Thirteen Latino poets detail the powerful bond between mothers, grandmothers, and children, and describe the profound impact their mothers and grandmothers had on them, in an enchanting book filled with vivid illustrations.
Marcolino hates practicing his scales on the piano, but feels he must because he is the reason his mother never became a grand pianist–until his grandfather lets them both in on a little secret.
Children in India playfully use their mothers’ beautiful saris as a train, a stage backdrop, a river, a rope, a hiding place, a blanket, or a handkerchief-ultimately, the sari expresses the love of mother and child. Dramatic photographs and acrylics on lightly stylized paper illustrate the simple text. Endpapers demonstrate how to wrap the long sari.
A sleepless young boy who is missing his recently deceased mother finds comfort and warmth in his father’s arms. Uniquely collaged, exquisite art that provides understanding without artificial reassurance enhances this gentle lullaby of a story.
Priya’s day is a cheerful story of Priya’s busy, busy day – how she wakes up early in the morning, rolls up her mat, helps her mother and then sets off into the hills chasing butterflies… This activity book also shows how to tell the story in a more exciting way, while folding a sheet of newspaper into interesting shapes from the story.
A young girl and her mother take a nighttime walk to the sea, creating beautiful memories of a special experience.
Written in Arabic. 14 secrets are shared by a mother and her daughter with each secret told in a short story. Each secret is told twice, switching between the mother’s and daughter’s voices in a feminine revelation. They both share their thoughts about some daily life event that every mother and daughter goes through. The secrets they share are from the heart of the Saudi society.
See the review at WOW Review, Volume 5, Issue 3.
The original volume of Aya debuted to much critical acclaim, receiving a Quill Award nomination and praise for its accessibility and for the rare portrait of a warm and vibrant Africa it presented. This continuation of the story returns to Africa’s Ivory Coast in the late 1970s, where life in Yop City is as dramatic as ever. The original cast of characters is back in full force, with a case of questionable paternity fanning the flames of activity in the community. The new mother Adjoua has her friends to help with the baby, perhaps employing Aya a bit too frequently, while a new romance leaves Bintou with little time for her friends, let alone their responsibilities. The young women aren’t the only residents of Yopougon involved in the excitement, however; Aya’s father is caught in the midst of his own trysts and his employer’s declining Solibra beer sales, and Adjoua’s brother finds his share of the city’s nightlife.
See the review at WOW Review, Volume 5, Issue 2
Nicholas Herrera started life as a mischievous, dyslexic boy, born into one of the old Spanish families of New Mexico. Bad teachers and poor schooling helped him to lose himself in drugs, drinking, riding motorcycles and driving fast cars. A near-death experience, a wonderful mother and a fascination with making art saved him. Today Nicholas Herrera is one of the most noted Santeros in the US. His work is displayed in folk-art galleries across the country and is collected by the Smithsonian. He is noted for the highly personal, political nature of his work and his innovative treatment of what can sometimes be a rather bland art form designed to sell to tourists. His work is intensely personal and even confessional. A survivor of alcoholism and drug addiction, which almost led to his death in a terrible car crash, Herrera is now sober and remarkably productive. His art is his life and his life is his art. Extraordinarily charismatic, Herrera is the grandson, nephew and son of artists. His young daughter is now following in his footsteps.
A young girl describes activities that her great-grandmother, grandmother, and mother all did for their daughters, and that she does for her doll.