girls and women

The Crystal Ribbon

In the village of Huanan, in medieval China, the deity that rules is the Great Huli Jing. Though twelve-year-old Li Jing’s name is a different character entirely from the Huli Jing, the sound is close enough to provide constant teasing-but maybe is also a source of greater destiny and power. Jing’s life isn’t easy. Her father is a poor tea farmer, and her family has come to the conclusion that in order for everyone to survive, Jing must be sacrificed for the common good. She is sold as a bride to the Koh family, where she will be the wife and nursemaid to their three-year-old son, Ju’nan. It’s not fair, and Jing feels this bitterly, especially when she is treated poorly by the Koh’s, and sold yet again into a worse situation that leads Jing to believe her only option is to run away, and find home again. With the help of a spider who weaves Jing a means to escape, and a nightingale who helps her find her way, Jing embarks on a quest back to Huanan–and to herself.

My Brigadista Year

When thirteen-year-old Lora tells her parents that she wants to join Premier Castro’s army of young literacy teachers, her mother screeches to high heaven, and her father roars like a lion. Nora has barely been outside of Havana — why would she throw away her life in a remote shack with no electricity, sleeping on a hammock in somebody’s kitchen? But Nora is stubborn: didn’t her parents teach her to share what she has with someone in need? Surprisingly, Nora’s abuela takes her side, even as she makes Nora promise to come home if things get too hard. But how will Nora know for sure when that time has come?

The Thing Lou Couldn’t Do

Lou and her friends are BRAVE adventurers. They run FASTER than airplanes. They build MIGHTY fortresses. They rescue WILD animals. But one day, when they’re looking for a ship to play pirates in, Lou’s friend has an idea: Up there! The tree can be our ship! Ummm …says Lou.

Pippi Longstocking in the Park

The tiny town where Pippi Longstocking lives is really peaceful. But it’s different in the big city. The city park is teeming with bad guys, and the police seem powerless to stop them. So Pippi decides to move to the park with her friends, Tommy and Annika, her monkey, and her horse — and Villa Villekulla. Pippi simply brings the boards and rebuilds the house in an afternoon. The very first evening, as the three friends gaze happily out at the city’s twinkling lights, the bad guys show up to begin their usual fun. They pull men’s mustaches and grab women’s purses. But that’s only until they come face-to-face with Pippi, the world’s strongest girl!

I’m A Girl!

Meet a little girl who’s spontaneous, fast, and strong and loves winning. Sometimes she’s mistaken for a boy, but she definitely isn’t one! When she meets a boy who likes wearing princess dresses and playing dolls, they quickly discover shared interests and a wonderful friendship.

The House That Sonabai Built

As a young woman, Sonabai Rajawar finds herself alone, day after day for almost fifteen year. No family, no friends… And then one day she ‘makes’ her way out of oppressive loneliness into a world of creativity, beauty and joy. This sensitive telling of Sonabai’s story follows her transformative artistic journey from the tactile experience of her first creations in clay, innovative experiments with colours and light, and unfettered play with pattern and design to being embraced by the art world.

The Green Bicycle

Spunky eleven-year-old Wadjda lives in Riyadh, Saudi Arabia with her parents. She desperately wants a bicycle so that she can race her friend Abdullah, even though it is considered improper for girls to ride bikes. Wadjda earns money for her dream bike by selling homemade bracelets and mixtapes of banned music to her classmates.

Hope is a Girl Selling Fruit

On a train journey to a large city, a young woman notices a very poor girl. Who is she? Where is she going? What does her future hold? Hope Is a Girl Selling Fruit is a gentle, reflective account of a young woman’s thoughts and feelings as she comes into contact with the larger world. The rich imagery takes the story into another realm, inviting the reader to interpret it at many levels. Young Indian artist Amrita Das pushes the boundaries of her traditional art to radical new ends as she muses on women’s mobility, class, and choices.

See the review at WOW Review, Volume 8, Issue 3