Materials from United States of America
When a mysterious virus turns into a worldwide pandemic, sixteen-year-old Luisa Ochoa-Jones travels across the country in search of a cure, discovering that the fate of humanity may rest in the confluence of her extraordinary computer programming skills and a synesthesia-like condition that causes her senses to misfire when she is under emotional stress.
Sharing Our World, by First Nations and Native artists: honoring Ancestors, the Totem, and 15 animals native to the NW coast.
Rosa Ramona Díaz has just moved to the small, un-haunted town of Ingot the only ghost-free town in the world. She doesn’t want to be there. She doesn’t understand how her mother a librarian who specializes in ghost-appeasement could possibly want to live in a place with no ghosts. Frankly, she doesn’t understand why anyone would.
Recovering from a shooting and stereotyped as a Chicano gangbanger, fourteen-year-old Victor Reyes loves reading books, has a genius girlfriend and an art teacher who mentors and encourages him to apply to art schools, but Victor cannot seem to overcome society’s expectations for him.
Now settled in the Valley Where First Light Paints the Cliffs with her family and friends, Lozen turns her attention and her far-seeing abilities to protecting her community of refugees from the two remaining maniacal overlords of Haven, a ruthless assassin, and predatory genetically-modified monsters.
From the backyards of suburban Florida to the parched desert of New Mexico, Because of the Sun explores the complexity of family, the saving grace of friendship, and the healing that can begin when the truth is brought to light.
As fire creeps toward the village of the First People, First Man and First Woman must find a way to quench the flames. First Woman asks the Bird People, the River People, and the Water People for assistance, but everyone she speaks to has an excuse. “Not me,” said Mockingbird. “The smoke would hurt my voice and I would never sing again.” “Not me,” said Snail. “I carry my house with me and I am slow.” “No,” said Beaver. “We’d like to help, but our river home would become a desert if we changed the flow of water.” At last, First Woman asks the mysterious Frog for help. Will he be able to stop the flames before they reach the village? Author Patricia Hruby Powell’s retelling of this Navajo folktale is as graceful as it is compelling, and as magical as the mythical time it describes.
Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother’s wrecked car when she was three. He’s kept an eye out for her ever since. It’s a tough place to live-northern Minnesota along the Red River. Cash navigated through foster homes, and at thirteen was working farms. She’s tough as nails-five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side. Wheaton is big lawman type. Scandinavian stock, but darker skin than most. He wants her to take hold of her life. Get into Junior College. So there they are, staring at the dead Indian lying in the field. Soon Cash was dreaming the dead man’s cheap house on the Red Lake Reservation, mother and kids waiting. She has that kind of power. That’s the place to start looking. There’s a long and dangerous way to go to find the men who killed him. Plus there’s Jim, the married white guy. And Longbraids, the Indian guy headed for Minneapolis to join the American Indian Movement.
When his family’s restaurant and Cuban American neighborhood in Miami are threatened by a greedy land developer, thirteen-year-old Arturo, joined by Carmen, a cute poetry enthusiast, fight back, discovering the power of poetry and protest through untold family stories and the work of José Martí.
Eleven-year-old Stella Rodriguez finds herself in possession of a strange new pet that swallows up everything in sight when a black hole decides to follow her home.