When a young girl moves from the country to a small town, she feels lonely and out of place. But soon she meets an elderly woman next door, who shares her love of arts and crafts. Can the girl navigate the changing seasons and failing health of her new friend? Acclaimed author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships and shared passions.
A collection of illustrated short stories, each one about the relationship of humans and the animals, both wild and domestic, that share the urban environment of the inner city.
Maggie McGillicuddy has an eye for trouble. All kinds of trouble.
Padma Venkatraman’s inspiring story of a young girl’s struggle to regain her passion and find a new peace is told lyrically through verse that captures the beauty and mystery of India and the ancient bharatanatyam dance form. This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit. Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.
It is February 1983, and Berlin is a divided city with a miles-long barricade separating east from west. But the city isn’t the only thing that is divided. Ada lives among the rebels, punkers, and immigrants of Kreuzberg in West Berlin. Stefan lives in East Berlin, in a faceless apartment bunker of Friedrichshain. Bound by love and separated by circumstance, their only chance for a life together lies in a high-risk escape
George’s little brothers wreck his toys and his games and trail after him wherever he goes. Try as he might, there’s just no hiding from them. George has had enough! So he commandeers an empty washing machine box and goes to the one place his brothers can’t follow: Nowhere. Nowhere is amazing! It’s magnificent! It’s also, however, free of pirates and dragons and . . . well, anyone at all. From exciting new talent Sam Zuppardi comes an all-too-relatable story of an older brother who knows when he needs his space and when he needs his siblings.
Two boys explain the occasionally mysterious “rules” they learned over the summer, like never eat the last olive at a party, never ruin a perfect plan, and never give your keys to a stranger.
This novel for ages nine and up is the story of a resilient young girl who struggles as the daughter of an alcoholic father and an absentee mother. Left alone to fend for herself for days at a time, she is observed by a kind and compassionate saleswoman at the mall she retreats to every day after school to avoid going “home.” The saleswoman gains her trust and takes action into her own hands by reporting the girl’s situation to social services. She is placed in foster care, where she dreams of being reunited with her dad, despite the deprivations in her life with him. The relationship between the girl and her foster mother is painful, and the girl’s spirit disintegrates. Eventually, the saleswoman “adopts” the girl into her caring family, whose love and support enable her, finally, to believe in herself.
It’s autumn in Tokyo, and twelve-year-old Akira and his younger siblings, Kyoko, Shige and little Yuki, have just moved into a new apartment with their mother. Akira hopes it’s a new start for all of them, even though the little ones are not allowed to leave the apartment or make any noise, since the landlord doesn’t permit young children in the building. But their mother soon begins to spend more and more time away from the apartment, and then one morning Akira finds an envelope of money and a note. She has gone away with her new boyfriend for a while. Akira bravely shoulders the responsibility for the family. He shops and cooks and pays the bills, while Kyoko does the laundry. The children spend their time watching TV, drawing and playing games, wishing they could go to school and have friends like everyone else. Then one morning their mother breezes in with gifts for everyone, but she is soon gone again. Months pass, until one spring day Akira decides they have been prisoners in the apartment long enough. For a brief time the children bask in their freedom. They shop, explore, plant a little balcony garden, have the playground to themselves. Even when the bank account is empty and the utilities are turned off and the children become increasingly ill-kempt, it seems that they have been hiding for nothing. In the bustling big city, nobody notices them. It’s as if nobody knows. But by August the city is sweltering, and the children are too malnourished and exhausted even to go out. Akira is afraid to contact child welfare, remembering the last time the authorities intervened, and the family was split up. Eventually even he can’t hold it together any more, and then one day tragedy strikes…
On a military base in post-Taliban Afghanistan, American authorities have just imprisoned a teenaged girl found in a bombed-out school. The army major thinks she may be a terrorist working with the Taliban. The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan — and Parvana. In this long-awaited sequel to The Breadwinner Trilogy, Parvana is now fifteen years old. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.