Baseball on Mars/Beisbol en Marte

Roberto’s dad speaks in Spanish when he gets upset, and boy, is he unhappy today! His lucky chair, the one he sits in to watch his beloved New York Yankees play, is missing. And he needs it for the afternoon game against the Red Sox! Roberto is excited, too. He’s about to take off to Mars on his home-made rocket ship, and his dad’s lucky chair makes a perfect pilot’s seat. When his father finds that the missing chair has become part of the rocket ship in the backyard, he grudgingly tells Roberto he can use it, for now. But it needs to be returned before game time. Roberto’s dad is skeptical about the rocket ship. ”You might have a problem getting off the ground” he says. ”You’re forgetting one little thing; you don’t have an engine!” Soon, he finds himself invited along as co-pilot. And during the exciting flight to Mars, Roberto helps his father rediscover his imagination as they experience an amazing blastoff, wayward asteroids, and even weightlessness. When they finally land, Roberto surprises his father with two baseball gloves and a ball. “Today’s baseball game is on Mars,” he tells his dad. After spending the day playing catch, father and son realize that they speak the same language on the Red Planet. And his dad doesn’t even mind that he missed the Yankees’ game! Children ages 4-8 will want to embark on their own mission to Mars after reading this story that combines vibrant illustrations with a touching story about a father and son’s afternoon adventure.

Chicken Foot Farm

On the eve of World War II, young Alejandro comes of age on his family’s South Texas farm, known as Chicken Foot Farm because of how his mother marks her chicks. “Mama held the chick against her breast and splayed its left foot between her thumb and index finger. With her free hand she… quickly cut off the end of the chick’s shortest toe.” Rich with the customs and traditions of rural, Mexican-American life, Chicken Foot Farm depicts a multi-generational family in flux as change crawls relentlessly toward their land and lifestyle. As the seasons–and loved ones–come and go and misfortunes befall the family, Alejandro learns the lessons of life: the importance of family, honesty, hard work, and compassion. When the kitchen burns down one night, Alejandro feels they have lost something integral to their family unity. But his father promises they will build another kitchen, the new one better than the old. As Abuela Luciana ages, she begins to behave erratically, burning tortillas, forgetting to add water to the beans she is cooking, and even disappearing from the farm. She is certain someone has cursed her–put mal de ojo on her. How can the family cure her when she is the curandera, the one who has always taken care of them? Most importantly, Alejandro works hard to win his father’s approval, even though Papa generally ignores him in favor of the eldest son, Ernesto, who Papa says will inherit the farm. When Ernesto joins the Army, the family must face the possibility that he may not return as the entire country is thrown into the uncertainty of war. Following the attack on Pearl Harbor, young Alejandro notices something new in his family’s kitchen: a framed United States flag now hangs on the wall. “It’s something I can do for the war,” his Abuela Luciana tells him. Not understanding, she explains to him, “I can remind people that we are Americans.” In these poignant images of a time and place long gone, Anne Estevis sketches a tight-knit, Mexican-American community on the cusp of a new way of life as tractors replace mules and modern science competes with superstitious beliefs.

Call Me Consuelo

Intrigue and danger weave a web around young Consuelo as she is thrust into a new life in unfamiliar surroundings and a real life mystery that begs to be resolved.

Nepantla: Essays from the Land in the Middle

As a Latina educator, poet, mother, lecturer and native of El Paso, Texas, Pat Mora is a denizen of nepantla—a Nahuatl word meaning “the land in the middle.” In her first collection of essays, Mora negotiates the middle land’s many terrains exploring the personal issues and political responsibilities she faces as a woman of color in the United States. She explores both the preservation of her own Mexican American culture and her encounters with other cultures.

Lasso the Moon

In a compelling story by the author of Lizard, April cannot stop thinking about Fernando, her father’s patient from El Salvador, but when she hears two different stories of his life she wonders which one is the truth.

My Land Sings: Stories from the Rio Grande

A collection of ten original and traditional stories set in New Mexico, including “Lupe and la Llorona,” “The Shepherd Who Knew the Language of Animals,” and “Coyote and Raven.”

 

See the review at WOW Review, Volume 3, Issue 2

A Fire In My Hands: Revised And Expanded Edition

fire

Few writers capture the everyday moments of life like Gary Soto. In direct and vivid poems, he draws from his own youth in California’s Central Valley to portray the joys and sorrows of young people. His writing focuses on Latino characters, yet speaks to readers of all ethnicities.

Acclaimed by educators and unavailable since 1998, A Fire in My Hands has been revised and expanded in this new edition. Old and new fans of Soto’s work will welcome the return of his compelling poems.

Includes an introduction and an interview with the author.

The Corn Woman: Stories And Legends Of The Hispanic Southwest

The culture, history, and spirit of the Hispanic Southwest are celebrated through 45 fascinating stories and legends from the region. From ancient creation myths of the Aztecs and traditional tales of Spanish colonialists to an eclectic sampling of the work of modern Latino storytellers, this book provides a rich tapestry of both obscure and well-loved stories-religious stories; animal tales; stories of magic, transformation, and wisdom; and chistes (short comic tales). Fifteen tales are also presented in Spanish.

A Movie in My Pillow/Una Pelicula en mi almohada: Poems/Poemas

A young boy with two homelands and a delightful sense of wonder comes to life in Jorge Argueta’s first collection of poems for children. Young Jorgito lives in San Francisco’s Mission District, but he hasn’t forgotten his native El Salvador. He recalls the volcanoes, the tasty cornmeal pupusas, and his grandmother’s stories. As he changes from timid newcomer to seasoned city dweller, Jorgito’s memories and new adventures form a patchwork of dreams — the movie in his pillow — that is perfectly suited to his new bicultural identity.