My Name Is Parvana

On a military base in post-Taliban Afghanistan, American authorities have just imprisoned a teenaged girl found in a bombed-out school. The army major thinks she may be a terrorist working with the Taliban. The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan — and Parvana. In this long-awaited sequel to The Breadwinner Trilogy, Parvana is now fifteen years old. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.

Faces In The Water

The water from a magical well in their farmhouse was the reason behind this ‘good fortune’, they said. One day, fifteen-year-old Gurmi sets out to look for the well and what he sees changes everyone’s world forever. The faces of three girls look up at him from the water, and draw him into a world of fun, games and cyber magic -and Gurmi has to face up to an unnerving truth as murky as the surreal well. What terrible crimes have been committed behind the walls of the rambling Diwanchand family home? Will Gurmi and the ghost-girls be able to avenge the evil that has taken place and prevent yet another unspeakable atrocity from occurring? Funny, yet sensitive and immensely powerful, Faces in the Water is the story of lives lost to appease our society’s insatiable hunger for male children, and the price families pay for its sake.

See the review at WOW Review, Volume 5, Issue 3

Lessons from Hu’ul Ke

How a young boy is raised by his grandfather on the Tohono O’odham Indian Reservation. The book denotes various aspects of O’odham himdag (culture) and begins with a simple question that the boy asks his Hu’ul Ke:li (Grandfather) with a culturally relevant answer as to why they do the things they do during the day. Various activities include waking up early in the morning and asking why they do so – to daily chores and activities such as tending horses, working in the garden, hauling water, and gathering food/medicine in the desert.

A Long Way From Home

Thirteen-year-old Rabia, along with her mother and younger brother, flees Afghanistan and the brutal Taliban for Pakistan. Some months later, they take part in a program that is relocating refugee widows and orphans to America. However, their flight falls on the fateful morning of 9/11. After the terrorist attack on the World Trade Center in New York City, their plane is diverted to Gander, Newfoundland. Also on the plane is a boy named Colin, who struggles with his prejudices against Rabia and her family after they are all stuck in Gander. The people in the small community open their hearts and their homes to the stranded passengers, and their kindness might be the bridge to bring Rabia and Colin’s families together.

Rainbow Crow: Nagweyaabi-Aandeg

Before two-leggeds walked on Mother Earth there was a great cold. The animals formed a council; someone had to seek help from the Creator. Rainbow Crow, a most colorful bird, was selected because he had a beautiful voice that would surely impress the Creator. He flew into the heavens and won fire from above. But on the way back the fire began to burn his plumage black and destroy his beautiful voice. But Rainbow Crow persevered, bringing the life-saving fire safely back to his friends.

Omer’s Favorite Place

Omer likes playing outside in the garden, in the kitchen, in the sitting room or in his bedroom – in fact he likes playing all around the house. But there are always other things going on in these places and he’s often interrupted by his brothers and sisters, or his mum and dad. However, there’s one special place Omer can go and play – somewhere where no one else goes. And this is Omer’s favorite place of all . . .

Maggie’s Chopsticks

Maggie comes from a family of unique individuals, all with their own opinions and style, each one of them willing to give advice on how the child should hold her new chopsticks. Maggie listens to all of them in turn, weighing her options. Grandmother suggests using chopsticks in a rather forthright way, while Sister suggests a more graceful approach. As Maggie begins to worry that she may never find her own style, her father suggests that she be herself. Because of his encouragement, she is able to find just what works for her. Maggie comes from a traditional Chinese family, and she clearly wants to make them proud. Woo writes in a way that transforms a story about holding utensils into a poetic journey. Not only is Maggie learning the mechanics of chopsticks, but she is also learning to be herself. Language such as “click-clack-clicketing” and, as she circles her chopsticks above her fish tank, “the fish flee/from the wooden fingers/reaching through their sky of blue” makes children want to turn the page and find out what else Maggie will experience. In Malenfant’s vibrant illustrations, deep reds and shimmering oranges leap from the pages. All children are fascinated with holding utensils, whether a fork, a spoon, or chopsticks, and are anxious to please adults while staking out their own individuality, making this a great choice for kids of all ethnic backgrounds.

I Is for India

With a special focus on Indian children, this book captures the stunning variety of life in a country that is also a subcontinent. Using an A-Z format, Prodeepta Das introduces young readers to social details both ancient and modern, such as the happy chaos of bustling cities, where the cinema rules, as well as the quiet traditions of rural life. I Is for India contains beautiful images of everything from Mehndi, elaborate filigrees of tattoos worn by young women at weddings and festivals, to the country’s splendid national bird, the peacock.