Materials from Canada
In this legend, Yamozha forgets his promise to his wife and as a result she turns into a giant beaver. He follows her all over Denedeh but is unable to catch her. This story tells of how this great medicine man shaped the land in the Tlicho region and its surrounding areas into what it is today.
This is an endearing story of a young Aboriginal foster child who is given a special gift by his foster mother. Her gift of warmth and thoughtfulness helps her young foster children by encouraging self-esteem, acceptance and love. Written as a simple story, it speaks of a positive foster experience.
Northern Lights is a beautiful tale that explores the mystical aspects of the northern lights in Inuit culture. Scientists have their own explanations for the phenomenon that occurs when the night sky shimmers with milky white patterns, or displays all the colors of the rainbow. But the Inuit prefer their own explanation: They believe the souls of the dead are engaging in a lively game of soccer, just as they did when they were living. They run all over the sky chasing a walrus head that they use for a soccer ball. This is the story of Kataujaq and the intimate relationship she has with her mother. They do almost everything together; they hug, rub noses and say “Mamaq” which means “You smell so nice.” But a great sickness comes and Kataujaq’s mother is taken south to the white people’s hospital and never comes back. Kataujaq grieves, but is also able to rejoice when she and her grandmother watch the northern lights. This book celebrates family life, intimacy and the glory of nature.
Starting in the 1800s and continuing into the 20th century, First Nations children were forcibly taken to government-sponsored residential schools to erase their traditional languages and cultures. This moving book tells of one such child, author Larry Loyie, and his last summer with his Cree tribe. It is a time of learning and adventure. He cares for an abandoned baby owl, watches his grandmother make winter moccasins, and sees her kill a huge grizzly with one shot. The sensitive text and Heather Holmlund’s expressive illustrations beautifully capture the joy and drama of a First Nations family’s last summer together.
Two young Okanogan girls grow up in British Columbia before contact with Europeans, learning their roles of following the traditional cycle of nature.
In 1946, while her emotionally distant father is in occupied Japan, a twelve-year-old girl spends a year with her mother’s relatives in a Tlingit Indian village in Alaska and begins to love and respect her heritage as she confronts the secret of her mother’s disappearance.
Ch’askin is the great thunderbird whose appearance heralds rumbling thunder, a darkening sky and flashes of lightning — as well as good luck for the people of the Sechelt Nation. This compelling book recounts how this enormous and awe-inspiring bird — who looks like a golden eagle except much, much larger — aided and protected the members of the Sechelt villages for many years in many ways. From helping Chief Spelmu’lh, the father of the Sechelt Nation, build both the first longhouse and the many villages of his people, to delivering goats and grizzly bears for the hungry people to eat and creating islands from pebbles for the tired Sechelt hunters to rest, the story of Ch’askin is a story of protection, friendship and respect for fellow living beings.
A young Ojibway girl, struggling over the fact that her father has died, spends a summer in the bush with her grandmother and finds her own identity and voice. Things have been hard for her family since her father’s accidental death in a logging accident, and Ray has been unable to express her grief. In school, the green eyes she inherited from her father are unusual for a child from an Ojibway background in a northern Ontario town and get her noticed in ways she doesn’t enjoy. At home, Ray believes that her mother, grieving herself and busy with Ray’s younger brother and sister, no longer needs her. Ray becomes so withdrawn that at times she hardly speaks. At the end of this beautiful and empowering story, which begins in 1978, the withdrawn green-eyed girl has found her voice and is not afraid to use it.
Children in an urban school are curious about a classmate’s moccasins.