Picture Book

Rene has two Last Names / Rene tiene dos apellidos

Young Rene is from El Salvador, and he doesn’t understand why his name has to be different in the United States. When he writes Colato, he sees his paternal grandparents, Rene and Amelia. When he writes Lainez, he sees his maternal grandparents, Angela and Julio. His new classmates giggle when Rene tells them his long name. So when the students are given a project to create a family tree, Rene is determined to explain the importance of using both of his last names. On the day of his presentation, Rene explains that he is as hard working as Abuelo Rene, who is a farmer, and as creative as his Abuela Amelia, who is a potter. He can tell stories like his Abuelo Julio and enjoys music like his Abuela Angela.

This book has been included in WOW’s Language and Learning: Children’s and Young Adult Fiction Booklist. For our current list, visit our Booklist page under Resources in the green navigation bar.

    Charro (Spanish-Language)

    Charro is the Mexican term for horseman, but for a Mexican a charro is much more than a cowboy. A skilled rider of horses and bulls and bucking broncos, an artist with a lariat, and a model of gentlemanly dress and behavior, the charro is also a living symbol of Mexico’s patriotic past. In the rodeo-like sport called la charrería, male charros and female charras, children and adults, show off their skill and daring. But more than that they are showing off their pride in their country–because to be a charro is to be a Mexican.

    Abuelita Full Of Life/Abuelita Llena De Vida

    abuelitaJose is not sure what to expect when his grandmother from Mexico moves in…except that he will certainly have to change his ways. What he discovers is that he doesn’t mind one bit. Abuelita is full of surprises! She is full of life!

    Speak English for Us, Marisol!

    After school, Marisol eagerly starts for home to see if her cat, Luisa, has had her kittens. But before she can get there, Uncle Tomás calls to her. He needs Marisol to tell the poultry man that his chickens cost too much. Uncle Tomás cannot speak English so Marisol must do the talking–and she does. Marisol hurries on her way, but soon Auntie Flora stops her for help. Then Mrs. Lopez needs her, too. When Marisol finally gets home, her own mama needs her to hurry to the phone company to straighten out a bill. Luisa will have to wait.

    The Lady In The Blue Cloak: Legends From The Texas Missions

    For each Texas mission, there is a rich and complicated history. In the title story, from Mision de San Francisco de los Tejas, a mysterious woman in blue visits the Teas people to prepare them for the missionaries\’ arrival. In \”Rosa\’s Window\” and \”The Bell\” the love and grief of two couples torn apart in the making of the Mision de San Jose y San Miguel de Aguayo manifest themselves in the very edifices of the mission. The Mision de Nuestra SEnora de la Purisma Concepcion de Acuna, named for and dedicated to the Blessed Virgin Mary, was the scene of a remarkable salvation as the Teas workers tried to escape the heated pursuit of the Comanches in \”The Miracle at the Gate.\” Here Kimmel gracefully retells these and other powerful legends behind four of th missions, each enhanced by a beautifully evocative painting by Susan Guevara.

    Abuelos

    abuelosThe tradition of los abuelos comes from northern New Mexico. In the cold months of midwinter, village men disappear to disguise themselves as scary old men and then descend on the children, teasing them and asking if they’ve been good. The abuelos encourage the little ones to dance and sing around huge bonfires. Afterwards, everyone enjoys cookies and empanadas. In this charming book, young Ray and Amelia move to a new village and experience the fright and fun of los abuelos for the first time. Amelia Lau Carling researched the region for her vibrant artwork, and author Pat Mora’s lively text captures the appeal of an old-world celebration now being revived.

    Carlos And The Cornfield / Carlos Y La Milpa De Maiz (Carlos Series)

    In this delightful sequel to “Carlos y la Planta de Calabaza”, Carlos is told by his father that “you reap what you sow”. After some humorous experiences, Carlos comes to understand the rewards of hard work and learns a valuable lesson in listening. Full color.

    See the review at WOW Review, Volume 8, Issue 4

    Tiny Tortilla

    Juan Carlos is dreaming of a hot, tasty tortilla. But the old tortilla maker in the plaza has sold them all—except for a tiny piece of masa (corn dough) that she gives him with instructions.This tiny piece is magical—it becomes a hat to shade him from the hot sun, a boat to carry him through a flood, and an enormous feather that floats him home. And then it becomes a delicious tortilla for his well-earned supper. Featuring inventive art with Southwestern folk accents, this is a rich and satisfying book about finding magic in ordinary places.

    Juan And The Jackalope: A Children’s Book In Verse

    When Rosita, the loveliest gal in the Pecos River Valley, offers her delicious rhubarb pie as first prize for the Great Grasshopper Race, a thousand love-struck vaqueros line up for the competition. Of course everyone believes that the legendary cowboy Pecos Bill, riding his giant grasshopper, Hoppy, is a shoo-in for the grand prize. Sure enough, Bill and Hoppy give an impressive performance, crisscrossing the Southwest in a raucous ride. But young Juan, who is hopelessly in love with Rosita, astonishes them all when he and Jack the Jackalope take a miraculous ride around the world and across the Milky Way. The daring pair return, covered in stardust, to claim the beautiful Rosita and her delicious pie. Set in New Mexico, Anaya’s fanciful story, coupled with Amy Cordova’s vivid illustrations, brings the tradition of Southwestern tall tales to a new generation of young readers.

    Pablo Remembers

    From October 31 to November 2, people in Mexico celebrate the festival of el Dia de Los Muertos, the Day of the Dead. This photodocumentary follows Pablo and his family as they prepare to honor the memory of Pablo’s grandmother. Ancona’s photographs catch the affirmation of life that fills the Mexican festival arising from both Aztec and Christian customs honoring the dead.