Realistic Fiction

Realistic Fiction genre

Out of This Place

Luke spends his days hanging out at the beach, working shifts at the local supermarket, and trying to stay out of trouble at school. His mate Bongo gets wasted, blocking out memories of the little brother that social services took away from his addict mom and avoiding the stepdad who hits him. And Casey, the girl they both love, longs to get away from her strict, controlling father and start anew in a place where she can be free. Set in Australia and narrated in alternating points of view, here is an affecting look at the evolving lives of three friends.

The Vine Basket

Life has been hard for fourteen-year-old Mehrigul, a member of the Uyghur tribal group scorned by the Chinese communist regime, so when an American offers to buy all the baskets she can make in three weeks, Mehrigul strives for a better future for herself and her family despite her father’s opposition.

When We Wuz Famous

Francisco Ortiz, a handsome straight-A student and gifted basketball player from the barrio, wins a full scholarship to an elite boarding school. His future seems promising. But soon after Francisco moves into the dorm, his new classmates assume the worst of him: they pepper him with questions about drugs and gangs. It’s all so confusing, made even more complicated when Francisco realizes that back home in the hood, he no longer fits in, though his friends still rely on him to solve their problems. In a desperate attempt to help one of his homies, Francisco makes a terrible decision and becomes everything he fought so hard to rise against. Novel adaptation of the author’s feature film, “Up with me.”

Nobody Knows

It’s autumn in Tokyo, and twelve-year-old Akira and his younger siblings, Kyoko, Shige and little Yuki, have just moved into a new apartment with their mother. Akira hopes it’s a new start for all of them, even though the little ones are not allowed to leave the apartment or make any noise, since the landlord doesn’t permit young children in the building. But their mother soon begins to spend more and more time away from the apartment, and then one morning Akira finds an envelope of money and a note. She has gone away with her new boyfriend for a while. Akira bravely shoulders the responsibility for the family. He shops and cooks and pays the bills, while Kyoko does the laundry. The children spend their time watching TV, drawing and playing games, wishing they could go to school and have friends like everyone else. Then one morning their mother breezes in with gifts for everyone, but she is soon gone again. Months pass, until one spring day Akira decides they have been prisoners in the apartment long enough. For a brief time the children bask in their freedom. They shop, explore, plant a little balcony garden, have the playground to themselves. Even when the bank account is empty and the utilities are turned off and the children become increasingly ill-kempt, it seems that they have been hiding for nothing. In the bustling big city, nobody notices them. It’s as if nobody knows. But by August the city is sweltering, and the children are too malnourished and exhausted even to go out. Akira is afraid to contact child welfare, remembering the last time the authorities intervened, and the family was split up. Eventually even he can’t hold it together any more, and then one day tragedy strikes…