A composite of global cultures, Walk this World celebrates the everyday similarities and differences that exist between cultures around the world. Travel to a new country with every turn of the page, each with new surprises to discover: peek through windows, open doors, and delve underground by opening the many flaps on every spread.
We spend most of our lives in buildings. We make our homes in them. We go to school in them. We work in them. But why and how did people start making buildings? How did they learn to make them stronger, bigger, and more comfortable? Why did they start to decorate them in different ways? From the pyramid erected so that an Egyptian pharaoh would last forever to the dramatic, machine-like Pompidou Center designed by two young architects, Patrick Dillon’s stories of remarkable buildings — and the remarkable people who made them — celebrates the ingenuity of human creation. Stephen Biesty’s extraordinarily detailed illustrations take us inside famous buildings throughout history and demonstrate just how these marvelous structures fit together.
A foreign mom may eat, speak, and dress differently than other moms. She may wear special clothes for holidays, twist hair in strange old-fashioned braids, and cook recipes passed down from grandma. Such a mom may be different than other moms, but she is also clearly the best.
Provides an illustrated collection of maps covering the continents and major nations of the world, detailing cities, landmarks, and cultural icons for each.
When Sammy, a young Wilson’s warbler, wakes up one frosty August morning near the Arctic Circle, he instinctively knows that it’s time to make his first migratory journey south to Panama. But there’s one problem — where’s Panama? All the other warblers having left without him, Sammy sets off on his journey by himself, stopping to ask the same question of each of the different animals that he meets along the way: “Is this Panama?”
Battles, protests, standoffs, strikes. We hear about them all the time. On the surface, a battle and a protest don’t seem to have much in common, but they’re really just two ways of handling a dispute. One uses violence, the other uses signs and picket lines. But both start as a disagreement between two groups of people. Both are conflicts. Since it’s impossible for people to agree on everything all the time, conflicts naturally pop up every day, all over the world. Sometimes they turn into full-blown wars, which can be a lot trickier to understand than the conflicts that pop up in everyday life, but every conflict has some things in common. Using real world examples, Why Do We Fight? teaches kids to recognize the structures, factors, and complex histories that go into creating conflicts, whether personal or global as well as the similarities between both. They’ll be given tools to seek out information, enabling them to make informed opinions while learning to respect that others may form different ones.
The new National Geographic Treasury of Egyptian Mythology is a stunning tableau of Egyptian myths, including those of pharaohs, queens, the boisterous Sun God Ra, and legendary creatures like the Sphinx. The stories are embellished with sidebars that provide historical, cultural, and geographic context and a mapping feature that adds to the fun and fascination. Resource notes and ample back matter direct readers to discover more about ancient Egypt. With its attractive design and beautiful narrative, this accessible treasury stands out from all other mythology titles in the marketplace.
In a garden outside a Kenyan schoolhouse, children are working together to harvest the vegetables they have grown and make them into a soup for everyone to share. But Kioni is having trouble: her herd of mischievous goats followed her to school today and they are trying to eat all the vegetables. The ensuing chaos caused by the goats is cleverly resolved by the children, making their vegetable soup very tasty while saving Kioni’s four-legged intruders at the same time.
Since the year 1900, cheetah footprints quickly dwindled in African dirt as the species plummeted from more than 100,000 to fewer than 10,000. At the Cheetah Conservation Fund’s (CCF) African headquarters in Namibia, Laurie Marker and her team save these stunning, swift, and slender creatures from extinction. Since the organization’s start in 1990, they’ve rescued more than 900 cheetahs, most of whom have been returned to the wild.
An Arab girl of the Sahara who wants to wear a malafa, the veiled dress worn by her mother and older sister, learns that the garment represents beauty, mystery, tradition, belonging, and faith.