Amiqquq is excited when his family catches a bowhead whale. As his family prepares to celebrate the traditional Inupiaq whaling feast, Amiqqaq learns about the spirit-of-the-whale.
Americas
Materials from the Americas
A Distant Enemy
Joseph, a fourteen-year-old boy struggling with the reality that his white father left him and his Yup’ik mother when he was born, lashes out at others in many ways, but when he is saved by one of his supposed “”enemies,”” he begins to view things differently.
James Houston’s Treasury Of Inuit Legends (Odyssey Classics (Odyssey Classics))
James Houston made his first journey to the Canadian Arctic in 1948 in search of a new land to paint. There he found a warm, friendly people living in a vast, cold, hauntingly beautiful world. He lived with the Inuit and Indian people in the Arctic and grew to understand them and their way of life. He also helped introduce Inuit culture to the world with his remarkable art and stories. Here are four of his exciting Inuit folktales–Akavak, Tiktaliktak, The White Archer, and Wolf Run–collected for the first time in one beautiful volume. Houston’s striking illustrations for each story bring the Arctic and its people to life. This inspired collection is sure to fascinate readers of all ages. Includes an introduction by Theodore Taylor.
Hide And Sneak
Inuit author Michael Kusugak uses a mythological figure and traditional Inuit practices as the backdrop for this dramatic story. Allashua ignores the inuksugaq as she plays hide-and-seek. Soon she encouters an Ijiraq–a tiny half-bird, half-human creature who loves to play. Allashua remembers her mother telling her that if an Ijiraaq hides you, no one will ever find you again. Eventually Ijiraq disappears and Allashua gets lost on the tundra. With no idea of which way to go, she heads toward a small block dot on a far-off hill. When Allashua realizes the dot is the inuksugaq and that it can guide her safely home, she understands the riddle of its existence.
Welcome The Caribou Man
Abenaki artists Gerard Tsonakwa and his wife Yolaikia Wapitaska, working in stone, bone and wood, bring the ancient legends of the Abenaki people into the industrial age through juxtaposition of the stories with their masks and sculptures. This volume, illustrated with many of the works that have toured more than thirty museums since 1992, evokes ancient connections embodied in the legends and lore of traditional peoples.
People of the Trail: How the Northern Forest Indians Lived
Describes the family life, games, hunting and fishing techniques, homes, clothing, beliefs, and means of travel of the Indians of the Northwest.
Touching Spirit Bear
Within Cole Matthews lie anger, rage and hate. Cole has been stealing and fighting for years. This time he caught Alex Driscal in the, parking lot and smashed his head against the sidewalk. Now, Alex may have permanent brain damage’and Cole is in the Biggest trouble of his life.
Cole is offered Circle Justice: a system based on Native American traditions that attempts to provide healing for the criminal offender, the victim and the, community. With prison as his only alternative, Cole plays along. He says he wants to repent, but in his heart Cole blames his alcoholic mom his, abusive dad, wimpy Alex — everyone but himself — for his situation.
Cole receives a one-year banishment to a remote Alaskan island. There, he is mauled by Mysterious white bear of Native American legend. Hideously injured, Cole waits for his death His thoughts shift from from Anger to humility. To survive, he must stop blaming others and take responsibility for his life. Rescuers arrive to save Cole’s but it is the attack of the Spirit Bear that may save his soul.
Ben Mikaelsen paints a vivid picture of a juvenile offender, examining the roots without absolving solving him of responsibility for his actions, and questioning a society in which angry people make victims of their peers and communities. Touching Spirit Bear is a poignant testimonial to the power of a pain that can destroy, or lead to healing
The Great Serum Race: Blazing The Iditarod Trail
Ride shotgun with the heroic mushers whose bravery inspired the Iditarod. In the winter of 1925, Nome, Alaska, was hit by an unexpected and deadly outbreak of diphtheria. Officials immediately quarantined the town, but the only cure for the community of more than 1,400 people was antitoxin serum and the nearest supply was in Anchorage—hundreds of miles of snowbound wilderness away. The only way to get it to Nome was by dogsled. Twenty teams braved subzero temperatures and blizzard conditions to run over 600 miles in six days in a desperate relay race that saved the people of Nome. Several of the dogs, including Togo and Balto, became national heroes. Today their efforts, and those of the courageous mushers, are commemorated every March by the Iditarod Trail Sled Dog Race. Jon Van Zyle’s stunning oil paintings capture the brutal conditions, pristine wilderness, and sheer guts and determination demonstrated by the heroic mushers and dogs.
The Frog Princess: A Tlingit Legend From Alaska
Many men begin to flock to the Tlingit village hoping to make the headman’s beautiful daughter their bride, then retreat in disgrace as none is ever good enough for her. Weary of the suitors and their presents, she proclaims that she’s sooner marry a frog from the lake than any of the men after her heart. One night soon after, a very handsome young man–with slightly bulging eyes–appears on her threshold to fulfill her words, and she follows him underwater to her new home amongst the Frog People. But her peace is interrupted when her parents demand her return to the village, and the maiden finds herself caught in a clash between the worlds of land and sea. In Kimmel’s captivating retelling of the Tlingit legend, with breathtaking illustrations by Rosanne Litzinger, a maiden struggles to find the place where she truly belongs.
The Light On The Tent Wall: A Bridging (Native American Ser)
Mary TallMountain is a Native writer whose “lantern voices seek to lead us out of the given darkness,” and “her work, like seasoned oak, is full of heat and fire, simplicity and compassion,” writes poet and scholar Alfred Robinson. The poems in this collection confront death and engage the sacred. Joy Harjo calls each poem “a track, and the series of tracks makes a bridge back to the ‘light on the tent wall,’ which is the sacred place of the songs, the stories that created us.”