Refugees

Farewell Cuba, Mi Isla

In 1960, twelve year old Victoria’s family leaves Cuba and seeks refuge in Miami, and when Victoria’s best friend and cousin Jackie makes the trip alone, the reunited girls attempt to bring the rest of their family to safety.

Alone: The Journeys Of Three Young Refugees

Each year, more than 400 minors arrive alone in Canada requesting refugee status. They arrive without their parents, accompanied by no adult at all. Alone relates the journey of three of them: Afshin, Alain and Patricia. Their story opens a window onto the many heartbreaks, difficult sacrifices and countless hardships that punctuate their obstacle filled path. But Alone most especially tells of the courage and resilience that these young people demonstrated before being able to finally obtain a life where threats and danger are no longer a part of their everyday existence.

The Cricket War

A gripping story of a boy’s escape from Communist Vietnam by boat, based on the author’s own experience. It’s 1980, and 12-year-old Tho Pham lives with his family in South Vietnam. He spends his afternoons playing soccer and cricket fighting with his friends, but life is slowly changing under the Communists. His parents are worried, and Tho knows the Communist army will soon knock on their door to make his brother, and then him, join them. Still, it shocks him when his father says that arrangements have been made for him to leave Vietnam by boat, immediately. Thọ tries to be brave as he sets out on a harrowing journey toward the unknown.

This book is part of the Worlds of Words Global Reading List for 2023/24.

In The Tunnel

Fourteen year old Myung-gi flees North Korea with his family during the height of the devastating Korean War, beginning an epic struggle for survival that pushes them to the brink.

Featured in October 2023’s WOW Dozen on Books by Contemporary Korean American Authors.

Secret Of The Moon Conch

In modern Mexico, Sitlali is all alone after the death of her beloved abuela. Targeted by a dangerous gang member, she flees to the United States. As a memento, she takes with her an ancient conch shell. In 1521, Calizto is trapped in the Aztec city of Tenochtitlan. He has fought valiantly for his people against Spanish invaders, but hope is fading. Desperate, he takes up a sacred conch and sounds a plea to the gods. The conch holds magic neither understand. The magic allows them to communicate across centuries. With each conversation, they fall deeper in love. But as danger threatens, will they find a way to be truly together?

Barefoot Dreams Of Petra Luna

Based on a true story, the tale of one girl’s perilous journey to cross the U.S. border and lead her family to safety during the Mexican Revolution.

From Here

Refugee advocate Luma Mufleh writes of her tumultuous journey to reconcile her identity as a gay Muslim woman and a proud Arab-turned-American refugee.

Dounia And The Magic Seeds

Dounia is the story of a little girl who loves her home city of Aleppo, Syria, and its many smells, sights, and traditions. But when war breaks out, Dounia and her grandparents must flee Aleppo to find safety. Before they go, their neighbour reads their future in a cup of coffee, she sees a long difficult journey ahead of the family and a blue house awaiting them at the end. Taking only a bird carved from Aleppo soap and four little barake seeds in her pocket, Dounia faces dangerous waters, a camp surrounded by barbed wire, and unfriendly soldiers, and she wonders where she and her family belong in the world. Remembering the ancient knowledge that barake seeds ward off evil, she pulls one from her pocket to use for each of the threats they face. Magically, the seeds from their faraway home help them along their way, until they finally find the blue house at the end of their journey.

In her new home, Dounia plants her final seed in a pot so it can grow and offer more seeds, while also keeping a piece of Aleppo with her. The baraké seeds represent the Syrian culture. Although Dounia is fleeing her country, she carries with her the strength of her people. It is by tapping into her roots, represented by the seeds, that she finds her own strength and resilience. The magical moments brought about by the baraké seeds can be interpreted as Dounia’s imagination it’s a way of seeing the war and the migration from a six year old’s perspective. Dounia does not understand everything that is going on, but she is not a powerless victim. By using the seeds, she feels she is taking an active part in her own destiny. In the end, whether it is magic or Dounia’s imagination at play, it’s a story about obstacles faced by migrants and about the courage they have in facing these obstacles. As Marya puts it in her article for TBI Magazine, it reverses the common narrative in North American media that Syria is synonymous with devastation and destruction, and that Syrian refugees can only be victims of their circumstance, rather than brave, vibrant heroes who can take charge of their own stories.