Some of the creatures in these pages might only have a message for you, but some are the stuff of nightmares. These thirty-two short stories — from tales passed down for generations to accounts that could have happened yesterday — are collected from the thriving tradition of ghost stories from American Indian cultures across North America. Prepare for stories of witches and walking dolls, hungry skeletons, La Llorona and Deer Woman, and other supernatural beings ready to chill you to the bone.
Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary. color throughout
A look at the lives of Ghandi and Martin Luther King Jr. and how they were led to seek revolution through peace.
Miosotis Flores is excited about three things;fostering rescue dogs, goofy horror movies, and her sister Amarilis’ upcoming wedding. But her papi wants her to care about school more than anything else, so they strike a deal — if Miosotis improves her grades in two classes, she can adopt a dog of her own in the summer.
Miosotis dives into her schoolwork, and into nurturing a fearful little pup called Freckles. Could he become her forever dog? At the same time, she notices Amarilis behaving strangely–wearing thick clothes in springtime, dropping her friends in favor of her fiancé, even avoiding Miosotis and the rest of their family.
When Miosotis finally discovers her sister’s secret, she faces some difficult choices. What do you do if someone is in danger, but doesn’t want your help? When should you ask for support, and when should you try to handle things on your own?
What ultimately matters most–what Miosotis wants, or what’s right for the ones she loves?
In the summer of 1987 in Venice, California, ten-year-old Bug and her new friend Frankie learn important lessons about life, family, being your true self, and how to navigate in a world that is not always just or fair.
Meixing Lim and her family have arrived at the New House in the New Land. Her parents inherited the home from First Uncle who died tragically and unexpectedly while picking oranges in the backyard. Her mama likes to remind Meixing the family never could have afforded to move here otherwise, so she should be thankful for this opportunity.
Everything is vast and unknown to Meixing in this supposedly wonderful place. She is embarrassed by her secondhand clothing, has trouble understanding her peers, and is finding it hard to make new friends. Meixing’s only solace is a rundown greenhouse, that her uncle called his glasshouse, at the far end of her backyard that inexplicably holds the sun and the moon and the secrets of her memory and imagination.
When her fragile universe is rocked by tragedy, it will take all of Meixing’s resilience and bravery to finally find her place of belonging in this new world.
In Latika’s village in rural India, there are no toilets. No toilets mean that the women have to wait until night to do their business in a field. There are scorpions and snakes in the field, and germs that make people sick. For the girls in the village, no toilets mean leaving school when they reach puberty.
No one in the village wants to talk about this shameful problem. But Latika has had enough. When a government representative visits their village, she sees her chance to make one of her dreams come true: the construction of public toilets, which would be safer for everybody in her village.
Burying the Moon shines a light on how a lack of access to sanitation facilities affects girls and women in many parts of the world.
A lonely eleven-year-old Hmong girl with the unique ability to see spirits, she spends her summer days babysitting her little brother and playing with her best friend, a cat spirit no one else can see. One day Pahua accidentally untethers an angry spirit from the haunted bridge in her neighborhood–whoops. When her brother suddenly falls sick and can’t be awoken, Pahua fears that the bridge spirit has stolen his soul. She returns to the scene of the crime with her aunt’s old shaman tools, hoping to confront the spirit and demand her brother’s return. Instead, she summons a demon
Hanna and Andreas have always been friends. When they’re expelled from school for activism directly challenging the socialist state in East Germany, they end up doing factory work. But what kind of life do they have to look forward to without education or opportunity? Especially when they aren’t allowed a voice? The choice to risk imprisonment or death by escaping to the democratic West seems like a risk worth taking. They set out to swim twenty-five hours across the choppy waters of the Baltic Sea.
In 1946 Eva arrives in New York City, from the rubble of Berlin, supposedly looking for a new life, but actually seeking justice against the Nazis that “escaped” with the help of the CIA; one in particular, the doctor who knows who Eva really is, because her identity is the product Project Bluebird, an experiment of the concentration camps involving brainwashing and mind control, which both the Americans and the Soviets would like access to–and Eva does not know if she can trust anyone she meets, least of all Jake Katz, the young man she is attracted to.