Winter Camp

Two orphaned siblings struggle to survive a harsh Alaskan winter looking after a badly wounded miner, while their guardian, an old Athabascan Indian who has taught them the ways of their ancestors, searches for help.

People of the Noatak

During five long visits to Alaska’s remote northwest coast to sketch and paint, the late Claire Fejes became guest and friend to the Native inhabitants there, learning their ways and customs. A personal narrative in text, drawings, and paintings, People of the Notatak concerns the people of two villages–Noatak, the summer settlement of a nomadic tribe that lives mainly in the wilderness interior, and Point Hope, whose economy centers around the hunting of the great bowhead whale.

Claire captures the life of the Native Inupiat in Northwest Alaska, before outside influences changed their lives. In a few simple strokes, her drawings evoke the heart and life of the Inupiat. Thanks in part to her habit of journal-keeping, Claire was able to record what she had witnessed in her years of travel and painting up the Yukon River into the Arctic Refuge.

A native New Yorker, Claire received her art training at the Newark Art Museum and taught art until moving to Alaska. She wrote with rare insight and understanding about the intimate daily lives of mothers and fathers and their children, of husbands and wives and in-laws in the villages in which she lived, an aspect of Eskimo life rarely treated in books.

Originally published in 1966, People of the Noatak is an excellent portrayal of the Inupiat people before modern changes, a glimpse into the Inupiat world when traditional values and roots were strong.

Arctic Adventures: Tales From The Lives Of Inuit Artists

Extreme weather, hunger, magic, hunting, and the land are themes that shape the existence of the Inuits’ of the Far North. These stories — retold by Raquel Rivera based on the lives of native artists Pudlo Pudlat, Jessie Oonark, Kenojuak Ashevak and Lazarusie Ishulutuk — offer young readers a glimpse into this rich, remote culture, past and present. In “Pudlo and Kapik Go Hunting,” a young boy drifts out to sea on an ice floe; “Oonark\’s Arctic Adventure” tells of a mother and daughter stranded on the icy tundra; “The Shaman’s Granddaughter” movingly explores loss and mystery; and “Lazarusie and the Polar Bears” reveals just how finely attuned the relationship between animals and humans can be. Accompanying each story are illustrations by Jirina Marton, who has spent time in the Arctic and whose deep appreciation for its subtle beauty shines through her art. In addition to the stories, there is a feature spread on each artist with a photograph, a brief biography, and a reproduction of one of the artist’s works.

People of the Trail: How the Northern Forest Indians Lived

Describes the family life, games, hunting and fishing techniques, homes, clothing, beliefs, and means of travel of the Indians of the Northwest.

The Girl Who Dreamed Only Geese: And Other Tales Of The Far North

Based on decades of research and extended collaboration with Inuit storytellers, award-winning author Howard Norman’s masterful retellings of ten Inuit tales invite readers on a unique story–journey from Siberia and Alaska to the Canadian Arctic and Greenland. Dramatic illustrations inspired by stonecut art of the Inuit people capture the beauty and mystery of these stories as they carry us–sometimes laughing, sometimes crying–from village to village over taiga, tundra, snow plains, and the iceberg-filled sea.

Diamond Willow

There’s
more to me than
most people
see.

Twelve-year-old Willow would rather blend in than stick out. But she still wants to be seen for who she is. She wants her parents to notice that she is growing up. She wants her best friend to like her better than she likes a certain boy. She wants, more than anything, to mush the dogs out to her grandparents’ house, by herself, with Roxy in the lead. But sometimes when it’s just you, one mistake can have frightening consequences . . . And when Willow stumbles, it takes a surprising group of friends to help her make things right again.

Using diamond-shaped poems inspired by forms found in polished diamond willow sticks, Helen Frost tells the moving story of Willow and her family. Hidden messages within each diamond carry the reader further, into feelings Willow doesn’t reveal even to herself.

No Time To Say Goodbye: Children’s Stories Of Kuper Island Residential School

For most North Americans, the practice of sending First Nations children to aboriginal boarding schools is a chapter in history that seems best forgotten. But the generations of children who were rounded up and sent to those faraway schools won’t ever forget the day-to-day reality of that “chapter.” Often taken without warning or time to say goodbye to their families, children as young as five had their hair cropped short and their clothes taken away. Then they were deloused, dressed in uniforms and forbidden to speak their native language or practise their traditional arts, religion or dances. No Time to Say Goodbye is a fictional account of five children sent to aboriginal boarding school, based on the recollections of a number of Tsartlip First Nations people. These unforgettable children are taken by government agents from Tsartlip Day School to live at Kuper Island Residential School. The five are isolated on the small island and life becomes regimented by the strict school routine. They experience the pain of homesickness and confusion while trying to adjust to a world completely different from their own. Their lives are no longer organized by fishing, hunting and family, but by bells, line-ups and chores. In spite of the harsh realities of the residential school, the children find adventure in escape, challenge in competition, and camaraderie with their fellow students. Sometimes sad, sometimes funny, always engrossing, No Time to Say Goodbye is a story that readers of all ages won’t soon forget.