Tiny Tortilla

Juan Carlos is dreaming of a hot, tasty tortilla. But the old tortilla maker in the plaza has sold them all—except for a tiny piece of masa (corn dough) that she gives him with instructions.This tiny piece is magical—it becomes a hat to shade him from the hot sun, a boat to carry him through a flood, and an enormous feather that floats him home. And then it becomes a delicious tortilla for his well-earned supper. Featuring inventive art with Southwestern folk accents, this is a rich and satisfying book about finding magic in ordinary places.

Oh No, Gotta Go!

It happens all the time. As soon as the car pulls away, someone needs the bathroom. \”Where is un baño? ¿Dónde está? I really do need one,\” I told mi mamá. After racing around town, passing a gushing fountain, and cutting the inevitable line for the ladies\’ room, this adorable little girl makes it to the bathroom in the nick of time. And because the bathroom is in a restaurant, the family stays for a wonderful meal-and lots of limonada. . . . Buoyant illustrations and a clever mix of Spanish and English combine to capture the urgency and humor of the situation to the delight of kids and grown-ups alike. Illustrated by G. Brian Karas.

Growing Up with Tamales/Los Tamales De Ana (Spanish Edition)

“My name is Ana. Every year, my family makes tamales for Christmas. This year, I am six, so I get to mix the dough, which is made of cornmeal. My sister Lidia is eight, so she gets to spread the dough on the corn husk leaves. I wish I was eight, so that my hands would be big enough to spread the dough just right–not too thick and not too thin.” And so the years pass, and Ana turns eight, ten, twelve, fourteen, sixteen. But every year, big sister Lidia is always two years older. Ana envies her elder sibling and wishes she could do what Lidia does: put just the right amount of meat inside the tamales and roll them up; steam the tamales without scalding herself with the hot, hot steam; chop and cook the meat for the tamales without cutting or burning her hands. When she turns eighteen, though, Ana knows she will keep making tamales and she will be able to do all of the steps herself in her very own factory. When Christmas comes around, Ana will deliver tamales to all of her customers around the world, in delivery trucks that say “Ana’s Tamales.” And maybe Ana will even let Lidia work for her. Gwendolyn Zepeda’s rhythmic prose is combined with April Ward’s bright illustrations to create an affectionate and amusing story about sibling relationships that introduces an important Hispanic holiday tradition–making tamales!

The Key To Grandpa’s House

Under a smooth gray rock on the outside windowsill of a home in Chimayo, New Mexico, sits la llave–the key–to the home of Grandpa and Grandma Ortega. The key has always been there for family, friends, and neighbors to use. When Grandma Ortega passes away, some things change and some things stay the same. Grandpa now lives alone, but his life is still filled with loving family and friends and la llave is still resting underneath its rock. Cristina Ortega’s latest children’s story represents life on a northern New Mexico plaza while highlighting the respect, friendship, trust, commitment, and love found in the community. Spanish phrases within the text and detailed illustrations by Cristina’s brother, Luis Armando Ortega, combine to demonstrate to children the importance of these timeless values.Reading level: grade 4 and up

N Is for Navidad

Bienvenidos! to a celebration of Christmas, Latino-style! From the ngel (angel) hung above the door to the zapatos (shoes) filled with grass for the wise men s camels, each letter in this festive alphabet introduces children to a Spanish word, and each colorful page takes them through another joyous aspect of the 22 days of the traditional holiday. Vibrant art from acclaimed illustrator Joe Cepeda beautifully complements the lively, rhythmic text to bring the reader a wealth of heritage and a season of light! Feliz Navidad!

Salsa

Rita, a young girl living in New York’s El Barrio, describes the Afro-Caribbean dance music, salsa, and imagines being a salsa director.

Mice and Beans

In this tale Rosa Maria spends the week getting ready for her granddaughter’s birthday party and trying to avoid attracting mice–unaware that the mice in her walls are preparing for a party of their own.

Let’s Eat

Little Antonio introduces his extended family and explains that Mama is the biggest because “she is going to have a baby any day now.” Everyday she sends the boy to gather the family for their midday meal. On Monday, Papa can’t leave his busy carpentry shop. On Tuesday, his sister Alicia is learning to dance the sevillanas for the summer fiesta. Day after day, when there is an empty seat at the table that Papa built and Mama has filled with inviting food, she sighs, “Ay, que pena! What a pity.” Eventually, it is Mama herself who is missing because it’s time for her to have baby Rosa.

Kikirikí / Quiquiriquí

Marta and Celia have never seen Sunday dinner strut in their backyard, so when Abuela brings home a wily rooster, they are shocked at the rooster’s ugly fate. When the girls accidentally overhear Abuela telling their parents about dinner plans that involve Kiki, they know that they have to save their new friend. They hide him in the closet in their room, but when his joyful cries wake the family at dawn, they know that they’ve been caught. They soon discover that Kiki has a few tricks of his own up his wing, and with a wink, he manages to save the day.