Materials from Canada
This story centers on a young Metis (mixed blood) boy growing up outside Fort Williams, a major Canadian fur trading post linking northern and central Canada to the North West Trading Company in Montreal. The boy longs to become one of the voyagers, or fur traders, who wear red sashes as they travel the rivers of northern and central Canada. The Red Sash provides readers an authentic picture of life at a fur trading post in the early 1800s.
In the early 1600s Father Jean de Brébeuf came to Canada from his native France as a Jesuit missionary. He settled among the Huron, or Ouendat, people in what is now Midland, Ontario. Despite his missionary zeal, Brébeuf was sensitive to the people with whom he lived. He learned their language and he wrote, in Huron, the original version of this famous Christmas carol. He and his fellow priests, called Black Robes, and many of their Huron parishioners were killed in an Iroquois raid in 1649. But Brébeuf’s carol continued to be sung by successive generations of Hurons. Then in 1926, Toronto writer Jesse Edgar Middleton, inspired by Brébeuf, wrote his own version of the carol in English. His are the familiar words we sing today, describing the Huron landscape, flora and fauna in telling the Christmas story.
A young girl delights in a visit to her grandpa’s farm. She and her cousins run through the fields, explore the root cellar where the smoked salmon and jars of fruit are stored, swing on a rope out the barn loft window, visit the appaloosa in the corral and tease the neighbor’s pig. The visit is also an opportunity for this child to ask Grandpa what her grandmother, Yahyah, was like, and explore the “secret room,” with its old wooden box of ribbons, medals and photos of Grandpa in uniform.
Last Leaf First Snowflake to Fall takes us on a dreamlike voyage into nature at that secret moment when fall turns into winter. We find ourselves in a kind of paradise, which humans may be part of but which they have not despoiled. A Native father and son lead us through forests, down rivers, over lakes and ponds. Along the way we experience the primordial beauty of the physical world. This is nature as we all feel in our hearts it must once have been.
A collection of stories and songs by Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and lyric voice, this collection encompasses broad and imaginative themes.
In this introduction to the Anishinaabe tradition of totem animals, young children explain why they identify with different creatures such as a deer, beaver, or moose.
Etseh and Etsi traveled the Idaa Trail when they were children and as they paddle north with their grandchildren, they pass along their knowledge of special sites along the way — the history behind an abandoned village, the legend of the wolverine and its babies at the Sliding Hill, the story of a mysterious gravesite. They also explain how their people survived in the old days – building birch bark canoes, fishing with willow lines and muskrat-tooth hooks, and ambushing herds of caribou.
A young mother, one of the many missing indigenous women, watches over her small daughter as she grows up without her nimama, experiencing important milestones – her first day of school, first dance, first date, wedding, first child – from afar.
Two hundred years after his death, the Shawnee chief Tecumseh is still considered one of the greatest leaders of North America’s First Peoples. This pictorial biography tells the story of his remarkable life, culminating in the events of the War of 1812.
Leo Yerxa, an artist of Ojibway ancestry, brings us an art book in which he celebrates wild horses and the natural world in which they lived in harmony.