The images in this book highlight the lives of the men and women who struggle to exist while literally feeding this country. Countless words and studies over decades bemoan the plight of those who toil in the fields, but Rick Nahmias’s pictures bring farm workers to us in an unforgettable way, taking us beyond stoop labor stills and into their intimate moments and inner lives. Having traveled over four thousand miles to document California’s migrant workforce, Nahmias’s soulful images and incisive text go beyond one state’s issues, illuminating the bigger story about the human cost of feeding America. The Migrant Project includes the images and text of the traveling exhibition of the same name, along with numerous outtakes and an in-depth preface by Nahmias. Accompanied by a Foreword from United Farm Worker co-creator Dolores Huerta, essays by top farm worker advocates, and oral histories from farm workers themselves, this volume should find itself at home in the hands of everyone from the student and teacher, to the activist, the photography enthusiast, and the consumer.”Every day in the hot fields of California, hundreds of thousands of farmworkers toil for long hours at low pay to provide fruit and vegetables to feed our nation. Most Americans never see the faces of these hard-working men and women, and know little or nothing about the harsh conditions they endure. The Migrant Project has done an extraordinary job documenting these workers’ lives. Rick Nahmias’s powerful photographs and the beautiful essays of dedicated advocates tell an inspiring story of the farmworkers’ historic struggle for the respect, the dignity, and the justice they so obviously deserve.”–U.S. Senator Edward M. Kennedy, Massachusetts “Nahmias’s images starkly capture both the humanity of the farm workers who literally feed our country, and the inhumanity of a system which has kept them and their predecessors prisoners to poverty for decades. This book is a testament to the flesh-and-blood cost of feeding America.”–Arianna Huffington, author, editor-in-chief of The Huffington Post, and nationally syndicated columnistExhibition schedule for The Migrant Project photographs:Mexican Cultural Institute, Washington D.C., February 21-April 14, 2008Museum of Tolerance, Los Angeles, California, March 4-April 25, 2008For more information on immigrant and migrant worker issues, please access the following organizations:Farmworker JusticeCalifornia Rural Legal AssistanceNational Association of State Directors of Migrant EducationNational Council for La RazaInternational Relations Center Americas ProgramCongressional Hispanic Caucus InstituteGlobal Commission on International MigrationInstitute for Agriculture and Trade PolicyNational Farmworker MinistryNational Rural Funders CollaborativeNational Farm Worker AllianceSouthern Poverty Law CenterUMOS Clergy and Laity United for Economic JusticeAmerican Friends Service CommitteeAFL-CIOCoalition for Comprehensive Immigration ReformCatholic Campaign for Immigration Reform
Age
Catalog sorted by age group
Skippyjon Jones in Mummy Trouble
Skippyjon Jones, a Siamese kitten who thinks he’s a Chihuahua, dreams of traveling to ancient Egypt with his gang of Chihuahua amigos.
The Stranger And The Red Rooster/ El Forastero Y El Gallo Rojo
One day in a small California barrio, a scary-looking stranger with an ugly scar on his face arrives. Silence falls on the streets. Normally raucous children stop playing, and their fearful mothers quickly beckon them inside. Everyone peeks out of windows and doors to watch the stranger walk down Main Street. Later in the week, the stranger again appears in town. And a few days later, on a pleasant Sunday morning, the man shows his frightening face yet again. But this time, he’s not alone. Cradled in the stranger’s arms is a big, red rooster with a yellow ribbon tied around its neck. When the rooster sets off after a bug with the stranger hanging on to the ribbon “like a cowboy who had lassoed a wild bull,” the townspeople are finally able to look past the long, ugly scar on the stranger’s face. Echoing the oral tradition common to so many Latinos, acclaimed author Victor Villaseñor shares with young readers one of his father’s favorite stories. With vibrant illustrations by José Jara, this will soon become the favorite of many children aged 3 to 7.
New Spain: 1600-1760s (Hispanic America)
Sor Juana Ines De La Cruz: A Trailblazing Thinker
Recounts the inspiring story of the young seventeenth-century Mexican girl who, forbidden a formal education and opposed by the Spanish Inquisition, became one of Mexico’s greatest writers and thinkers.
A So-Called Vacation
Brothers Gabriel and Gustavo, high school students in the Rio Grande Valley of Texas, are horrified when their father suggests that they spend the summer in California doing field work to earn extra money. They’re not immigrants; the boys and their younger sister Paula were born in Texas, and the idea of picking fruits and vegetables hard labor usually associated with undocumented workers is totally humiliating. But their father thinks working in the fields will be good for his children. After all, the experience didn’t hurt him when he was a kid. ”Look at me. I didn’t die. All that work made me stronger.” Gustavo, heading into his senior year, doesn’t want to leave his girlfriend. And what will all his friends think? Gabriel doesn’t care what anyone thinks; he’s just not interested in spending the summer doing back-breaking labor. It’s only when the promise of visiting Disneyland, after working the fields, is offered that they ultimately agree to the ”vacation.” Before long, the family finds itself in a migrant camp, living in a shack with no electricity or bathroom. Toiling in the fields by day, trying to get the hang of picking strawberries, the boys and their father attempt to make sense of it all, including the motives and hopes of their fellow workers: the manic Borrado brothers, who are the fastest pickers around, and Victor, who introduces them to the canal where the migrant teens swim, even though two boys drowned there last season. Unfortunately, while learning their way around town, the family members experience the racism frequently directed at recent immigrants. How often, Gabriel wonders, has he done the same thing and dismissed someone just for being in the U.S. illegally? In this illuminating novel for teens that sheds light on the subjects of immigrant labor and prejudice within the Hispanic community, Genaro Gonzalez blends the ageless theme of fathers and sons at odds with a contemporary issue weighing on many minds. While set in a place unfamiliar to many, the characters’ hopes and dreams for the future will resonate with young adult readers.
Ruiz Street Kids / Los Muchachos De La Calle Ruiz
On a hot summer day, a new kid named David rides into the neighborhood. Gossip about the mysterious boy stretches longer than a wad of gum. The kids wonder why he rides a different bike everyday. Is he stealing them? He gets rough at the swimming pool, he scares the younger kids, and he spies over the fence. Why is he always so mean? Is it true that he eats a bee’s nest for breakfast and sleeps on a bed of nails? What does he want from the kids who live on Ruiz Street and why in the world would they ever want to be friends with somebody like David? The young narrator, Joe Silva, introduces intermediate readers to both his friends and their common enemy on Ruiz Street. David doesn’t have good people skills and doesn’t know quite how to improve them.
Pillars of Gold and Silver
After her father is killed in the Korean War, young Blanca Estela and her mother leave California to spend the summer in Revilla, an old town in Northern Mexico with Blanca’s grandmother. At first, Blanca is unhappy in their holiday retreat, but gradually makes friends and becomes part of the community.
Day Of The Dead
In Nueva York
Stories of New York’s Puerto Rican barrio.