there is difficult and strange. Rachel is determined to ensure her family’s survival, but does not want to give up her dreams for her future. The opportunity to write for a Jewish newspaper in Shanghai may be the solution she’s been hoping for. The story that began in the novel Rachel’s Secret continues in Rachel’s Promise and Rachel’s Hope.
Join the discussion of Rachel’s Promise as well as other books centered around relocation on our My Take/Your Take page.
Young Min, her brother Wei, and Father Ping, the chief, face a flood then help their fellow villagers decide what to do about invaders who are approaching their Bronze Age village in China during an important festival. Includes facts about bronze-making and the archaeological finds at Sanxingdui and Jinsha, as well as archival photographs.
The book is a visual travelogue that both mimics and subverts the typical colonial encounter. With radical innocence and great sophistication, Bhajju brings the signs of the Gond forest to bear on the city, turning London into an exotic jungle, a clever beastiary. The London Underground becomes a sinuous snake, Big Ben transforms into a rooster crowing the time, and an airplane — the first Bhajju ever encountered — is compared to an elephant miraculously flying through the air. It is rare to encounter a truly original vision that is capable of startling us into reexamining familiar sights. By breathing the ancient spirit of wonder back into the act of travel, The London Jungle Book does just that.
See the review at WOW Review, Volume VII, Issue 4
On a train journey to a large city, a young woman notices a very poor girl. Who is she? Where is she going? What does her future hold? Hope Is a Girl Selling Fruit is a gentle, reflective account of a young woman’s thoughts and feelings as she comes into contact with the larger world. The rich imagery takes the story into another realm, inviting the reader to interpret it at many levels. Young Indian artist Amrita Das pushes the boundaries of her traditional art to radical new ends as she muses on women’s mobility, class, and choices.
See the review at WOW Review, Volume 8, Issue 3
Dimple Lala thought that growing up would give her all the answers, but instead she has more questions than ever. Her boyfriend is distant, her classmates are predictable, and a blue mood has settled around the edges of everything she does. It’s time for a change, and a change is just what Dimple is going to get — of scenery, of cultures, of mind. She thinks she’s heading to Bombay for a family wedding — but really she is plunging into the unexpected, the unmapped, and the uncontrollable. The land of her parents and ancestors has a lot to reveal to her — for every choice we make can crescendo into a journey, every ending can turn into a beginning, and each person we meet can show us something new about ourselves.
The second volume includes “The Beginning of the Armadilloes,” “How the First Letter Was Written,” “How the Alphabet Was Made,” The Crab That Played with the Sea,” “The Cat That Walked by Himself” and “The Butterfly That Stamped.” The first edition of Just So Stories was published in Great Britain in 1902, along with black-and-white illustrations by Kipling himself. The stories have remained in print ever since, delighting young readers in many countries. This new edition, published more than 110 years after the original, has been edited to remove a few references now understood to be offensive.
Padma Venkatraman’s inspiring story of a young girl’s struggle to regain her passion and find a new peace is told lyrically through verse that captures the beauty and mystery of India and the ancient bharatanatyam dance form. This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit. Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.
When Mio sneaks the family’s katana — a priceless ancestral sword — from her parents’ attic, she just wants to spice up a costume. But the katana is much more than a dusty antique. Awakening the power within the sword unleashes a terrible, ancient evil onto the streets of unsuspecting London. But it also releases Shinobu, a fearless warrior-boy, from the depths of time. He helps to protect Mio — and steals her heart.
This love story for the ages, set in a re-imagined industrial Asia, is a little dark, a bit breathless, and completely compelling. Sixteen-year-old Wen assists her father in his medical clinic, housed in a slaughterhouse staffed by the Noor, men hired as cheap factory labor. Wen often hears the whisper of a ghost in the slaughterhouse, a ghost who grants wishes to those who need them most. And after one of the Noor humiliates Wen, the ghost grants an impulsive wish of hers — brutally. Guilt-ridden, Wen befriends the Noor, including the outspoken leader, a young man named Melik. At the same time, she is lured by the mystery of the ghost. As deadly accidents fuel tensions within the factory, Wen is torn between her growing feelings for Melik, who is enraged at the sadistic factory bosses and the prejudice faced by his people at the hand of Wen’s, and her need to appease the ghost, who is determined to protect her against any threat — real or imagined. Will she determine whom to trust before the factory explodes, taking her down with it?