A bilingual collection of short mystery stories for intermediate readers.
Author: Book Importer
You Don’t Have A Clue
When two gun-toting hoodlums tell the fourteen-year-old narrator of René Saldaña’s story, “The Right Size,” to kiss the floor, he doesn’t think twice. And his dad and younger brother drop to the floor just as quickly. “This guy Jimmy probably thinks Dad is the greatest threat among the three of us, but he’s dead wrong. Dad couldn’t hurt a bug,” the boy thinks. In the ensuing twenty minutes, he learns that his dad isn’t as weak as he thought, and in fact, his dad is willing to do whatever it takes to protect his family, even if it means killing someone. The teens featured in these stories deal with situations typical to all young adults, including attraction to the opposite sex—or to the same sex, in one story—and first sexual encounters, problems with family and friends, academic and personal aspirations. But they also deal with every kind of thrilling situation imaginable, from missing girls to kidnappings and dismembered bodies. A young girl finds herself living with her “family,” though she has no memory of them or who they claim she is. A geek at a prestigious public high school finds himself working with his very attractive arch-rival to solve the mystery of a severed, bloody arm that appears inexplicably in his locker. And Mike’s life sucks when his parents split up, but it gets worse when his best friend is abducted by a thug shot by Mike’s dad, a police officer. There’s something for everyone here, with aliens, ghosts and even an Aztec god making appearances in these stories. Set in schools and communities from New York City to Venice Beach, California, the protagonists reflect the breadth and diversity of the Latino authors included in this innovative collection. Published authors such as Mario Acevedo, Alicia Gaspar de Alba, Diana López and Sergio Troncoso appear alongside less well-known authors who deserve more recognition. With an introduction by young adult literature expert Dr. James Blasingame of Arizona State University, this collection is sure to keep readers on the edge of their seats until the last page is turned.
Fiesta!
High Riders, Saints and Death Cars: A Life Saved by Art
Nicholas Herrera started life as a mischievous, dyslexic boy, born into one of the old Spanish families of New Mexico. Bad teachers and poor schooling helped him to lose himself in drugs, drinking, riding motorcycles and driving fast cars. A near-death experience, a wonderful mother and a fascination with making art saved him. Today Nicholas Herrera is one of the most noted Santeros in the US. His work is displayed in folk-art galleries across the country and is collected by the Smithsonian. He is noted for the highly personal, political nature of his work and his innovative treatment of what can sometimes be a rather bland art form designed to sell to tourists. His work is intensely personal and even confessional. A survivor of alcoholism and drug addiction, which almost led to his death in a terrible car crash, Herrera is now sober and remarkably productive. His art is his life and his life is his art. Extraordinarily charismatic, Herrera is the grandson, nephew and son of artists. His young daughter is now following in his footsteps.
Carmen
Dancing Home
A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. Mexico may be her parents’ home, but it’s certainly not Margie’s. She has finally convinced the other kids at school she is one-hundred percent American—just like them. But when her Mexican cousin Lupe visits, the image she’s created for herself crumbles.
Things aren’t easy for Lupe, either. Mexico hadn’t felt like home since her father went North to find work. Lupe’s hope of seeing him in the United States comforts her some, but learning a new language in a new school is tough. Lupe, as much as Margie, is in need of a friend. Little by little, the girls’ individual steps find the rhythm of one shared dance, and they learn what “home” really means. In the tradition of My Name is Maria Isabel—and simultaneously published in English and in Spanish—Alma Flor Ada and her son Gabriel M. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.
This book has been included in WOW’s Language and Learning: Children’s and Young Adult Fiction Booklist. For our current list, visit our Booklist page under Resources in the green navigation bar.
When Apples Grew Noses and White Horses Flew
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In these three imaginative stories, Jan Andrews introduces us to Quebec’s traditional folktale hero, Ti-Jean. He’s an endearing character who is both wise and foolish, and though he does find himself in hard situations (often of his own making), in the end, he somehow manages to do what needs to be done. In “Ti-Jean and the Princess of Tomboso” he eventually outwits a greedy princess; in “Ti-Jean the Marble Player” he gets the best of a pint-sized scoundrel; and in “How Ti-Jean Became a Fiddler” he turns the tables on a too-clever-for-her-own-good seigneur’s daughter, and finds true love in the process.
City Numbers
Joanne Schwartz and Matt Beam have discovered numbers in many different forms all over the city. They are on houses and apartment buildings, on store windows and doors, on trucks and garbage bins, on sidewalks and parking spots. They are printed, spray-painted, molded in plastic, chiseled in stone, stamped on vinyl, even torched into metal. We see these numbers, often unconsciously, every day, but the wonderful photographs in this book prompt us to look at them more closely, becoming aware and alive to the art, serendipity and variety that surround us.
Migrant
Migrant farmers and their families represent an ever-growing body of laborers around the world. They are used as cheap labor but most of them are not allowed to settle down, integrate into their host countries and become citizens with full rights. This is, of course, devastating to their children.
Among these groups are the Mennonites from Mexico, who originally went to Mexico from Canada in the 1920s. They speak “Low German” and though many are poor, they are an important part of the Mexican farm community. Because of free trade and the fact that Mexican farmers cannot compete with highly subsidized US farmers, they have been forced to come back to Canada — as migrant workers — in order to survive. Anna is the child of Mennonites from Mexico, who have come north to harvest fruit and vegetables. Sometimes she feels like a bird, flying north in the spring and south in the fall, sometimes like a jackrabbit in an abandoned burrow, since her family occupies an empty farmhouse near the fields, sometimes like a kitten, as she shares a bed with her sisters. But above all Anna wonders what it would be like to be a tree rooted deeply in the earth, watching the seasons come and go, instead of being like a “feather in the wind.”
The Gingerbread Man Loose in the School
When a class leaves for recess, their just-baked Gingerbread Man is left behind. But he’s a smart cookie and heads out to find them. He’ll run, slide, skip, and (after a mishap with a soccer ball) limp as fast as he can because: “I can catch them! I’m their Gingerbread Man!” With help from the gym teacher, the nurse, the art teacher and even the principal, the Gingerbread Man does find his class, and he’s assured they’ll never leave him behind again.