When a poet moves into the apartment above hers, young Juliana asks to meet her and together they write poems of tropical birds and a river that flows to the sea, typing out words that change the world, if only for a while.
Latinx in US
Can You See Me Now?
On Amanda’s thirteenth birthday, her father is killed by a drunk driver while on the way to pick up her birthday present. She’s stunned when she overhears her mother blaming her: “If she hadn’t insisted on that stupid watch for her birthday, he would still be alive.” Her mom retreats into extra shifts at work, leaving Mandy with her grandmother and making her feel as if she has lost both parents. To make matters worse, she’s the butt of cruel pranks at school. One day, some girls even glue her skirt to the chair! But things take a turn for the better when she befriends Paloma, an unusual new student at Central Middle School, who introduces her to yoga and meditation. And she reluctantly becomes friends with Rogelio, a fat boy who is bullied even more than she is by their classmates.
Popular, A Memoir
A touchingly honest, candidly hysterical memoir from breakout teen author Maya Van Wagenen. Stuck at the bottom of the social ladder at “pretty much the lowest level of people at school who aren’t paid to be here,” Maya Van Wagenen decided to begin a unique social experiment: spend the school year following a 1950s popularity guide, written by former teen model Betty Cornell. Can curlers, girdles, Vaseline and a strand of pearls help Maya on her quest to be popular? The real-life results are painful, funny and include a wonderful and unexpected surprise-meeting and befriending Betty Cornell herself. Told with humor and grace, Maya’s journey offers readers of all ages a thoroughly contemporary example of kindness and self-confidence.
The Missing Chancleta and Other Top-Secret Cases/La Chancleta Perdida y Otros Casos Secretos
Flaca’s chancleta, or flip flop, has gone missing! She prepares to investigate the theft: “Pencil and notepad: in hand. Straw hat for disguise: on. Magnifying glass: Check.” She interviews each of her family members, all of whom are suspects. Oddly, their stories check out, so Flaca will have to dig deeper to find the culprit.
There’s a Name for This Feeling
In the title story, Lucinda hatches a clever plan to get her boyfriend back and is crushed when she ultimately realizes that it’s impossible to force a guy to love you. Like all young people, she ignores the advice of her mom and learns that lesson and many more the hard way.
My Migrant Family Story / La Historia De Mi Familia Migrante
Every spring, Lilia Garcia had to leave school early to go north with her family to pick fruits and vegetables. She was too young to work in the fields with the rest of the family, so her mother and teenage brother would sign her up to attend the local school. She was the only Spanish-speaking child at Coloma Elementary, and that, combined with the fact that it was late in the school year, made it difficult to make friends and keep up with the work.
Hurray For Three Kings’ Day!
An Hispanic family enjoys the traditional celebration of El Dia de los Reyes, or Epiphany, by reenacting the long walk of the three wise men bringing gifts to the baby Jesus. By the illustrator of Too Many Tamales.
Buried Onions
When nineteen-year-old Eddie drops out of college, he struggles to find a place for himself as a Mexican American living in a violence-infested neighborhood of Fresno, California.
Neighborhood Odes
Twenty-one poems about growing up in an Hispanic neighborhood, highlighting the delights in such everyday items as sprinklers, the park, the library, and pomegranates.
Canto Familiar
Twenty-five poems about the pleasures and woes that Mexican American children experience growing up. Simple poems, many involving Mexican Americans, celebrate experiences at school, home, and in the street. A companion to Neighborhood Odes, (1992). Touching, vibrant, and humorous, this lively collection of poems accompanied by beautiful illustrations celebrates childhood and the Mexican American experience. Invoking ordinary domestic and community incidents, it’ a fine introduction not only to poetry but to Chicano culture. Nelson debuts with scenes–homey, comfortable, bright–that make the book even more accessible.