United States

Materials from United States of America

A Distant Enemy

Joseph just wants to continue the traditions of the Yup’ik people. So when outside officials restrict fishing in his Alaskan village, he commits an anonymous act of vandalism in protest. But his new teacher finds out his secret. To make things worse, Joseph’s father, who left years ago, wants to see him again. Joseph isn’t sure who he can trust, but if he doesn’t trust someone, he’s headed for disaster. “Vanasse creates a vivid portrait of modern Eskimo lifestyles, conflicts and fears while rendering a sensitive account of one teenager’s coming of age.” — Publishers Weekly

Black Star, Bright Dawn

In this redesigned edition of Scott O’Dell’s classic novel, a young Eskimo girl encounters frightening obstacles when she takes her father’s place in the Iditarod, the annual 1,172-mile dogsled race in Alaska.

I Help

Written and illustrated by members of the Tahltan and Cree nations, this sweet, simple story looks at a very special relationship. A young boy goes for a walk with his kohkom, or grandmother, listening, picking, praying, eating . . . just as she does. In doing so, he begins to learn the rich cultural traditions and values of his Cree heritage. Leona Neilson’s thoughtful text and Caitlin Dale Nicholson’s acrylic-on-canvas illustrations blend beautifully to show both the deep bond between the boy and his grandmother and the beauty of their world. Poetic, resonant text makes this an ideal read-aloud for young ears.

People of the Noatak

During five long visits to Alaska’s remote northwest coast to sketch and paint, the late Claire Fejes became guest and friend to the Native inhabitants there, learning their ways and customs. A personal narrative in text, drawings, and paintings, People of the Notatak concerns the people of two villages–Noatak, the summer settlement of a nomadic tribe that lives mainly in the wilderness interior, and Point Hope, whose economy centers around the hunting of the great bowhead whale.

Claire captures the life of the Native Inupiat in Northwest Alaska, before outside influences changed their lives. In a few simple strokes, her drawings evoke the heart and life of the Inupiat. Thanks in part to her habit of journal-keeping, Claire was able to record what she had witnessed in her years of travel and painting up the Yukon River into the Arctic Refuge.

A native New Yorker, Claire received her art training at the Newark Art Museum and taught art until moving to Alaska. She wrote with rare insight and understanding about the intimate daily lives of mothers and fathers and their children, of husbands and wives and in-laws in the villages in which she lived, an aspect of Eskimo life rarely treated in books.

Originally published in 1966, People of the Noatak is an excellent portrayal of the Inupiat people before modern changes, a glimpse into the Inupiat world when traditional values and roots were strong.

Welcome The Caribou Man

Abenaki artists Gerard Tsonakwa and his wife Yolaikia Wapitaska, working in stone, bone and wood, bring the ancient legends of the Abenaki people into the industrial age through juxtaposition of the stories with their masks and sculptures. This volume, illustrated with many of the works that have toured more than thirty museums since 1992, evokes ancient connections embodied in the legends and lore of traditional peoples.

Two Old Women

Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River area in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these two women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship,community, and forgiveness will carve out a permanent place in readers’ imaginations.

Dance On A Sealskin

In today’s Alaskan Yupik Eskimo communities, villagers still gather in the kashim to sing, drum, and dance, carrying forward the ancient traditions of their forebears. This is the heartwarming fictional story of Annie’s “first dance,” a coming-of-age ceremony to signify official entry into the Eskimo community. 20 color illustrations.

Diamond Willow

There’s
more to me than
most people
see.

Twelve-year-old Willow would rather blend in than stick out. But she still wants to be seen for who she is. She wants her parents to notice that she is growing up. She wants her best friend to like her better than she likes a certain boy. She wants, more than anything, to mush the dogs out to her grandparents’ house, by herself, with Roxy in the lead. But sometimes when it’s just you, one mistake can have frightening consequences . . . And when Willow stumbles, it takes a surprising group of friends to help her make things right again.

Using diamond-shaped poems inspired by forms found in polished diamond willow sticks, Helen Frost tells the moving story of Willow and her family. Hidden messages within each diamond carry the reader further, into feelings Willow doesn’t reveal even to herself.

When Beaver Was Very Great: Stories To Live By

It happened in the long ago. . . . So begin many tales in this wonderful collection of traditional legends and recent writings by Ojibwe elder storyteller Anne Dunn. The short pieces range from folk tales of Native American origin myths (the antics of Beaver, Rabbit, Otter, Bear, and others) to nature writing and contemporary stories of peace, justice, and environmental concern. Brimming with insight, vibrant with strength and beauty, these indeed are stories to live by, for all ages. Divided into the four seasons of the year, many of the stories are perfect to be read aloud to children.