A biography of Cuban ballerina Alicia Alonso. Alicia Alonso’s artistic achievements are remarkable, considering that she became partially blind and lost her peripheral vision at age nineteen. From childhood, she exhibited a passion for dancing, studying first in Cuba and later in New York City, where she became an overnight sensation in Giselle and was promoted to principal dancer in Ballet Theater. Returning to Cuba in 1948, she founded her own company, which eventually folded due to lack of funding. In 1959 the Cuban government gave her enough money to establish a new dance school, Ballet Nacional de Cuba, which Alonso directs to this day. In elegant free verse and stunning artwork rendered in watercolor, colored pencils, and lithograph pencils on watercolor paper, Carmen T. Bernier-Grand and Raúl Colón capture the seminal events in Alonso’s life. The back matter includes a biography, Alonso’s ballets, choreography, and awards, a glossary, sources, notes, and websites
The situation is getting dire for Jews in Poland on the eve of World War II. Esther’s father has fled to Cuba, and she is the first one to join him. It’s heartbreaking to be separated from her beloved sister, so Esther promises to write down everything that happens until they’re reunited. And she does, recording both the good–the kindness of the Cuban people and her discovery of a valuable hidden talent–and the bad: the fact that Nazism has found a foothold even in Cuba. Esther’s evocative letters are full of her appreciation for life and reveal a resourceful, determined girl with a rare ability to bring people together, all the while striving to get the rest of their family out of Poland before it’s too late.
Jennifer Mathieu’s multilayered novel explores the nature of secrets, lies, and fierce, destructive love.
In order to heal after his mother’s death, thirteen-year-old Sal learns to reach into time and space to retrieve things–and people–from other universes.
A biographical novel about Antonio Chuffat, a Chinese-African-Cuban messenger boy in 1870s Cuba who became a translator and documented the freedom struggle of indentured Chinese laborers in his country.
When thirteen-year-old Lora tells her parents that she wants to join Premier Castro’s army of young literacy teachers, her mother screeches to high heaven, and her father roars like a lion. Nora has barely been outside of Havana — why would she throw away her life in a remote shack with no electricity, sleeping on a hammock in somebody’s kitchen? But Nora is stubborn: didn’t her parents teach her to share what she has with someone in need? Surprisingly, Nora’s abuela takes her side, even as she makes Nora promise to come home if things get too hard. But how will Nora know for sure when that time has come?
Together, a boy and his parents drive to the city of Havana, Cuba, in their old family car. Along the way, they experience the sights and sounds of the streets―neighbors talking, musicians performing, and beautiful, colorful cars putt-putting and bumpety-bumping along. In the end, though, it’s their old car, Cara Cara, that the boy loves best. A joyful celebration of the Cuban people and their resourceful innovation.
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Sent to Cuba to visit the father he barely knows, Edver is surprised to meet a half-sister, Luza, whose plan to lure their cryptozoologist mother into coming there, too, turns dangerous.
La Paz is a happy, but noisy village. A little peace and quiet would make it just right. So the villagers elect the bossy Don Pepe as their mayor. Before long, singing of any kind is outlawed. Even the teakettle is afraid to whistle! But there is one noisy rooster who doesn’t give two mangos about this mayor’s silly rules. Instead, he does what roosters were born to do.