War

My Brother’s Shadow

As World War I draws to a close in 1918, German citizens are starving and suffering under a repressive regime. Sixteen-year-old Moritz is torn. His father died in the war and his older brother still risks his life in the trenches, but his mother does not support the patriotic cause and attends subversive socialist meetings. While his mother participates in the revolution to sweep away the monarchy, Moritz falls in love with a Jewish girl who also is a socialist. When Moritz’s brother returns home a bitter, maimed war veteran, ready to blame Germany’s defeat on everything but the old order, Moritz must choose between his allegiance to his dangerously radicalized brother and those who usher in the new democracy.

See the review at WOW Review, Volume 5, Issue 1

Edda

Everyone in the virtual universe of Edda is made of pixels — except Penelope. While her body is kept alive in a hospital bed, her avatar runs free, able to go anywhere and do anything, including create deadly weapons for Edda’s ruler, her guardian, Lord Scanthax. When Scanthax decides he wants to invade another virtual world, Erik/Cindella from Epic and Ghost from Saga become part of the story-and soon the virtual universes are alive with fighting, alight with bombs, and brought together by three teenagers who want peace and understanding.

The Circle Cast: The Lost Years of Morgan Le Fey

Britain, 480 AD. Saxon barbarians are invading, pushing the civilized British out of their own island. Morgan is the daughter of the governor of Cornwall. But when her father is murdered and her mother taken as the Uther Pendragon’s new wife, she has to flee to Ireland to avoid being murdered herself. But Ireland is no refuge. She’s captured in a slave raid and sold to a village witch. As Morgan comes of age, she discovers her own magical powers. She falls in love with a young Irish chieftain, and makes him powerful. But will her drive for revenge destroy her one chance for love and happiness?

Requiem: Poems of the Terezin Ghetto

Paul B. Janeczko’s stirring new collection of poems goes inside the walls of the notorious camp to portray the indomitable spirit of those incarcerated there. Hitler hailed Terezin (Theresienstadt) as a haven for artistic Jews, when in reality the Czech concentration camp was little more than a way station to the gas chambers. In his second book inspired by devastating history, acclaimed poet Paul B. Janeczko gives voice to this heartrending creative community: its dignity, resilience, and commitment to art and music in the face of great brutality. The many memorable characters he conjures include a child who performs in the camp’s now famed production of Brundibar, a man who lectures on bedbugs, and a boy known as “Professor,” who keeps a notebook hidden in his shoe. Accented with dramatic illustrations by the inmates, found after WW II, Janeczko’s spare and powerful poems convey Terezin’s tragic legacy on an intimate, profoundly moving scale.

A Rose for the Anzac Boys

The story starts in 1915. Midge Macpherson is at school in England, having been sent there from New Zealand after her father’s death. Her brothers are both serving in the war; her younger brother was last heard of at the Gallipoli campaign earlier that year. Her cousins are serving in the British army. Keen to ‘do their bit’ for the war effort, Midge and her school friends, Ethel and Anne, start up a canteen behind the front in France. Anne, daughter of English aristocracy, can’t wait to escape her inevitable future of being married off to someone ‘suitable’, and Ethel, a Yorkshire lass, six foot tall and built like a rugby player, isn’t exactly debutante material.

As the war goes on, the girls start to see the consequences of the ‘noble cause’ they’re supporting, graphically illustrated by letters from Midge’s brother Dougie, her aunt Lallie (who is running a hospital ward in Alexandria), and a couple of Australians also serving on the front, Gordon Marks and Harry Harrison. Midge, resourceful for her years, is ‘borrowed’ by the ambulance service, thus witnessing at close hand the carnage of the battlefields, and hearing the stories of those who come back. She sings songs to the dying, learns to tolerate hit-and-miss anaesthesia and twelve-hour shifts, and meets some remarkable people. She accepts a birthday gift of a drawing, done by a blinded soldier, of a vase of roses. And, on her return to New Zealand, discovers that her world has changed, and she must seek out her future in Australia.

Cleopatra’s Moon

“The Luxe” meets the ancient world in the extraordinary story of Cleopatra’s daughter. Selene has grown up in a palace on the Nile with her parents, Cleopatra and Mark Antony–the most brilliant, powerful rulers on earth. But the jealous Roman Emperor Octavianus wants Egypt for himself. When war finally comes, Selene faces the loss of all she’s ever loved. Forced to build a new life in Octavianus’s household in Rome, she finds herself torn between two young men and two possible destinies–until she reaches out to claim her own.

Hamzat’s Journey

This third book in the Refugee Journeys series follows the story of a boy from Chechnya. In 2001 when Chechens were at war with Russia, he was on his way to school in the capital Grozny when he stepped on a landmine. His leg had to be amputated and eventually he and his father went to the UK for expert treatment and fitting of an artifical leg. As it was unsafe for them to return to Chechnya, the family sought asylum in the UK. Eventually Hamzat’s mother and sister joined them in London and now the family are learning to adapt to their new life after the horror of living in a war zone. This poignant and at times harrowing story reveals the bravery of Hamzat and his family in facing and overcoming their circumstances to start a new life. Simply told and atmospherically illustrated with photographs and colour illustrations, this is a powerful book that will move all who read it. Other titles in the series: Gervelie’s Journey, Mohammed’s Journey

Broken Memory

Hiding behind the old sofa, five-year-old Emma does not witness the murder of her mother, but she hears everything. And when the assassins finally leave, the young Tutsi girl somehow manages to stumble away from the scene, motivated only by the memory of her mother’s last words: “You must not die, Emma!” Taken in by an old Hutu woman, Mukecuru, Emma is still haunted by nightmares long after the war ends. When the country establishes gacaca courts to allow victims to face their tormenters in their villages, Emma is uneasy and afraid. But through her growing friendship with a young torture victim and the gentle encouragement of an old man charged with helping child survivors, Emma finds the courage to return to the house where her mother was killed and begin the journey to healing.

See the review at WOW Review, Volume 3, Issue 4