Material appropriate for intermediate age groups
When Tatjana was ten years old, Nazi Germany declared war on Russia. Enduring terrible conditions and near-starvation in workcamps, Tatjana survived through liberation, but had more obstacles to overcome before fulfilling her dream to become a teacher.
Fourteen traditional folktales from the different peoples of Russia featuring both clever and silly fools.
Traditional Russian Fairy Tales Reflected In The Laquer Miniatures Of Palekh, Fedoskin And Kholui.
Twelve-year-old Ariana, a tomboy, and her ladylike cousin Laila, recently arrived from Afghanistan, do not get along but they pull together when a rival Afghani grocery store opens, rekindling an old family feud and threatening their family’s livelihood.
If you’ve never seen a lowland tapir, you’re not alone. Most of the people who live near tapir habitat in Brazil’s vast Pantanal (“the Everglades on steroids”) haven’t seen the elusive snorkel-snouted mammal, either. In this nonfiction picturebook, Sibert winners Sy Montgomery and Nic Bishop join a tapir-finding expedition led by the Brazilian field scientist Pati Medici.
At 11:35 p.m., as Radio Armero played cheerful music, a towering wave of mud and rocks bulldozed through the village, roaring like a squadron of fighter jets.” Twenty-three thousand people died in the 1985 eruption of Colombia’s Nevado del Ruiz. Today, more than one billion people worldwide live in volcanic danger zones. In this riveting nonfiction book—filled with spectacular photographs and sidebars—Rusch reveals the perilous, adrenaline-fueled, life-saving work of an international volcano crisis team (VDAP) and the sleeping giants they study, from Colombia to the Philippines, from Chile to Indonesia.
Vibiana, an unwanted fourth child, finds her name and identity in Christianity, but with the Boxer Rebellion in full swing and Chinese Christians facing death, she must decide whether her loyalties lie with her religion or her country.
Eight tales about heroes and sacrifice, love and family — all rooted in a land that is both challenging and abundant. Some of the stories strike a familiar chord. There is the tiny child, no bigger than a thumb, who outwits a giant; the poor farmer who cannot feed his children and leaves them abandoned in the forest; the princess who breaks an enchantment and releases a prince. Yet the tales are filled with the unexpected, too, as humans, monsters and the natural world transform and intersect.
A princess who is pursued by two kings from neighboring kingdoms sacrifices herself to keep peace in the land, and is transformed into a sea creature that will provide nourishment for all her people. A crying baby, ignored by his mother, turns into a bird, teaching villagers a valuable lesson. A jealous concubine poisons the king’s son so her own child can inherit the kingdom, only to find her son going off to search for his half-brother, never to return. A man traps the sun to stop it from setting, so that his family and fellow villagers will have enough time to gather food.
The stories are exceptionally relevant today, as they draw our attention to the value of the odd and the small, the preciousness of children and our natural resources, the need to not take our food for granted.
Gathered from oral sources and old collections written in Dutch and indigenous languages, these folktales are simply and evocatively told, accompanied by startling and vibrant images by Indonesian artist Hardiyono.
Azzi and her parents are in danger. They have to leave their home and escape to another country on a frightening journey by car and boat. In the new country they must learn to speak a new language, find a new home and Azzi must start a new school. With a kind helper at the school, Azzi begins to learn English and understand that she is not the only one who has had to flee her home. She makes a new friend, and with courage and resourcefulness, begins to adapt to her new life. But Grandma has been left behind and Azzi misses her more than anything. Will Azzi ever see her grandma again? Drawing on her own experience of working among refugee families, renowned author and illustrator Sarah Garland tells, with tenderness and humour, an exciting adventure story to be enjoyed by readers of all ages.Endorsed by Amnesty International.
A collection of sketches, drafts, and scanned ephemera from the artist who created The Arrival (2007) and Tales from Outer Suburbia (2009).