A lyrical celebration of multiculturalism as a parent shares with a child the value of their heritage and why it should be a source of pride, even when others disagree.
Featured in WOW Review Volume XII, Issue 1
Materials from United States of America
A lyrical celebration of multiculturalism as a parent shares with a child the value of their heritage and why it should be a source of pride, even when others disagree.
Featured in WOW Review Volume XII, Issue 1
Eleanor and Park meets Bollywood in this hilarious and heartfelt novel about two Indian-American teens whose parents conspire to arrange their marriage. Dimple Shah has it all figured out. With graduation behind her, she’s more than ready for a break from her family, from Mamma’s inexplicable obsession with her finding the “Ideal Indian Husband.” Ugh. Dimple knows they must respect her principles on some level, though. If they truly believed she needed a husband right now, they wouldn’t have paid for her to attend a summer program for aspiring web developers… right? Rishi Patel is a hopeless romantic. So when his parents tell him that his future wife will be attending the same summer program as him—wherein he’ll have to woo her—he’s totally on board. Because as silly as it sounds to most people in his life, Rishi wants to be arranged, believes in the power of tradition, stability, and being a part of something much bigger than himself. The Shahs and Patels didn’t mean to start turning the wheels on this “suggested arrangement” so early in their children’s lives, but when they noticed them both gravitate toward the same summer program, they figured, Why not?
WOW Recommends: Book of the Month, September, 2017
Featured in WOW Currents (February, 2018) around the theme of women in STEM.
Two perspectives were offered in My Take/Your Take (March, 2018).
Photographs by the great nineteenth-century photographer depict the beauty of the North American Indian and his way of life and are accompanied by an insightful commentary.
Young George Johnson lives in extraordinary times. His father is Sir William Johnson, one of the richest and most powerful men in colonial New York. His mother is Molly Brant, step-daughter of a Mohawk chief and sister of Iroquois leader Joseph Brant. George spends his early years in a grand mansion. Johnson Hall is a place where Native American culture comfortably mingles with European customs. But George’s life changes as the War for American Independence looms. Peter goes off to fight for the king against the rebel Americans, and the allegiance of the families of the Mohawk Valley are torn. After William Johnson’s death in 1774, Molly and Joseph urge the Iroquois nations to support the Loyalists. As rebel forces take over the valley, George and his family are forced to flee. Molly sends George to boarding school in Montreal, where he spends three miserable years. Finally, he persuades his mother to allow him to join in a last raid on Mohawk Valley. In a riveting climax, he experiences first-hand the inglorious brutality and futility of war, and struggles with what it means to be half Mohawk. And at last he learns the truth about his brother’s fate.
A Suquamish Indian chief describes his people’s respect and love for the earth, and concern for its destruction.
This collection includes poems that explore human relationships, music, death … universal concerns written about in a way that recognizes and uses the universality while selecting the images from her Cree background. We are privileged to glimpse another way of relating to the world while being presented with the difficulties of growing up in a minority culture.
“Stories are wondrous things,” award-winning Canadian author and scholar Thomas King declares in his 2003 CBC Massey Lectures. “And they are dangerous.” Stories assert tremendous control over our lives, informing who we are and how we treat one another as friends, family and citizens. With keen perception and wit, king illustrates that stories are the key to, and the only hope for, human understanding, He compels us to listen well.
A drop of fresh water must be retrieved in order for First Man to create a stream or lake in his parched homeland, and the members of his village are unable to do so, but, through an unexpected twist of fate, their doomed destiny may be saved.
Photographs and text describe non-verbal signals used by the Indians of the Great Plains, including more than 800 signs, smoke signals, picture writing and the language of feathers and body paint.