This wondrous and beautiful volume pairs expressionistic poems with surreal illustrations to create a series of meditations on family relationships that explore isolation, fear, uncertainty and friendship.
Chloe, Serena, and Xinot, the Fates, live on a secluded island spinning, measuring, and cutting the threads of human life but when Aglaia, a mortal, finds them Chloe must try to keep her sisters from getting attached to the girl and involved in her dark fate that could unravel the world.
Hero, a girl who does not speak, begins to do odd-jobs for her enigmatic neighbor, Miss Credence, whose house holds a shocking secret, at the same time that Hero’s sister returns home with an abandoned boy and another secret.
In 1960s Toronto, two girls retreat to their attics to escape the loneliness and isolation of their lives. Polly lives in a house bursting at the seams with people, while Rose is often left alone by her busy parents. Polly is a down-to-earth dreamer with a wild imagination and an obsession with ghosts; Rose is a quiet, ethereal waif with a sharp tongue. Despite their differences, both girls spend their days feeling invisible and seek solace in books and the cozy confines of their respective attics. But soon they discover they aren’t alone–they’re actually neighbors, sharing a wall. They develop an unlikely friendship, and Polly is ecstatic to learn that Rose can actually see and talk to ghosts. Maybe she will finally see one too! But is there more to Rose than it seems? Why does no one ever talk to her? And why does she look so… ghostly? When the girls find a tombstone with Rose’s name on it in the cemetery and encounter an angry spirit in her house who seems intent on hurting Polly, they have to unravel the mystery of Rose and her strange family… before it’s too late.
Pearl feels like an island in school, isolated and alone, but at home she feels loved and secure until her grandmother’s illness changes the way Pearl views her world.
After his grandparents emigrate, 12-year-old Enrique heads for the ocean, a source of comfort and solace. Why did they flee Cuba, leaving Enrique and his mother behind? Should they go, too? If not, will they, like so many others, be seen as disloyal? The sea has no answers for the boy. As the years pass, Enrique is invited to become a Pioneer, a special honor that bodes well for his future, but it means he’s forbidden from reading the letters his grandparents send home. Enrique wants to belong, to show that he’s deserving of the honor, and once again, he seeks the ocean’s solace. Once again, the ocean has no easy answers. Still, life goes on. There are games with his friends, swimming expeditions, girls to hang out with. And always, there’s the ocean, a place he can go in good times and bad as he tries to make sense of what the future holds for him, his family, and many other Cubans.
In her brilliant but argumentative family, Hero is different, because she doesn’t speak. Instead, she prefers the silence and solitude she finds climbing the trees high above her neighbors stately old house. But everything changes when Hero starts to do odd jobs for the neighbor — and discovers a shocking secret high up in the tower of the house. “Mahy is a writer who just keeps getting better with every book.”– Kirkus Reviews, pointer review “Mahys exceptional imagination and storytelling prowess will make it difficult for readers to leave this book behind themhers is a tale with staying power.”– Publishers Weekly, starred review New Zealand author Margaret Mahy won the Carnegie Medal for The Changeover and The Haunting. Her most recent novel for Viking is Tingleberries, Tuckertubs, and Telephones.
In a deserted countryside of the future, Ren, a young girl whose mother has abandoned her, and three other children discover a baby whom they name Found, and they join together to fight for survival.
A man gives his wife and daughter a last kiss and boards a steamship to cross the ocean. He’s embarking on the most painful yet important journey of his life – he’s leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant’s experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can’t communicate in words, the book forgoes them too. But while the reader experiences the main character’s isolation, he also shares his ultimate joy.
This book is a wordless picturebook.