An Eskimo Birthday

eskimoYoung Eeka lives in Point Hope, Alaska, well above the Arctic Circle where there is little daylight during the winter months. It’s her birthday and Eeka is hoping that her mother may have found the right fur for the newly made velveteen parka that her mother has just made for her. However, with the coming of a storm, her attention moves towards the safety of her father who may be caught in the great winter storm that has developed while checking his traps. From Eeka escorting her younger cousin home from school, to the stories of survival and legend told by Eeka’s grandfather, young (and older) readers will be introduced to a bit of Eskimo culture. Lastly, Glo Coalson’s lovely and descriptive illustrations are integral to the book.

A Small Tall Tale From The Far Far North

small tallThis spectacularly beautiful, inventive picture-book journal of life with the Alaskan Eskimos at the turn of the century is a brilliant leap of the imagination and the embodiment of the aphorism “every picture tells a story.”

Full color throughout.

New York Times Best Illustrated Book Of The Year, Ala Notable Children’s Book

Mishomish Book : The Voice of the Ojibway

The Ojibway is one of the largest groups of Native Americans, belonging to the Anishinabe people of the northern United States and Canada. This book includes Ojibway creation stories and legends, the origin and importance of the Ojibway family structure and clan system, the Midewiwin religion, the construction and use of the water drum and sweat lodge, and modern Ojibway history.

People of the Noatak

During five long visits to Alaska’s remote northwest coast to sketch and paint, the late Claire Fejes became guest and friend to the Native inhabitants there, learning their ways and customs. A personal narrative in text, drawings, and paintings, People of the Notatak concerns the people of two villages–Noatak, the summer settlement of a nomadic tribe that lives mainly in the wilderness interior, and Point Hope, whose economy centers around the hunting of the great bowhead whale.

Claire captures the life of the Native Inupiat in Northwest Alaska, before outside influences changed their lives. In a few simple strokes, her drawings evoke the heart and life of the Inupiat. Thanks in part to her habit of journal-keeping, Claire was able to record what she had witnessed in her years of travel and painting up the Yukon River into the Arctic Refuge.

A native New Yorker, Claire received her art training at the Newark Art Museum and taught art until moving to Alaska. She wrote with rare insight and understanding about the intimate daily lives of mothers and fathers and their children, of husbands and wives and in-laws in the villages in which she lived, an aspect of Eskimo life rarely treated in books.

Originally published in 1966, People of the Noatak is an excellent portrayal of the Inupiat people before modern changes, a glimpse into the Inupiat world when traditional values and roots were strong.

Spirit of the White Bison

A young bison growing up on the plains in the late 1800s faces peril at the hands of soldiers, who are destroying the great buffalo herds as a way to control native tribes. He is befriended by a native warrior and a white hunter who try to save him and his herd from annihilation.

Welcome The Caribou Man

Abenaki artists Gerard Tsonakwa and his wife Yolaikia Wapitaska, working in stone, bone and wood, bring the ancient legends of the Abenaki people into the industrial age through juxtaposition of the stories with their masks and sculptures. This volume, illustrated with many of the works that have toured more than thirty museums since 1992, evokes ancient connections embodied in the legends and lore of traditional peoples.

The Light On The Tent Wall: A Bridging (Native American Ser)

Mary TallMountain is a Native writer whose “lantern voices seek to lead us out of the given darkness,” and “her work, like seasoned oak, is full of heat and fire, simplicity and compassion,” writes poet and scholar Alfred Robinson. The poems in this collection confront death and engage the sacred. Joy Harjo calls each poem “a track, and the series of tracks makes a bridge back to the ‘light on the tent wall,’ which is the sacred place of the songs, the stories that created us.”