Ada Ríos creció en Cateura, un pueblo pequeño en Paraguay construido alrededor de un vertedero. Soñaba con tocar el violín, pero con escasos recursos para poco más que lo esencial, nunca fue una opción…hasta que un maestro de música llamado Favio Chávez apareció. Él quiso darles a los niños de Cateura algo especial, así que les construyó instrumentos musicales hechos de materiales encontrados en la basura. Era una idea loca, pero una que dejaría a Ada—y al pueblo entero—cambiados para siempre. Hoy en día, la Orquesta de Reciclados toca alrededor del mundo, difundiendo su mensaje de esperanza e innovación.
Ada Ríos grew up in Cateura, a small town in Paraguay built on a landfill. She dreamed of playing the violin, but with little money for anything but the bare essentials, it was never an option…until a music teacher named Favio Chávez arrived. He wanted to give the children of Cateura something special, so he made them instruments out of materials found in the trash. It was a crazy idea, but one that would leave Ada—and her town—forever changed. Now, the Recycled Orchestra plays venues around the world, spreading their message of hope and innovation.
Asleep in his hospital bed, Jim dreams of a great lion with white teeth and amber eyes. This lion is Jim’s finder. According to Nurse Bami, everyone has a finder, a creature who comes looking for us when we are lost. But when the time comes for Jim’s operation, will his lion be able to find him and bring him safely home? Dramatically reimagined as a graphic novel by award-winning illustrator Alexis Deacon, with the inclusion of powerful dream sequences, Russell Hoban’s tale of a boy’s search for strength and courage will resonate with any child dealing with adversity.
When your school’s motto is “Life is dangerous,” you know that anything can happen—and everything does!This raucous tale of education gone awry is rife with “disgracefully dangerous high-octane fun,” according to the The Guardian, which awarded Ribblestrop the Children’s Fiction Prize. There’s no school that’s quite like Ribblestrop, complete with roofless dormitories, distracted teachers, and a perilous underground labyrinth. And then there are the students! You’ll meet Sanchez, a Colombian gangster’s son hiding from kidnappers; Millie, an excluded arsonist and self-confessed wild child; Caspar, the landlady’s spoiled grandson; the helpful but hapless Sam and his best friend Ruskin, plus a handful of orphans from overseas who are just happy to have beds—even if they are located in a roofless part of the building.
In 1855, Nathaniel Hawthorne wrote to his publisher, complaining about the irritating fad of “scribbling women.” Whether they were written by professionals, by women who simply wanted to connect with others, or by those who wanted to leave a record of their lives, those “scribbles” are fascinating, informative, and instructive.Margaret Catchpole was a transported prisoner whose eleven letters provide the earliest record of white settlement in Australia. Writing hundreds of years later, Aboriginal writer Doris Pilkey wrote a novel about another kind of exile in Australia. Young Isabella Beeton, one of twenty-one children and herself the mother of four, managed to write a groundbreaking cookbook before she died at the age of twenty-eight. World traveler and journalist Nelly Bly used her writing to expose terrible injustices. Sei Shonagan has left us poetry and journal entries that provide a vivid look at the pampered life and intrigues in Japan’s imperial court. Ada Blackjack, sole survivor of a disastrous scientific expedition in the Arctic, fought isolation and fear with her precious Eversharp pencil. Dr. Dang Thuy Tram’s diary, written in a field hospital in the steaming North Vietnamese jungle while American bombs fell, is a heartbreaking record of fear and hope.Many of the women in “Scribbling Women” had eventful lives. They became friends with cannibals, delivered babies, stole horses, and sailed on whaling ships. Others lived quietly, close to home. But each of them has illuminated the world through her words.
Through nine intimate first-person narratives, Out of War tells the story of the Children’s Movement for Peace, a network of organizations struggling against the forty-year civil war in Colombia. Readers will meet young people like Juan Elias, who decided he could best avenge his father’s murder by fighting to end the war; Maritza, who found refuge in the peace movement after her family and friends abandoned her in the communas of Medellin; and Beto, who works for the peace he never had in his abusive home. The voices of these children are raw and real, and their stories are nothing short of inspirational. In 1996, the Children’s Movement for Peace helped organize the Children’s Mandate, a referendum on children’s rights in Colombia. Two million children turned out to vote for their right to peace, sending the Colombian government a powerful message about its inability to control the violence within its borders. Since then, the Movement has worked to help children cope with loss, displacement, poverty, and other effects of the war. It has also taught children how to resolve conflict without fighting. The movement’s work is impressive, yet Out of War is really about the individual children who lead the group. Through them, readers will learn not only about the tenuous life of children in Colombia, but about what it means to give back to your community and face adversity with true courage and hope.