Materials from the Americas
Growing up in the late 1800s, Julio Tello, an Indigenous boy, spent time exploring the caves and burial grounds in the foothills of the Peruvian Andes. Nothing scared Julio, not even the ancient human skulls he found. His bravery earned him the boyhood nickname Sharuko, which means brave in Quechua, the language of the Native people of Peru.
Space-obsessed 12-year-old Paola Santiago and her two best friends, Emma and Dante, know the rule: Stay away from the river. It’s all they’ve heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.Hating her mother’s humiliating superstitions and knowing that she and her friends would never venture into the water, Pao organizes a meet-up to test out her new telescope near the Gila, since it’s the best stargazing spot. But when Emma never arrives and Pao sees a shadowy figure in the reeds, it seems like maybe her mom was right. . . . Pao has always relied on hard science to make sense of the world, but to find her friend she will have to enter the world of her nightmares, which includes unnatural mist, mind-bending monsters, and relentless spirits controlled by a terrifying force that defies both logic and legend.
Yo’ mama so sweet, she could be a bakery. She dresses so fine, she could have a clothing line. And, even when you mess up, she’s so forgiving, she lets you keep on living. Heartwarming and richly imagined, Your Mama twists an old joke into a point of pride that honors the love, hard work, and dedication of mamas everywhere.
“Pull over, Grandma! Hurry!” Johnny says. Grandma does, and Johnny runs to show her what he spotted near the ditch: a sleeping pheasant. What Grandma sees is a small feathery hump. When Johnny wants to take it home, Grandma tries to tell him that the pheasant might have been hit by a car. But maybe she could use the feathers for her craftwork? So home with Grandma and Johnny the pheasant goes . . .
It’s hard to say who is most surprised by what happens next—Grandma, Johnny, or the pheasant. But no one will be more delighted than the reader at this lesson about patience and kindness and respect for nature, imparted by Grandma’s gentle humor, Johnny’s happy hooting, and all the quiet wisdom found in Cheryl Minnema’s stories of Native life and Julie Flett’s remarkably evocative and beautiful illustrations.
Native families from Nations across the continent gather at the Dance for Mother Earth Powwow in Ann Arbor, Michigan.
In a high school gym full of color and song, people dance, sell beadwork and books, and celebrate friendship and heritage. Young protagonists will meet relatives from faraway, mysterious strangers, and sometimes one another (plus one scrappy rez dog).
They are the heroes of their own stories.
Featuring stories and poems by:
Joseph Bruchac
Art Coulson
Christine Day
Eric Gansworth
Carole Lindstrom
Dawn Quigley
Rebecca Roanhorse
David A. Robertson
Andrea L. Rogers
Kim Rogers
Cynthia Leitich Smith
Monique Gray Smith
Traci Sorell,
Tim Tingle
Erika T. Wurth
Brian Young
On the day it snows, Gabo sees kids tugging sleds up the hill, then coasting down, whooping all the while. Gabo wishes he could join them, but his hat is too small, and he doesn’t have boots or a sled.
But he does have warm and welcoming neighbors in his new town who help him solve the problem in the sweetest way possible!
When Carmela wakes up on her birthday, her wish has already come true–she’s finally old enough to join her big brother as he does the family errands. Together, they travel through their neighborhood, past the crowded bus stop, the fenced-off repair shop, and the panadería, until they arrive at the Laundromat, where Carmela finds a lone dandelion growing in the pavement. But before she can blow its white fluff away, her brother tells her she has to make a wish. If only she can think of just the right wish to make . . .
With lyrical, stirring text and stunning, evocative artwork, Matt de la Peña and Christian Robinson have crafted a moving ode to family, to dreamers, and to finding hope in the most unexpected places.
A girl and her dog begin their afternoon walk. But before they can get outside to the street, they must take the elevator in their apartment building. She presses the button to go down, but the elevator goes up. Who called it? Is it broken? As the reader turns the page, the girl arrives at different floors, where new friendships are made, old stories are told, and a surprise is revealed. Beautiful human connections filled with kindness and empathy happen in this elevator in what would usually be a routine encounter.
In this lyrical story-poem, written in Anishinaabemowin and English, a child and grandmother explore their surroundings, taking pleasure in the familiar sights that each new season brings.
Davico lives with his family above La Casita – the Little House – in Guatemala City in the early 1950s. But it’s not just a little house. It’s also the family restaurant!
The restaurant provides plenty of distraction and adventure for Davico and his older brother, Felipe. The mean cook, Augusto, and the always-late waiter, Otto, love to play tricks on Davico. There’s a huge oven in the gas cookstove, which Felipe knows how to light ― if he can only reach the box of matches above the stove. And there’s the endless fascination of the glass tank of live lobsters ― including the king of them all, Genghis Khan, who stares at Davico with round unblinking black eyes, waving his antennas like submarine periscopes. Could Genghis Khan climb on the back of the other lobsters and get out of the tank, Davico wonders. Could he move faster on land than in the water?