Poetry

Poetry genre

A Pond Full Of Ink

This delightful collection of poems offers children and the young at heart a refreshing, inventive look at the world from the well-known Dutch author, Annie Schmidt. The rollicking poems tell the stories of such intriguing characters as three elderly otters who long to go boating but find themselves biking instead, animated furniture that comes to life when no one is home, and Aunt Sue and Uncle Steve who nest up in a tree! The poems in A Pond Full of Ink transform ordinary events and places into extraordinary adventures full of imagination, much like the work of Shel Silverstein or Jack Prelutsky. Accompanying the poems is bold and expressive artwork that makes this book too charming to resist.

The Surrender Tree: Poems Of Cuba’s Struggle For Freedom

Who could have guessed that after all these years, the boy I called Lieutenant Death when we were both children would still be out here, in the forest, chasing me, now, hunting me, haunting me. It is 1896. Cuba has fought three wars for independence and still is not free. People have been rounded up in concentration camps with too little food and too much illness. Rosa is a nurse, but with a price on her head for helping the rebels, she dares not go to the camps. Instead, she turns hidden caves into hospitals for those who know how to find her. Black, white, Cuban, Spanish–Rosa does her best for everyone.

Read more about The Surrender Tree: Poems of Cuba’s Struggle for Freedom in WOW Review.

Like Water on Stone

It is 1914, and the Ottoman Empire is crumbling into violence. Beyond Anatolia, in the Armenian Highlands, Shahen Donabedian dreams of going to New York. Sosi, his twin sister, never wants to leave her home, especially now that she is in love. At first, only Papa, who counts Turks and Kurds among his closest friends, stands in Shahen’s way. But when the Ottoman pashas set in motion their plans to eliminate all Armenians, neither twin has a choice. After a horrifying attack leaves them orphaned, they flee into the mountains, carrying their little sister, Mariam. But the children are not alone. An eagle watches over them as they run at night and hide each day, making their way across mountain ridges and rivers red with blood.

Peace Story

Peace story is a collection of illustrated stories, commissioned for the Nami Island Children’s Book Festival, Korea. Each new story was made by artists and writers from across the furthest reaches of the globe.

Mustard, Custard, Grumble Belly and Gravy (Book & CD)

You Can’t Catch Me and You Can’t Put Mustard in the Custard were first published 25 years ago and were groundbreaking collections of poems for children. You Can’t Catch Me won the Signal Poetry Award in 1982, and both books went on to become bestsellers. Combined here for the first time, the conversational and fun poetry from both these collections is fantastically matched by silly but perfectly detailed full-color illustrations. An audio CD is also provided so that children can listen to their favorite poems.

Summoning The Phoenix

Every musician knows that learning to play an instrument has its challenges and its rewards. There’s the embarrassing first day of rehearsal, but also the joy of making friends in the orchestra. There’s dealing with a slippery concert dress or simply getting swept up in the music. The twelve children in this book are just like any other musicians practicing their instruments and preparing for a concert. But what sets these music lovers apart is that they all play traditional Chinese musical instruments in a Chinese orchestra.

Canto Familiar

Twenty-five poems about the pleasures and woes that Mexican American children experience growing up. Simple poems, many involving Mexican Americans, celebrate experiences at school, home, and in the street. A companion to Neighborhood Odes, (1992). Touching, vibrant, and humorous, this lively collection of poems accompanied by beautiful illustrations celebrates childhood and the Mexican American experience. Invoking ordinary domestic and community incidents, it’ a fine introduction not only to poetry but to Chicano culture. Nelson debuts with scenes–homey, comfortable, bright–that make the book even more accessible.