Each year on his birthday, a young Mexican American boy looks forward to seeing how his grandfather has decorated the tree he planted on the day the boy was adopted.
Realistic Fiction
Realistic Fiction genre
Just One Flick of a Finger
A young boy takes a gun to school to scare off the bully who has been tormenting him, and the gun is accidentally fired during a scuffle.
Petty Crimes
Meet Manuel, a young man who wears hand-me-downs from his older brothers until he finally gets a brand-new pair of shoes. And Jose Luis, who watches the vet bills rise after he buys a sick rooster to save it from becoming someone’s dinner. And Alma, a young woman who runs to every shop and flea market in town buying back the clothes of her dead mother that her father has given away. These Mexican American youths meet life’s challenges head-on in this hard-hitting collection of short stories.The Heights
Henry liked to imagine his life began that cold rainy day in San Francisco when Mr. Earnshaw found him shivering by the side of the road. That was the day Henry met Catherine. For Henry, Catherine is like a precious gift. She pushes away his angry thoughts and makes him feel safe and calm. And though Mr. Earnshaw, a widow, raises the orphan and Catherine as brother and sister, their love for each other goes much deeper. They vow to always be together. But everything changes when Mr. Earnshaw dies suddenly and Hindley, Mr. Earnshaw’s own son, gains control of the family finances. Furiously jealous, Hindley never accepted Henry as a true member of the family. He works to sever Henry’s relationship with Catherine and the violent rage Henry has harbored since he was a child bubbles to the surface. . . . Contemporizing the classic novel, Wuthering Heights, notable YA author, Brian James delives into the dark nature of obsessive love, the social injustices of class, and the self-destructive power of revenge in this emotionally raw unforgettable offering.
The Throwaway Piece
Jewel is shuttled from one foster home to another. But Jewel wasn’t always a “State Kid.” Her mother Angela’s constant search for happiness through a steady stream of unsavory boyfriends leads to the state’s intervention in Jewel’s life. Listening to her new foster mother’s list of “nos”—no drugs, no lying, no stealing, no skipping school, no boys in or out of the house, no being late—Jewel realizes that her mother said “yes” a lot. Probably too much. She remembers saving Angela’s life when one of many boyfriends beat her, trying to hide another boyfriend’s attempts to rape her when she was fourteen, and being sent to a foster home to please the latest boyfriend. But still, Jewel worries about her mother and knows that she will once again pick up the pieces when the latest jerk leaves. Bit by bit Jewel’s life begins to change for the better after her latest move to a new foster home and school. Although most people can’t see past her tough “State Kid” façade—spray-painted hair, heavy make-up, ripped clothing and unlaced shoes—her English teacher realizes there’s more to her then meets the eye. He convinces Jewel to tutor a fellow student who needs help with math, and gradually she learns how to make friends. In the process, she touches the lives of many people around her, including her social worker, teachers who believe in her, her new-found, tentative friends, and even their parents. But when she’s forced to choose between her life-long job—taking care of her mother”—and doing what’s right for herself, old habits and loyalties are hard to break. Jewel is sure that this time, she can save her mom. But will she be able to save herself?
Big Enough/Bastante grande
Mamá always sighs, “Muy, muy chica,” every time Lupita tries to help out at the restaurant that Mamá runs all by herself. But when push comes to shove–or when Grabb comes to swipe–everyone in this exciting tale discovers that, although Lupita may be too little for some tasks, she is big enough for others.
¡scandalosa!: A Honey Blonde Chica Novel (Honey Blonde Chica)
In this sequel to Honey Blonde Chica, Evie Gomez finally has it all: a sweet boyfriend, two mejor amigas, and an upcoming sixteeñera that’s the talk of the school. Too bad reality has a way of ruining things. Just when things look perfect, everything starts to unwind. Evie’s life takes one bad turn after another. Things can’t get more complicated…can they?
Boys At Work
Rudy Herrera and his friend, Alex, scramble to earn enough money to replace Slinky’s accidentally broken Discman and then find out that the Discman really belonged to big, bad Trucha. By the author of The Pool Party.
He Forgot To Say Goodbye
“Ramiro Lopez and Jake Upthegrove don’t appear to have much in common. Ram lives in the Mexican-American working-class barrio of El Paso called “Dizzy Land.” His brother is sinking into a world of drugs, wreaking havoc in their household. Jake is a rich West Side white boy who has developed a problem managing his anger. An only child, he is a misfit in his mother’s shallow and materialistic world. But Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. This sad fact has left both of them undeniably scarred and obsessed with the men who abandoned them. As Jake and Ram overcome their suspicions of each other, they begin to move away from their loner existences and realize that they are capable of reaching out beyond their wounds and the neighborhoods that they grew up in. Their friendship becomes a healing in a world of hurt.
Growing Up with Tamales/Los Tamales De Ana (Spanish Edition)
“My name is Ana. Every year, my family makes tamales for Christmas. This year, I am six, so I get to mix the dough, which is made of cornmeal. My sister Lidia is eight, so she gets to spread the dough on the corn husk leaves. I wish I was eight, so that my hands would be big enough to spread the dough just right–not too thick and not too thin.” And so the years pass, and Ana turns eight, ten, twelve, fourteen, sixteen. But every year, big sister Lidia is always two years older. Ana envies her elder sibling and wishes she could do what Lidia does: put just the right amount of meat inside the tamales and roll them up; steam the tamales without scalding herself with the hot, hot steam; chop and cook the meat for the tamales without cutting or burning her hands. When she turns eighteen, though, Ana knows she will keep making tamales and she will be able to do all of the steps herself in her very own factory. When Christmas comes around, Ana will deliver tamales to all of her customers around the world, in delivery trucks that say “Ana’s Tamales.” And maybe Ana will even let Lidia work for her. Gwendolyn Zepeda’s rhythmic prose is combined with April Ward’s bright illustrations to create an affectionate and amusing story about sibling relationships that introduces an important Hispanic holiday tradition–making tamales!