
A retelling of a traditional Eskimo tale of how a seven-year-old blind boy is saved from death by the kindly little mouse people.
Materials from United States of America
A retelling of a traditional Eskimo tale of how a seven-year-old blind boy is saved from death by the kindly little mouse people.
Living in a neighborhood of drug dealers and gangs in New Mexico, high school junior Eddie Corazon, a juvenile delinquent-in-training, falls in love with a girl who inspires him to rethink his life and his choices.
Juanito loves to count, and what could be more fun than giving and counting kisses! Children’s book author Lee Merrill Byrd was inspired to write Juanito Counts to Ten when she watched her four-year-old grandson Johnny. He was so happy and full of life that he was dishing out kisses to everybody. He kissed his mother, his father, Stray Gray the Cat, and, of course, his grandmother! He was so happy he even kissed his bossy big sister.
A young Mexican American girl celebrates the paleta, an icy fruit popsicle, and the many roles it plays in her lively barrio.
Libby and her brother have been fighting, but they find common ground while spending spring break with their grandparents near Santa Fe, New Mexico, participating in cultural events surrounding Easter.
When Pancho arrives at St. Anthony’s Home, he knows his time there will be short: If his plans succeed, he’ll soon be arrested for the murder of his sister’s killer. But then he’s assigned to help D.Q., whose brain cancer has slowed neither his spirit nor his mouth. D.Q. tells Pancho all about his “Death Warrior’s Manifesto,” which will help him to live out his last days fully–ideally, he says, with the love of the beautiful Marisol. As Pancho tracks down his sister’s murderer, he finds himself falling under the influence of D.Q. and Marisol, who is everything D.Q. said she would be; and he is inexorably drawn to a decision: to honor his sister and her death, or embrace the way of the Death Warrior and choose life. Nuanced in its characters and surprising in its plot developments–both soulful and funny–Pancho & D.Q. is a “buddy novel” of the highest kind: the story of a friendship that helps two young men become all they can be.
A runaway boy with nothing finds everything he needs, including a family, in the most unlikely of places–at a racetrack.
Twelve-year-old boys living in a rough part of New York confront questions about what it means to be a friend, a father, and a man.
Monique is as beautiful and unobtainable as an Aztec goddess. Or is she? In this novel set in California’s San Joaquin Valley, a Mexican American teenager must choose between what he desperately wants and what he knows is best.
There’s always a lot of action in the Mexican American neighborhood where Mr. Lozano lives. Amelia argues with Anita; Benito loves bean burritos but not bumblebees; Hortencia and Herminia hover around like hummingbirds; and Zacarias is catching some Zs on Zachary Street. Jose Lozano’s wacky little stories and illustrations combine Mexican culture with “Sesame Street” smarts to make for a wonderful read-aloud ABC book in Spanish and English. Jose Lozano, who lives in Anaheim, California, makes his living as an elementary school teacher, but his passion is art. He is a rising star in the thriving Latino art scene in Los Angeles. “With this amusing trip through the streets of a Mexican-American neighborhood, readers will discover the lives, adventures, secrets, hobbies and special skills of a most varied gallery of personages. “With the skills of a master storyteller, Lozano creates in each page, in alphabetical order, a lively, one-paragraph portrait using words that start with the same initial letter of his characters’ names: “B is for Benito who loves baseball, bumblebees, and big bean burritos”; “I is for Isabel who likes to stay indoors, cruise the Internet and write interesting stories”; “P is for Pablo who has won many prizes for playing the piano perfectly.” (Los Otros, hermanos Tonio, Lluvia and Chuy, new to the neighborhood, haven’t yet learned English.) “The author’s detailed and vibrant gouache paintings are framed as pictures in an album, reflecting the festive spirit of a real Hispanic community. Crosthwaite’s excellent Spanish rendition maintains the savor and rhyme of the original text and its clever wordplay, making the story enjoyable in both languages. Drawings of alphabet cubes serve as dividers between the texts.”–“Kirkus Reviews”