Ada Ríos grew up in Cateura, a small town in Paraguay built on a landfill. She dreamed of playing the violin, but with little money for anything but the bare essentials, it was never an option…until a music teacher named Favio Chávez arrived. He wanted to give the children of Cateura something special, so he made them instruments out of materials found in the trash. It was a crazy idea, but one that would leave Ada—and her town—forever changed. Now, the Recycled Orchestra plays venues around the world, spreading their message of hope and innovation.
Ada Ríos creció en Cateura, un pueblo pequeño en Paraguay construido alrededor de un vertedero. Soñaba con tocar el violín, pero con escasos recursos para poco más que lo esencial, nunca fue una opción…hasta que un maestro de música llamado Favio Chávez apareció. Él quiso darles a los niños de Cateura algo especial, así que les construyó instrumentos musicales hechos de materiales encontrados en la basura. Era una idea loca, pero una que dejaría a Ada—y al pueblo entero—cambiados para siempre. Hoy en día, la Orquesta de Reciclados toca alrededor del mundo, difundiendo su mensaje de esperanza e innovación.
Every musician knows that learning to play an instrument has its challenges and its rewards. There’s the embarrassing first day of rehearsal, but also the joy of making friends in the orchestra. There’s dealing with slippery concert dress, or simply getting swept up in the music. The twelve children in this book are just like any other musicians practicing their instruments and preparing for a concert. But what sets these music lovers apart is that they all play traditional Chinese musical instruments in a Chinese orchestra.
Shhh! Listen! Whats that sound? It starts with a Ting! When a tiny mouse taps a cup with a spoon. And ends with a triumphant Tah-dah!, as one by one, all the other animals join in. Ting! Tong! Clickety-click! Follow the band and tap your toe! Boom
Pairing two seemingly disparate elements, an orchestra conductor and a grove of trees, award-winning artist Laetitia Devernay herself orchestrates a visual magnum opus. Her spare, yet intricate, illustrations truly appear to take flight before our eyes and her wordless narrative nearly roars with sound as the conductor prompts the leaves to rustle, then whirl, then swirl to unexpected life with each turn of the page. It is a celebration of creativity, imagination, storytelling, and the renewing power of nature that will entrance readers of every age.
Five nice mice are sitting in the garden one night when Baba hears faint music in the distance. What can this wonderful sound be? They decide to go and find out, and they discover a fabulous frog concert. But mice aren’t allowed in. So they return home and decide to form an orchestra of their own—no frogs allowed. They practice and practice, and finally put on a great show. When all the cheers die down, the mice are shocked to see an audience full of frogs! It turns out that you can’t keep good music to yourself after all.
The musical superstar of 18th-century France was Joseph Boulogne—a Black man. This inspiring story tells how Joseph, the only child of a Black slave and her White master, becomes “the most accomplished man in Europe.” After traveling from his native West Indies to study music in Paris, young Joseph is taunted about his skin color. Despite his classmates’ cruel words, he continues to devote himself to his violin, eventually becoming conductor of a whole orchestra. Joseph begins composing his own operas, which everyone acknowledges to be magnifique. But will he ever reach his dream of performing for the king and queen of France? This lushly illustrated book by Lesa Cline-Ransome and James E. Ransome introduces us to a talented musician and an overlooked figure in Black history.