
A stonecutter wants to be everything he is not and has to learn the hard way that what he really wants to be is exactly who he is.
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A stonecutter wants to be everything he is not and has to learn the hard way that what he really wants to be is exactly who he is.
There was a mosquito by the name of Botai who carried the fire-breathing disease. Botai liked to suck blood from people with bad tempers. Ahguli was a bad temper dragon. Early this morning, Ahguli got stung by Botai and grew a bump. Naturally, he was very angry. Ahguli shouted and did not expect that … He would breathe fire. Do you know how inconvenient it is for a monster to breathe fire like this ? What should Ahguli do to put out the fire ?
Written from the perspective of the schoolyard, this simply illustrated tale stimulates thought on issues of responsibility. When the classmates of a young boy who has been bullied all deny blame for the incident, they offer many common excuses why they declined to step in on their peer’s behalf. The familiar, first-person narration of the young characters begs the question, Does it really have nothing to do with me? The story closes with a series of powerful images of global strife, making the connection between simply not stepping in to help someone and standing by while wider atrocities go on.
Featured in Volume II, Issue 2 of WOW Review.
In ancient times, the Chinese saw the dragon as both a protector and a threat, able to bring on rain or cause droughts. To honor this powerful creature, people created long narrow boats that they raced in an annual rainmaking festival. From the wearing of fragrant pouches, to the consumption of rice dumplings, to thrilling boat races, the dragon boat festival of today is a celebration of Chinese traditions all over the world. Arlene Chan, a respected librarian and an experienced dragon boat racer, explores the origins of the festival, it’s customs, and the races themselves. Beautifully detailed illustrations by Song Nan Zhang let you experience the beauty and energy of this ancient festival.
During five long visits to Alaska’s remote northwest coast to sketch and paint, the late Claire Fejes became guest and friend to the Native inhabitants there, learning their ways and customs. A personal narrative in text, drawings, and paintings, People of the Notatak concerns the people of two villages–Noatak, the summer settlement of a nomadic tribe that lives mainly in the wilderness interior, and Point Hope, whose economy centers around the hunting of the great bowhead whale.
Claire captures the life of the Native Inupiat in Northwest Alaska, before outside influences changed their lives. In a few simple strokes, her drawings evoke the heart and life of the Inupiat. Thanks in part to her habit of journal-keeping, Claire was able to record what she had witnessed in her years of travel and painting up the Yukon River into the Arctic Refuge.
A native New Yorker, Claire received her art training at the Newark Art Museum and taught art until moving to Alaska. She wrote with rare insight and understanding about the intimate daily lives of mothers and fathers and their children, of husbands and wives and in-laws in the villages in which she lived, an aspect of Eskimo life rarely treated in books.
Originally published in 1966, People of the Noatak is an excellent portrayal of the Inupiat people before modern changes, a glimpse into the Inupiat world when traditional values and roots were strong.
It happened in the long ago. . . . So begin many tales in this wonderful collection of traditional legends and recent writings by Ojibwe elder storyteller Anne Dunn. The short pieces range from folk tales of Native American origin myths (the antics of Beaver, Rabbit, Otter, Bear, and others) to nature writing and contemporary stories of peace, justice, and environmental concern. Brimming with insight, vibrant with strength and beauty, these indeed are stories to live by, for all ages. Divided into the four seasons of the year, many of the stories are perfect to be read aloud to children.
Northern Lights is a beautiful tale that explores the mystical aspects of the northern lights in Inuit culture. Scientists have their own explanations for the phenomenon that occurs when the night sky shimmers with milky white patterns, or displays all the colors of the rainbow. But the Inuit prefer their own explanation: They believe the souls of the dead are engaging in a lively game of soccer, just as they did when they were living. They run all over the sky chasing a walrus head that they use for a soccer ball. This is the story of Kataujaq and the intimate relationship she has with her mother. They do almost everything together; they hug, rub noses and say “Mamaq” which means “You smell so nice.” But a great sickness comes and Kataujaq’s mother is taken south to the white people’s hospital and never comes back. Kataujaq grieves, but is also able to rejoice when she and her grandmother watch the northern lights. This book celebrates family life, intimacy and the glory of nature.