Cane Warriors follows the true story of Tacky’s War in Jamaica in 1760. A powerful young adult tale told through the eyes of Moa, a 14-year-old slave, this fictionalized account of the most significant rebellion of the time is rarely mentioned in history books or taught in schools. The story begins as Moa is awoken in the middle of the night by one of the rebels, who informs him that the revolt will begin on Easter Sunday. Moa’s father doesn’t like the idea of his son joining the rebellion, but his mother gives Moa her blessing. Together, Moa and his 16-year-old best friend Keverton take up arms, learning about brotherhood, courage, faith, and sacrifice along the way. Alex Wheatle’s storytelling and characterization bring to life the issues, pain, and the power structure of the era, along with the hopes and the dreams of the people. In writing this story, Wheatle’s meticulous and extensive research evokes the stories and legends passed down by word of mouth over the centuries.
A biographical novel about Antonio Chuffat, a Chinese-African-Cuban messenger boy in 1870s Cuba who became a translator and documented the freedom struggle of indentured Chinese laborers in his country.
A time of bloody conflict and great turmoil. The slave trade expands from the east African coast. Europeans spread inland from the south. And one young boy is destined to change the future of southern Africa. This retelling of the Shaka legend explores the rise to power of a shrewd young prince who must consolidate a new kingdom through warfare, mediation, and political alliances to defend his people against the expanding slave trade.
A bilingual biography of José Martí, who dedicated his life to the promotion of liberty, the abolishment of slavery, political independence for Cuba, and intellectual freedom. Written in verse with excerpts from Martí’s seminal work, Versos sencillos.
Fifteen-year-old Bowman uses his newly-discovered powers to join with his twin sister Kestrel in an attempt to liberate their people from the “beautiful but cruel” civilization which has enslaved them. 50,000 first printing.
Who could have guessed that after all these years, the boy I called Lieutenant Death when we were both children would still be out here, in the forest, chasing me, now, hunting me, haunting me. It is 1896. Cuba has fought three wars for independence and still is not free. People have been rounded up in concentration camps with too little food and too much illness. Rosa is a nurse, but with a price on her head for helping the rebels, she dares not go to the camps. Instead, she turns hidden caves into hospitals for those who know how to find her. Black, white, Cuban, Spanish–Rosa does her best for everyone.
Imani, an African grasshopper, brings music to the new world when he travels aboard a slave ship.
Ama is a slave. She is old and dying and has an incredible story to tell. It is about violence and heartaches, but it is also a story of courage, hope, determination and ultimately, love. Since Ama is blind, she cannot write down her story for future generations. Instead, she summons the son from whom she has been long separated. at first he thinks she’s old and tiresome. But as Ama’s astonishing journey unfolds in her own words, his world changes forever, until he can never see it with the same eyes again. Nor will those who read Ama’s story.
Young slave Milon starts his journey at home in Athens. When he sets sail on a ship bound for Italy his adventures really begin. He narrowly escapes with his life in Pompei as the great volcano Vesuvius erupts and destroys the town; he experiences the colourful life of the metropolis of Alexandria in Egypt, and he faces a battle for life and death in the Colosseum in Rome. When he meets a small community of Christians in Rome, he finally gains his freedom and finds a purpose in life. At the centre of the story is Milon’s relationship with a wounded lion who he bravely helps. Will the lion remember him and return the favour when Milon faces death at the hands of the mighty Roman emperors?
Traditional “juba” rhythms have a long history. They originated in Nigeria as hand-clapping games. People who were brought to the New World as slaves fought hard to keep their culture alive against terrible odds. They transformed “juba” rhythms into work songs that were passed down orally.