Chicken Foot Farm

On the eve of World War II, young Alejandro comes of age on his family’s South Texas farm, known as Chicken Foot Farm because of how his mother marks her chicks. “Mama held the chick against her breast and splayed its left foot between her thumb and index finger. With her free hand she… quickly cut off the end of the chick’s shortest toe.” Rich with the customs and traditions of rural, Mexican-American life, Chicken Foot Farm depicts a multi-generational family in flux as change crawls relentlessly toward their land and lifestyle. As the seasons–and loved ones–come and go and misfortunes befall the family, Alejandro learns the lessons of life: the importance of family, honesty, hard work, and compassion. When the kitchen burns down one night, Alejandro feels they have lost something integral to their family unity. But his father promises they will build another kitchen, the new one better than the old. As Abuela Luciana ages, she begins to behave erratically, burning tortillas, forgetting to add water to the beans she is cooking, and even disappearing from the farm. She is certain someone has cursed her–put mal de ojo on her. How can the family cure her when she is the curandera, the one who has always taken care of them? Most importantly, Alejandro works hard to win his father’s approval, even though Papa generally ignores him in favor of the eldest son, Ernesto, who Papa says will inherit the farm. When Ernesto joins the Army, the family must face the possibility that he may not return as the entire country is thrown into the uncertainty of war. Following the attack on Pearl Harbor, young Alejandro notices something new in his family’s kitchen: a framed United States flag now hangs on the wall. “It’s something I can do for the war,” his Abuela Luciana tells him. Not understanding, she explains to him, “I can remind people that we are Americans.” In these poignant images of a time and place long gone, Anne Estevis sketches a tight-knit, Mexican-American community on the cusp of a new way of life as tractors replace mules and modern science competes with superstitious beliefs.

Fitting In

Written with deep understanding and compassion, these are the bittersweet tales of young Cuban immgrants adjusting to life in the United States as they cross the threshold into young womanhood.

Help Wanted: Stories

With real wit and heart, Gary Soto takes readers into the lives of young people in ten funny, heartbreaking tales.      Meet Carolina, who writes to Miss Manners for help not just with etiquette but with bigger messes in her life; Javier, who knows the stories his friend Veronica tells him are lies, but can’t find a way to prove it–and many other kids, each caught up in the difficulties of figuring out what it means to be alive.

Mercy on These Teenage Chimps

At age 13, best friends Ronnie and Joey suddenly feel like chimps–long armed, big eared, and gangly–and when the coach humiliates Joey in front of a girl, he climbs up a tree and refuses to come down. Gary Soto tells a touching story about friendship, understanding and the painful insecurities of being 13.

Joan Baez: Folksinger for Peace (Great Hispanics of Our Time)

A biography of the Mexican American folk singer who became a political activist and who wrote and sang songs that inspired people to make the world better.

Vatos

One evening, Pulitzer Prize-winning photographer Jos Galvez heard Luis Alberto Urrea read “Hymn to Vatos Who Will Never Be in a Poem” with its chant-like repetitions and its evocation of Chicano manhood. As Luis read each line, an image clicked in Jos’s memory, and he knew that he had already taken that photograph. The result of that experience is this remarkable book. Vatos is street slang for dude, guy, pal, brother. It sprang from the highly stylized language of the Pachucos (los chukotes) in the ’50s. It’s a Chicano term derived from the once-common friendly insult chivato, or goat. It had a slightly unacceptable air to it, which the Locos and Weesas of the Chuco world enjoyed. They were able to take the sting out of racism by calling themselves a bunch of names assimilated “good Mexicans” didn’t like.

We Won’t Back Down: Severita Lara’s Rise From Student Leader To Mayor (Hispanic Civil Rights)

An enlightening biography for young adults of a little-known female activist in the Hispanic Civil Rights Movement On December 9, 1969, change was in the air. The small town of Crystal City, Texas would never be the same. After weeks of petitioning for a hearing with the Crystal City school board, students of Crystal City High and their parents descended on the superintendent’s office. The students had been threatened with suspension and even physical violence. Powerful members of the community had insisted they would fire the parents of students if they went in front of the school board, and still, they came. Finally, the school board removed the chairs in the gallery, and the parents and students stood until members of the school board fled to avoid the confrontation. As the students and their parents stood in front of the building, a cry rose from the crowd. “Walk out. Walk out.” So began the Crystal City High student walk out. At the center of the fervor was Severita Lara. Called la cabezuda, or stubborn girl, by her mother, Lara bore the mark of a leader from an early age. She was not afraid to stand up to anyone: girls or boys, teachers or superintendents. She always followed her father’s advice, “If you know it’s right, do it.” José Angel Gutiérrez, the famous civil rights leader, chronicle’s Lara’s ascent from a willful child to the mayor of Crystal City. From her father’s doting support to her mother’s steel-rod discipline, Gutiérrez offers a detailed portrait of the early family life of the woman whose continuing struggle against segregation and discrimination began while she was still a high school student in Crystal City. He also follows her attempts as a single mother to achieve her dream of being a doctor and providing for her sons. This is the story of la cabezuda, Severita Lara, who has made an indelible imprint on American history.

Alphabet City Ballet

balletMarisol has always loved to dance–from the salsa at family parties to the boom boxes on Loisada Avenue. Then she wins a scholarship to ballet school and discovers an inspiring new world of beauty and discipline. When violence erupts in Alphabet City, Marisol’s dream starts to slip away. To keep dancing she must make heartbreaking choices–perhaps impossible ones.

Bandit’s Moon

Newly orphaned, young Annyrose escapes from the villainous O.O. Mary and falls under the protection of a proud and fearless Mexican bandit, regarded as the Robin Hood of the California Gold Rush. Annyrose wants only to search for her older brother who had run off to the gold diggings, but she finds herself galloping beside the celebrated outlaw in his own quest. He is hunting down the last of a band of “Yankee” riffraff who wronged him, an event that turned the innocent young Mexican into an avenging terror of the roads. With his characteristic story twists and turns and surprises, Newbery Award winner Sid Fleischman lights up a dark corner in this Gold Rush drama set against a firestorm of bigotry ignited by the lust for riches. As for this legendary bandit, dashing about on his silken black horse and breathing fire, he actually lived.02 Rebecca Caudill Young Reader’s Book Award Nominee Master List, 00-01 Charlie May Simon Book Award Reading List, 02 Nutmeg State Children’s Book Award Masterlist, 00-01 Children’s Choice Award Masterlist, 00-01 William Allen White Children’s Book Award Masterlist, 01-02 Land of Enchantment Book Award Masterlist (Gr. 6-9), and 00-01 Sequoyah Children’s Book Award Masterlist.