After traveling to Tijuana, Mexico, Noemi and her mother are denied entry at the border and must find the refugee in charge of the notebook, an unofficial ledger of those waiting to cross into the United States. Includes author’s note.
When nine-year-old Li, her mother, and brother Puck arrive from China at Angel Island immigration center in 1921, Li fears she will be deported for failing the tests. Includes historical notes and glossary.
With the combination of powerful, spare language and sumptuous, complex imagery characteristic of her work, Yuyi Morales weaves the tale of a fawn making her way through a landscape that is dangerous, beautiful—and full of potential. A gentle voice urges her onward, to face her fears and challenge the obstacles that seek to hold her back.
Carry On began in a high school in Outremont, Quebec, where author and poet Simon Boulerice conducted creative-writing workshops for young newcomers to Canada. As the students began writing, their poems gave voice to their reflections on leaving family, friends, and countries of origin to make new homes and connections in their new home, Canada.
Paired with expressive portraits by award-winning artist Rogé, each young writer reflects on the experience of leaving one home for another. The collection of poems express feelings of anxiety, sorrow, anticipation, gratitude, and hope for the future. With thoughtful verse and evocative illustrations, Carry On is a tribute to human resilience, the voices of newcomers, and creating empathy for all those who wonder about their place in the world.
Meskerem was born in a small town in the Golan Heights of Israel, to an Ethiopian mother and an American father. Soon after Operation Solomon, when several thousand Ethiopian immigrants were brought to Israel, Meskerem’s parents decided to move to the center of the country, to the town of Herzelia. Meskerem comes face-to-face with the ignorance and prejudices of her new classmates, many of whom are meeting someone dark-skinned for the first time. With the help of her Ethiopian grandmother, who remained in Kazerin, Meskerem comes to terms with who she is and finds strength in belonging to three different cultures.
Before Yo-Yo Ma became one of the most renowned and celebrated cellists, he wanted to play the double bass. But it was too big for his four-year-old hands. Over time, Ma honed his amazing talent, and his music became a reflection of his own life between borders, cultures, disciplines, and generations.
Since then, he has recorded over a hundred albums, won nineteen Grammy Awards, performed for eight American presidents, and received the National Medal of the Arts and the Presidential Medal of Freedom, just to name a few accomplishments.
Staying true to himself, Yo-Yo Ma performed at the US-Mexico border at the Rio Grande on April 13, 2019, as part of his multi-continent “Bach Project” tour to prove a point—through music, we can build bridges rather than walls between different cultures.
Meixing Lim and her family have arrived at the New House in the New Land. Her parents inherited the home from First Uncle who died tragically and unexpectedly while picking oranges in the backyard. Her mama likes to remind Meixing the family never could have afforded to move here otherwise, so she should be thankful for this opportunity.
Everything is vast and unknown to Meixing in this supposedly wonderful place. She is embarrassed by her secondhand clothing, has trouble understanding her peers, and is finding it hard to make new friends. Meixing’s only solace is a rundown greenhouse, that her uncle called his glasshouse, at the far end of her backyard that inexplicably holds the sun and the moon and the secrets of her memory and imagination.
When her fragile universe is rocked by tragedy, it will take all of Meixing’s resilience and bravery to finally find her place of belonging in this new world.
Hanna and Andreas have always been friends. When they’re expelled from school for activism directly challenging the socialist state in East Germany, they end up doing factory work. But what kind of life do they have to look forward to without education or opportunity? Especially when they aren’t allowed a voice? The choice to risk imprisonment or death by escaping to the democratic West seems like a risk worth taking. They set out to swim twenty-five hours across the choppy waters of the Baltic Sea.