Short children’s stories about Glooscap, a mythical Wabanaki hero. In each of the short stories, Glooscap conducts some form of intervention. Often this occurs while in disguise so that the moral or ethical character of his ‘subject’ can be determined and either rewarded or punished.
Short Stories – Anthologies – Collections
Light: Stories Of A Small Kindness
Estrellas Peregrinas / Walking Stars: Cuentos De Magia Y Poder / Magic And Power Stories
First ever Spanish-language edition of the critically acclaimed collection of short stories for young adults by a master of Latino literature “We’re all walking stars,” the eighty-four year old guide tells Victor Villaseñor as he travels to his mother’s birthplace, La Lluvia de Oro. “Don’t you know what we all are? We are all stars that come from the heavens.” In Estrellas peregrinas, the Spanish-language edition of his critically acclaimed collection of short stories for young adults, Villaseñor shares that enchanted world with the reader. Magic rains down from the heavens like stars, coating each of the family stories in a sheen of la vida as it should be: filled with power and surprises that give each character the strength to endure. The stories brim with a cast of extraordinary characters in challenging situations: the young girl on her first day of school who shows bravery even in the face of school-yard taunts . . . a young man about to be hanged that can only be saved by the miracle of song . . . and the young boy who faces El Diablo in a dark peach orchard. Through it all, the characters truly show themselves to be walking stars, tiny luminous sparks of light, and they are able to affect change in their lives and the world around them by relying on their bravery, their strength, and their faith in themselves. These are the stories of ancestors long-past, stories that will scrape off the dust of modernity on the reader’s skin to show the glowing beings that Villaseñor and his family believe we once were and can still be.
An Island Like You: Stories of the Barrio
A collection of stories captures the lives of different teenagers growing up in the barrio, including Rita, who goes to live with her grandparents in Puerto Rico; Luis, who spends his days working at his father’s junkyard; and Sandra, who tries to rediscover her natural Latino beauty.
Under The Royal Palms: A Childhood in Cuba
In this companion volume to Alma Flor Ada’s Where the Flame Trees Bloom, the author offers young readers another inspiring collection of stories and reminiscences drawn from her childhood on the island of Cuba. Through those stories we see how the many events and relationships she enjoyed helped shape who she is today. We learn of a deep friendship with a beloved dance teacher that helped sustain young Alma Flor through a miserable year in school. We meet relatives, like her mysterious Uncle Manolo, whose secret, she later learns, is that he dedicated his life to healing lepers. We share the tragedy of another uncle whose spirited personality leads to his love of flying…and the crash that takes his life. Heartwarming, poignant, and often humorous, this collection encourages children to discover the stories in their our own lives — stories that can help inform their own values and celebrate the joys and struggles we all share no matter where or when we grew up.
Join the discussion of Under the Royal Palms as well as other books by Alma Flor Ada in Margarita Engle on our My Take/Your Take page.
Ashley Bryan’s African Tales, Uh-Huh
Come gather round, young and old, and hear these stories from Africa, retold and illustrated by the incomparable Ashley Bryan. The fourteen stories in this collection are some of his favorites, previously published in The Ox of the Wonderful Horns; Beat the Story-Drum, Pum-Pum (Coretta Scott King Award for Illustration); and Lion and the Ostrich Chicks (Coretta Scott King Honor Book).Retold with rich, musical narration, and illustrated with Mr. Bryan’s distinctive paintings, these tales are full of fun and magic and a few lessons to be learned. They are tales of tricksters, chieftains, and both wise and foolish creatures. You will learn why Frog and Snake never play together, or why Bush Cow and Elephant are bad friends, or of the problems that a husband has because he likes to count spoonfuls. Although the stories come from many parts of Africa, they are full of the universal human spirit, to be shared and treasured for every generation, uh-huh.
A Story, A Story (Story A Story Lib)
Many African stories, whether or not they are about Kwaku Ananse the “spider man,” are called, “Spider Stories.” This book is about how that came to be. The African storyteller begins: “We do not really mean, we do not really mean that what we are about to say is true. A Story, a story; let it come, let it go.” And it tells that long, long ago there were no stories on earth for children to hear. All stories belonged to Nyame, the Sky God. Ananse, the Spider man, wanted to buy some of these stories, so he spun a web up to the sky and went up to bargain with the Sky God. The price the Sky God asked was Osebo, the leopard of-the-terrible-teeth, Mmboro the hornet who-stings-like-fire, and Mmoatia the fairy whom-men-never-see. How Ananse paid the price is told in a graceful and clever text, with forceful, lovely woodcut illustrations.
The Dark-Thirty: Southern Tales Of The Supernatural: (Newbery Honor Book, Coretta Scott King Author Award, Ala Notable Children’s Book) (Coretta Scott King Author Award Winner)
A collection of ghost stories with African American themes, designed to be told during the Dark Thirty–the half hour before sunset–when ghosts seem all too believable. With an extraordinary gift for suspense, McKissack brings us ten original spine-tingling tales inspired by African-American history and the mystery of that eerie half-hour before nightfall–the dark thirty. “The atmosphere of each selection is skillfully developed and sustained to the very end. Pinkney’s stark scratchboard illustrations evoke an eerie mood, which heightens the suspense of each tale. This is a stellar collection for both public and school libraries looking for absorbing books to hook young readers. Storytellers will also find it a goldmine.”
Conversations with Contemporary Chicana and Chicano Writers
Hector A. Torres conducted these interviews with today’s popular Chicano/a writers, asking each about language and life between languages, about the creative drive that has guided them in their craft and commits them to their art. In sharing their responses, Torres reveals a brief biography of each author and a concise examination of their writings. Taking their stories and essays individually and collectively, Torres explains how each author reiterates issues that have concerned Mexican Americans since at least 1848. Chicano/a authors know that an abundance of politics can spoil a story, as can too little. The writers included here span historical terrain, first, under the shadow of Manifest Destiny and, then, under the America’s imperial sovereignty stance. Interviewees include Rolando Hinojosa (“I Reflect the Way Valleyites Act and React”), Arturo Islas (“I Don’t Like Labels and Categories”), Erlinda Gonzales-Berry (“On the New Mexican Borderlands”), Gloria Anzaldúa (“The Author Never Existed”), Ana Castillo (two separate interviews), Sandra Cisneros (two separate interviews), Pat Mora (“I Was Always at Home in Language”), Richard Rodriguez (“I Don’t Think I Exist”), Demetria Martinez (“To Speak as Global Citizens”), and Kathleen Alcalá (“To Tell the Counternarratives”).